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A7S III 35mm High Sensitivity E-mount Camera with Full-Frame Sensor (Body Only)

Model: ILCE-7SM3
$4,899.00 $5,299.00
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  • Overview

    Sony α7S III with full-frame movie performance including high sensitivity, 15-stop wide dynamic range, 4K 120p (With 10% image crop.), fast AF, and strong image stabilisation.

    • Newly developed 12.1-megapixel back-illuminated Exmor R(TM) CMOS image sensor
    • Newly developed BIONZ XR(TM) image processing engine with up to 8x the processing performance
    • Movie-making with 4K 120p, 10-bit 4:2:2 recording capability
    • Fast Hybrid AF with 759 phase-detection AF points and enhanced Real-time Eye AF
    • Body-integrated 5-axis optical image stabilisation, Active Mode for movies
    • High sensitivity, wide dynamic range
    • One Mount: A wide variety of E-mount lenses for imaginative movie-making
    • All-Intra internal recording
    • 16-bit RAW data output
    • Enhanced audio quality, 48 kHz/24-bit 4-ch

  • Promotions

    Next generation creativity on the go

    The α6700 combines the latest AI technology with Sony's outstanding α-series image quality in a compact APS-C camera body. Offering enhanced subject recognition, the latest technology for capturing stills and movies, and E-mount lens compatibility, the lightweight α6700 is designed for creative adventures, anytime, anywhere.

     

     

    Image of link destination

    α6700 Photo Gallery

    Click here explore Sample images

    A window for your world

    Photo of a small bird

    APS-C format Exmor R™ back-illuminated CMOS sensor

    The advanced Exmor R CMOS image sensor with 26.0 effective megapixels is packed with Sony's image sensor technologies. It offers extraordinary sensitivity, resolution and dynamic range, thanks to its back-illuminated format, gapless on-chip lenses, and AR coating (anti-reflection seal glass).

    Image of the Exmor R image sensor

    BIONZ XR™ processing power for exceptional image quality

    With up to eight times more processing power than previous versions, the latest BIONZ XR image processing engine delivers natural gradations and realistic colours with low noise for stills and movies.

    Image of the BIONZ XR

    Wide dynamic range for diverse shooting scenarios

    The α6700's standard sensitivity ranges from a low ISO 100 to ISO 32000, and offers a wide dynamic range so that natural gradations can be captured in high-contrast scenes without blown highlights or blocked shadows.

    Portrait photograph of a woman in evening light

    Consistently accurate exposure and colour

    The α6700 offers impressive exposure control. It's equipped with a new AE algorithm, initially developed for full-frame models, which enables it to accurately detect the skin area of faces and adjust exposure accordingly when shooting stills and movies. It can also maintain realistic colours under a wide range of light sources, from sunlight through to theatre and stadium lighting, and produce more natural skin tones, sky and foliage colours.

    Image of two birds

    Choose your Creative Look

    The Creative Look setting offers greater creative flexibility with added simplicity. It provides 10 presets that can be used just as they are or customised via 8 adjustable parameters to suit the subject or scene, whether you’re shooting stills, movies or live-streaming. You can easily set the mood ahead of shooting so your images are ready to share immediately.

    4 sample photos of Creative look: Ferris wheel, boathouse, portrait of a woman, macro of wildflowers

    5-axis optical image stabilisation

    Shoot hand-held or in low-light with confidence — the 5-axis in-body optical image stabilisation system is supported by precision gyro sensors to deliver up to 5-steps of shake compensation. It detects and compensates for various types of camera shake, including angular (pitch/yaw) shake that is more apparent at longer focal lengths, or when shooting with slower shutter speeds.

    [1] Yaw [2] Roll [3] Pitch

    Illustration of the image stabilization unit

    Precise compensation at the single-pixel level

    Through enhanced design and control of key parameters, the α6700 provides precise detection and control right down to the single-pixel level, taking full advantage of the sensor's 26.0 megapixel resolution to produce images that capture all the finer details.

    Portrait photograph of a woman and an enlargement photograph of her face

    Selectable RAW file types and quality

    In addition to compressed RAW capture, the α6700 supports lossless compressed RAW capture that provides efficient compression, allowing a greater number of high-quality images to be shot in continuous bursts. A new Light image quality selection that generates less data is provided for JPEG and HEIF images.

    Camera LCD display screen: RAW Image selection screen

    HEIF: High compression with excellent image quality

    For the first time in an APS-C camera, the α6700 includes the HEIF (High Efficiency Image File) format with smooth 10-bit gradations for more realistic reproduction of skies and portrait skin tones. The HEIF format also uses advanced compression technology to maintain image quality while significantly reducing file size and saving storage space.

    Landscape photograph of a city and lake

    Evolving with AI

     

    Innovative AI processing

    The α6700 is equipped with an innovative AI processing unit that greatly enhances its performance, including more accurate recognition for a wider range of subjects.

    Image of the AI Processing Unit

    Human pose estimation

    The α6700 uses subject form data to recognise movement, achieving greatly improved human eye recognition. It also employs learned human forms and postures to precisely recognise body and head positions, making it possible to lock onto and track a subject facing away from the camera, or with their face partly obscured by a helmet or sunglasses.

    Image showing AF Frame tracking a woman only in a small part of the frame

    Wider subject recognition

    In addition to humans and animals, the α6700 now recognises birds, insects, cars, trains and airplanes, providing even greater flexibility and reliability when shooting both stills and movies. Heads and bodies are recognised in addition to eyes (Real-time Eye AF) for the Human and Animal settings, and now for the Bird setting too, with animal recognition performance more than 40% higher compared to the α6600.

    Sample photos of recognizable subjects: leopard, bird, airplane, car, train, butterfly.

    Smarter Real-time Tracking

    The upgraded and more reliable AI-based Real-time Tracking makes shooting in a wider range of situations simpler, leaving you free to concentrate on framing and composition. The α6700 can even track people wearing helmets or animals facing away from the camera.

    Photo of a woman walking in the street

     

    Faster, more precise wide-area AF

    The immense processing power and updated algorithms of the new BIONZ XR engine achieve notably improved AF performance, with up to 759 phase detection points, covering approximately 93% of the image area when shooting stills.

    Illustration of focus points.

    Accurate AF in low EV -3.0 light

    The latest AF algorithms achieve high AF precision at light levels as low as EV -3.0 in AF-S mode (ISO 100 equivalent, F2.0 lens). The Focus Priority mode also provides more reliable AF in low light or when using smaller apertures.

    Portrait photo of a woman in a dark moonlit scene

    Shoot more than 1000 images at 11 fps

    The α6700's powerful BIONZ XR processing engine combines with a large buffer memory to boost write speeds to memory cards, so that the camera can shoot more than 1000 JPEG images, up to 59 compressed RAW images, or up to 23 lossless compressed RAW images in continuous high-speed bursts.

    Example of continuous shooting: an owl flying in the sky

    Full-time DMF

    When shooting stills with AF-C or AF-S autofocus, the lens's focus ring can be rotated to instantly switch to manual focus mode at any time. This makes it easy to switch focus to a different subject on the fly.

    Photo of a small owl perched on a branch

    Focus bracketing to capture the best shot

    The α6700 can automatically shoot up to 299 images with sequentially shifted focus points according to intervals and a sequence specified by you. Pick the perfect shot, or post-process multiple shots to achieve creative composites with incredible depth of focus.

    Several photos of plants taken with AF bracketing

    Flicker suppression

    Suppress flicker from artificial lighting whether you're shooting stills or movies. Simply select "Anti-flicker Shoot", or use "Var. Shutter" to fine-tune shutter speeds to match flicker rates when filming.

    Image of the camera's menu screen

     

    Movie performance inherited from the Cinema Line

    4K movie recording for stunning quality

    The α6700 captures 4K (QFHD: 3840 x 2160) at up to 60p (50p) using Sony's proprietary 6K oversampling technology. By compressing this expanded detail into the output, it achieves 4K video quality with outstanding definition, even at higher frame rates. The camera also supports high-quality XAVC S-I (All-Intra) and XAVC HS formats with 10-bit 4:2:2 colour sampling.

     

    High frame rate 4K 120p (100p) recording

    High frame rate recording at up to 120p for 4K QFHD (3840 x 2160) output makes it possible to capture high-resolution movies in-camera. This expands creative possibilities in post-production by allowing subject motion to be emphasised or transformed into smooth slow motion. S&Q mode also enables recording of slow or quick motion sequences in camera from the outset.

    Expressive S-Cinetone™

    Incorporating the same colour science as the highly regarded CineAlta and Cinema Line, the α6700 includes Sony's S-Cinetone picture profile as a preset, delivering images with more faithful colour reproduction and natural skin tones.Portrait of a woman’s face

    S-Log3 gamma curve with 14+ stops of latitude

    The S-Log3 gamma curve emphasises gradation characteristics from shadows to mid-grey (18% grey), achieving up to 14+ stops of latitude for flexible and creative colour editing.Portrait of a woman silhouetted against a cityscape

    Real-time Tracking for movies

    AI-based Real-time Tracking provides a dramatic improvement in Real-time Tracking performance, automatically recognising, tracking, and focusing on the eyes of a specified subject. In addition to using the Touch Tracking function to initiate tracking, a custom button can be used to temporarily track a selected subject regardless of the subject's position in the frame and the focus area setting.Sample photo of AF tracking the subject even at intersections where other people are passing by

    Active Mode for enhanced movie image stabilisation

    Active Mode provides powerful image stabilisation for handheld movie shooting. The α6700 can accurately measure camera shake which is then precisely compensated for optically, providing highly effective stabilisation without sacrificing mobility, even when shooting 4K. Photo of a man shooting hand-held video with telephoto lens attached

    Breathing compensation for consistent angle of view

    When shooting movies with compatible lenses, automatic breathing compensation uses Clear Image Zoom technology to maintain a consistent angle of view, suppressing changes that may occur due to shifts in focus position. Breathing metadata can also be used in post-production.Portrait of a woman with a birdcage in the foreground

    Import user LUT files

    See how your footage will look in post-processing while you're shooting. The α6700 allows you to import a custom LUT (Look Up Table) that can be applied to the camera's monitor image while recording, providing a preview.Image of the "Display LUT" selection screen

    Movie making made simple

    The α6700 is jampacked with features to support movie shooting and production. Its Auto Framing function automatically crops and re-frames the image while using AI to track the subject. Or, for a cinematic touch, the in-camera time-lapse function allows you to create time-lapse videos within the camera itself.Sample photos of auto-framing: Finder display image and actual captured image

     

    Outstanding control and reliability

     

    Made for your hands

    With its compact shape, and lightweight 493 gram body, the α6700 offers remarkable portability and manoeuvrability without compromising image quality. A new grip design provides a solid, even more comfortable hold on the camera, while giving greater control for shooting both stills and movies.

    Photos of people holding cameras or drones with cameras mounted on them

    High-performance electronic viewfinder

    A 2.36 million-dot (approx.) XGA OLED electronic viewfinder with approximately 1.07x magnification delivers an exceptional view of your world. With twice the brightness of the α6600, and a wider 33-degree viewing angle, it offers clear, easy viewing while shooting. The finder frame rate can be set to 120 fps — twice the normal rate — for a smooth viewfinder image, with minimum display motion blur when tracking and shooting moving subjects.Illustration of viewfinder interior

    Enhanced shooting flexibility with vari-angle monitor

    The α6700 features a large 3.0-type 1.03 million-dot (approx.) touch-panel LCD monitor with a 3:2 aspect ratio and side-opening vari-angle flexibility. This allows greater positioning and framing freedom, giving you plenty of creative options for handheld and gimbal-mounted shooting of stills and moviesImage of the camera illustrating LCD panel movement

    Intuitive touch control

    Just touch the screen to activate key functions, such as selecting a focus point or subject to track, or triggering the shutter. Swiping in from the left or right edge of the shooting display reveals touch icons that allow quick changes to the shooting mode and other settings. The function (Fn) menu can also be displayed by a simple swipe-up. During playback, you can easily select and zoom into images through taps and intuitive pinch-out/pinch-in gestures.Image showing touchscreen operation

    Improved menu structure

    Responding to feedback from professional photographers and videographers, the α6700 comes with a new Main Menu structure similar to the latest full-frame α series models. The logical layout provides more efficient access to important shooting parameters, such as frame rate, shutter speed, and more. It can be assigned to a custom key for quick access when needed, and touch operation means that adjusting key settings has never been faster.Image of the camera's menu screen

     

    Visualise your world with E-mount lenses

     

    More than 70 E-mount lenses to choose from

    Take your pick from a comprehensive range of E-mount lenses from Sony. Our acclaimed line-up includes the full-frame G Master™ series that blends breathtaking resolution with exquisite bokeh, and the G Lens™ series that offers excellent image quality and value. Combined with an APS-C body, Sony's ultra-wide lenses can capture sweeping scenery or large subjects in a single frame, while telephoto lenses, assisted by the 1.5 crop factor of APS-C bodies and teleconverter lenses as needed, make it possible to capture distant subjects with stunning clarity and detail.

    Image of all E-mount lenses

    Accessories expand creative horizons

    A variety of high-performance compatible microphones can be connected to the the camera’s Multi Interface Shoe for direct, noise-free digital audio transfer to the camera. Or choose from a variety of high-output flash units such as the HVL-F60RM2 that support high-speed continuous shooting, giving you even more ways to capture creative imagery.Image of Sony flashes Image of microphones attached to cameras

    Connected vision

    Easy and stable smartphone connectivity

    Make the most of the α6700’s greatly enhanced connection stability with Sony’s free Creators’ App that enables simple transfers of photos and movies to your smartphone or tablet. Transfers continue in the background even if the smartphone display sleeps or a different app is launched. You can also use your smartphone to control the camera remotely.

    Photo of a woman looking at a photos transferred from the camera

    Stream high-quality live content

    Connected to a personal computer or smartphone via USB, the α6700 can function as a 4K (2160p) webcam with advanced AF that makes online meetings and live streaming events even smoother.

    Photo of a woman live streaming with the camera

    Fast Wi-Fi for PC tethering

    Built-in Wi-Fi (IEEE 802.11a/b/g/n/ac) allows communication on the 2.4 GHz and 5 GHz bands for fast and stable data transfer.

    Image of the Wi-Fi setup screen

    Creators' Cloud platform

    Creators' Cloud is a platform that supports creative work from shooting to production by combining advanced Sony camera technology with cloud-based AI. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps providing efficient solutions that integrate cameras with shooting and production apps and services.

     

    Illustration of the Creators Cloud concept

     

    Towards a better future

    Accessible technology on α cameras

    Sony's α cameras are equipped with a number of accessibility features so that as many people as possible can utilise and enjoy our technology. For example, the screen reader function reads text on the menu screens aloud, with volume and reading speed adjustable as needed.

    Image of screen reader settings

    Sony's goal: zero environmental footprint

    At Sony, we've launched the Road to Zero plan to map our path to achieving a zero environmental footprint, with our Green Management 2025 plan defining intermediate targets. We've taken measures to reduce the environmental footprint of the α6700 at every stage of its life cycle, from product development through supply chain, production, and packaging.

    Image of Road to Zero logo

    Packing for the future

    Wherever possible, Sony strives to use non-plastic packaging materials that provide ample protection against shock and impact, including plant-based non-woven fabrics for product bags. All of this helps to minimise environmental stress.

    Image of camera packaging materials

     

     

    SPECIFICATIONS & FEATURES

    The α6700 represents a new generation of APS-C camera bodies with a futuristic fusion of AI-based recognition technology, superlative α-series still image quality, plus moviemaking features and performance from Sony’s acclaimed Cinema Line.

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      APS-C format back-illuminated Exmor R CMOS sensor with approximately 26.0 effective megapixels

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      Advanced BIONZ XR engine boosts overall processing speed by up to 8x

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      Innovative AI processing unit for enhanced subject recognition, AF and tracking

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      In-body 5-axis image stabilisation with Active Mode for movie shooting

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      High-level movie performance inherited from the Cinema Line

    Picture of α6700 Premium E-mount APS-C Camera
    Picture of α6700 Premium E-mount APS-C Camera
  • Features
    New image sensor with double the readout speed

    New image sensor with double the readout speed

    The newly developed back-illuminated full-frame Exmor RTM CMOS sensor, with 12.1 effective megapixels, boasts a readout speed up to twice as fast as that of the α7S II, along with high sensitivity and wide dynamic range. An advanced colour filter array boosts colour reproduction accuracy, while focal plane phase-detection AF enables substantial increases in autofocus stability and precision, all of which contribute to outstanding image quality.

    New image-processing engine with up to 8x the processing performance

    New image-processing engine with up to 8x the processing performance

    The BIONZ XRTM image-processing engine boasts a performance level up to eight times that of the previous processor, minimising latency while markedly improving real-time processing capabilities for both movies and stills. The engine performs real-time processing of AF, image recognition and image-quality adjustments, while also handling data transfer, user interface and other camera operations.

    High sensitivity, wide dynamic range

    High sensitivity, wide dynamic range

    The full-frame 12.1-megapixel configuration enables high sensitivity with low noise throughout the camera's sensitivity range by optimising the output signal from the sensor. The standard ISO range is 80-102400, which is further expandable to 40-409600 (80-409600 for movies). The dynamic range is an impressively wide 15 stops, for beautiful, true-to-life images without blown highlights. Together, the camera's high sensitivity and wide dynamic range expand your creative freedom during shoots.

    Full-frame 4K recording at 120p

    Full-frame 4K recording at 120p

    Full-frame 4K recording at 120fps with autofocus is possible thanks to the high-speed readout capabilities of the new image sensor working in tandem with the newly developed, powerful BIONZ XR processor. This high image-quality 4K, with full-pixel readout without binning, allows for clear post-produced slow motion (up to x5 slower than real time), as well as bokeh effects typical of full-frame cameras, all with smooth, high-precision autofocus. Despite the α7S III's compact size, it provides impressive scope for your creativity.

    Recording movies with 10-bit depth and 4:2:2 colour sampling

    Recording movies with 10-bit depth and 4:2:2 colour sampling

    The camera is capable of performing 4K internal recording with 10-bit depth and 4:2:2 colour sampling when using either Long GOP or All Intra compression. This makes it possible to push your colour grades further, stretching video out for ultimate HDR realism while still retaining natural gradation, for true editing freedom.

    All-Intra internal recording

    All-Intra internal recording

    In addition to Long GOP inter-frame compression, the α7S III supports internal intra-frame (All-Intra) recording for the first time in an α-model body, where each frame is recorded independently at a high bitrate of up to 600Mbps. This can be useful for certain types of shoots as it allows maximum flexibility in post-production editing.  [1] All-Intra (All-I)  [2] Long GoP  [3] Group of Pictures

    HEVC codec with high compression efficiency

    HEVC codec with high compression efficiency

    Available for the first time, XAVC HS format recording using the MPEG-H HEVC/H.265 codec roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS allows for detailed 10-bit video with 4:2:2 colour sampling at comparable or lower data rates, delivering even better image quality as well as manageable file sizes.

    16-bit RAW data output

    16-bit RAW data output

    Facilitating improved image quality and more flexible and efficient editing in post production, the camera supports 16-bit RAW data output to an external recorder via HDMI, for the first time in the α series. The output is full-frame 4264 x 2408 (16:9 aspect ratio) 16-bit data from the image sensor, with a choice of 59.94p/50p/29.97p/25p/23.98p frame rates and colour spaces.

    S-Log2 and S-Log3 with 10bit 4:2:2 support

    S-Log2 and S-Log3 with 10bit 4:2:2 support

    S-Log2 and S-Log3 gamma curves are available, with S-Log3 designed for better reproduction of gradations from shadows to the mid-grey range (18% grey), enabling a dynamic range of up to 15 stops. Three colour gamut settings (S-Gamut, S-Gamut3, and S-Gamut3.Cine) are provided, and the latter two settings make it easier to match the colours of footage shot with Sony's professional cinema cameras. Because the colours match, colour grading is easier in post-production editing, making it more convenient to use the α7S III along with other pro cameras.

    Proxy recording for more efficient editing workflow

    Proxy recording for more efficient editing workflow

    When shooting movies, low bit-rate HD proxy files can be recorded simultaneously with higher bit-rate formats such as XAVC S-I 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files can be captured in either 10-bit XAVC HS (1920 x 1080) or 8-bit XAVC S (1280 x 720) .

    10-bit HLG picture profile

    10-bit HLG picture profile

    An HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 colour space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout and less whiteout, all without the need for colour grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism.  [1] High flexibility to fine-tune images as desired (colour grading required)  [2] Instant high-quality image (colour grading not required) 

    Enhanced movie image quality

    Enhanced movie image quality

    Thanks to the improved capabilities of the α7S III's new image-processing engine, colours and textures of foliage and human skin can be more consistently reproduced without over-dependence on light sources. Gradation rendering has also been refined, for better-looking skin tones and highlight roll-off in portraits. When shooting 4K, the new image sensor and processing engine reduce rolling shutter distortion to as little as one-third that of the α7S II.

    Fast Hybrid AF for dependable focus during movie shooting

    Fast Hybrid AF for dependable focus during movie shooting

    Inheriting technology and performance standards from Sony's large-format FX9 pro camcorder, Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field, taking full advantage of Sony E-mount lenses' smooth linear-motor focusing and power-zoom operations. Newly added AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as requested by professional users. Both allow preset settings to be recalled during recording by using a customisable button.

    AF support in manual-focus mode

    AF support in manual-focus mode

    The camera's autofocus support can be useful even when you're primarily using manual focus. For full AF speed, half-press the shutter button or press the AF-ON button, as you would when shooting stills. Alternatively, slower, more cinematic AF transitions can be achieved by initiating AF via the touch focus feature or Real-time Eye AF via a custom button assignment, resulting in slow, smooth autofocus at the preset AF Transition Speed.

    Game-changing tracking features to revolutionise movie shooting

    Game-changing tracking features to revolutionise movie shooting

    Real-time Tracking and Real-time Eye AF make movie-making much easier. Touch Tracking initiates subject tracking with an intuitive touch to the LCD monitor, processing data on colour, pattern (brightness), distance (depth) and facial information to keep your subject in steady focus. You can then concentrate more fully on composition, which can be especially useful when you're shooting solo or using a gimbal. Touch operations can be used to temporarily engage AF even when you're shooting manually.

    Active Mode optical image stabilisation for handheld shooting

    Active Mode optical image stabilisation for handheld shooting

    Relying on a new high-precision stabilisation unit, gyro sensors, and optimised image stabilisation algorithms, the camera's Optical SteadyShotTM Active Mode provides the precise degree of optical image compensation needed during movie shooting, even for 4K video. With this unprecedented level of stabilisation it's possible to shoot with the camera only, taking advantage of the compact size and mobility of the α system.  [1] Track of camera shake  [2] Standard  [3] Active

    Enhanced audio quality

    Enhanced audio quality

    A digital audio interface is incorporated in the camera's Multi Interface (MI) Shoe, to facilitate cleaner, clearer audio recordings without loss of quality. The XLR-K3M XLR Adaptor Kit additionally provides the camera with 4-channel 24-bit digital audio recording capability. Three recording formats can be selected from a menu: 48 kHz/16-bit 2-ch, 48 kHz/24-bit 2-ch, and 48 kHz/24-bit 4-ch, with the XLR-K3M XLR Adaptor Kit required for the latter two formats.

    New heat-dissipation design for extended recording times

    New heat-dissipation design for extended recording times

    The camera's design has been optimised to prevent overheating even during extended recording sessions. A unique Sony Σ (sigma) shaped graphite-alloy heatsink is built into the image stabilisation unit, allowing the sensor to dissipate heat five times more effectively than in previous models, while allowing it to move freely and avoiding interference with the stabilisation system.

    Designed for smooth movie-making

    Designed for smooth movie-making

    Flexibility in positioning the camera and framing shots is provided by the side-opening, vari-angle monitor, which incorporates a bright 3.0-type, 1.44 million-dot LCD screen. The MOVIE button is within easy reach on the camera's top panel, and a durable HDMI Type-A terminal ensures reliable connections to external monitors. The item arrangement and initial settings on the mode dial have also been adjusted to meet the needs of pro users.

    Dedicated settings menu for movie shooting

    Dedicated settings menu for movie shooting

    A subset of the camera's settings can be changed independently for movie or still shooting, which can be useful if you want to use different ISO, Iris (aperture) and other settings depending on the shooting mode. Another convenient feature is the use of Flexible Exposure Mode instead of normal PASM Mode when Movie or S&Q mode is selected. This allows quick switching between auto and manual control of Iris (aperture) and shutter speed, and the function can be assigned to a custom button to allow one-touch toggling between auto and manual.

    Fast Hybrid AF for still shots

    Fast Hybrid AF for still shots

    The Fast Hybrid AF uses a high-density array of 759 phase-detection AF points (covering around 93% of the imaging area) in conjunction with 425-point contrast-detection AF. Real-time Eye AF (for humans and animals) and Real-time Tracking features are also available for the first time in the S series. Advanced AF algorithms facilitate precise AF down to light levels as low as EV-6, for accurate focus even when the subject would be difficult to see clearly with the naked eye. 

    High-speed continuous shooting performance

    High-speed continuous shooting performance

    Mechanical and electronic shutters are each capable of continuous shooting at up to 10fps with AF/AE. Continuous shooting of over 1000 uncompressed RAW images is possible thanks to increases in the buffer memory of the BIONZ XR processor and memory-card writing speed.

    Enhanced image quality for stills

    Enhanced image quality for stills

    The new image sensor and image-processing engine deliver an extraordinary degree of sensitivity, a defining characteristic of the S series, and significantly better reproduction of colour and textural details. Improved rendering capability provides realistic-looking images with reduced noise, particularly in the mid-to-high sensitivity range. A new Visible Light and IR Sensor improves auto white balance, and HEIF file options and an HLG Still Image Mode (for 8-bit and 10-bit HEIF stills) have been added.

    Creative Look feature to set the mood and atmosphere

    Creative Look feature to set the mood and atmosphere

    The new Creative Look feature is a quick way to establish a particular mood in still shots and movies by altering parameters like brightness, contrast and colour saturation. Ten Creative Look presets are available in-camera, and each of these can be used as is, or further customised using eight individual parameter settings. Custom Creative Look settings can be easily saved and stored for later use.

    Two CFexpress Type A-compatible media slots

    Two CFexpress Type A-compatible media slots

    The camera's two media slots are compatible with new CFexpress Type A cards as well as SDXC/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write/read speeds suitable for both high-speed continuous still shooting and 4K movie recording at high bit rates. They are capable of quickly clearing camera buffers even when high volumes of still image and movie data are being generated.

    High-definition 9.44 million-dot electronic viewfinder

    High-definition 9.44 million-dot electronic viewfinder

    Boasting the highest resolution in its class, the α7S III's viewfinder rivals the resolution of the human eye. It provides category-leading 0.90x viewfinder magnification, a 41º diagonal field of view, and a 25mm high eyepoint for clear, low-distortion viewing. Improvements in sealing greatly reduce the chance that even drastic ambient temperature fluctuations will cause interior condensation.

    New touch-driven menu with workflow-based navigation

    New touch-driven menu with workflow-based navigation

    Responding to requests from pro photographers and videographers, the menu structure has been designed to allow professionals to work more efficiently. Menu tabs are on the left side of the display, while parameter groups and parameters related to the selected tab appear on the right. Up to three levels can be displayed together, making the menu structure more clearly visible. Touch-responsive menu operations enable fast, intuitive control.

    Reliable, durable construction

    Reliable, durable construction

    To maximise dust and moisture resistance, additional sealing has been applied to all body seams and to the battery compartment cover, and the media slot cover has been redesigned to handle harsh outdoor environments. A filter in front of the image sensor oscillates at an ultrasonic frequency of 70,000 cycles per second to remove dust from the sensor surface. The camera chassis is highly durable thanks to full magnesium-alloy construction.

    USB Power Delivery

    USB Power Delivery

    The camera supports USB PD (Power Delivery), to enable continuous shooting for extended periods without draining the internal battery. PD-compatible USB chargers and mobile batteries can be connected to the camera's USB Type C® port, to supply power or to recharge the internal battery at 3 to 4 times the rate of conventional power supplies.

    Data communications to support on-site workflow

    Data communications to support on-site workflow

    Wired and wireless communications features support FTP transfer for still and movie files as well as remote shooting capability, to facilitate professional workflows during shoots. Wireless 5GHz/2.4GHz LAN connections are supported, and wired connectivity to 1000BASE-T Ethernet networks is available via a USB-to-Ethernet adaptor cable connected to the camera's USB Type C® port supporting SuperSpeed USB 5Gbps (USB 3.2). Remote shooting can be controlled from a PC with Sony's Imaging Edge DesktopTM application, or from a mobile device with Imaging Edge MobileTM.

    External flash control from the camera body

    External flash control from the camera body

    It is now possible to configure the settings of a compatible attached flash or Wireless Radio Commander (both sold separately) from the camera. Most settings, including light output, can be accessed and easily changed directly from a camera menu, for high-performance flash control with these genuine Sony accessories. Flash parameters are shown in the selected camera display language.

    Imaging Edge Desktop

    Imaging Edge Desktop

    Elevate your photography with Imaging Edge Desktop applications. Use ‘Remote’ to control and monitor shooting live on your PC screen; ‘Viewer’ to quickly preview, rate, and select photos from large image libraries; and ‘Edit’ to develop RAW data into high-quality photos for delivery. Get the best from Sony RAW files, and manage your productions more efficiently.

    Capture One for Sony

    Capture One for Sony

    Capture One Express (for Sony) is free award-winning editing software that provides RAW development, easy management and powerful editing tools. Capture One Pro (for Sony) is also available for even more editing tools and remote shooting capability.

    S-Cinetone™ from high-end cinema camera colour science

    S-Cinetone™ from high-end cinema camera colour science

    The inclusion of Sony’s acclaimed S-Cinetone look, inherited from the development of the Cinema Line FX9 and CineAlta cameras such as VENICE, allows cinematic colour to be achieved directly in-camera. S-Cinetone is optimised for natural skin tones and mid-range colours, with gentle highlight roll-off, for impressive subject depiction without grading at post production as a workflow.

    Works with iMovie and Final Cut Pro X

    Works with iMovie and Final Cut Pro X

    This product is compatible with Final Cut Pro X and iMovie.

  • Highlight

    Newly developed 12.1-megapixel back-illuminated Exmor RTM CMOS image sensor

    Lens

    E-mount

    Newly developed BIONZ XR image processing engine with up to 8x the processing performance

    Image Sensor

    3:2

    Movie-making with 4K 120p, 10-bit 4:2:2 recording capability

    Recording (still images)

    35mm full frame L: 3776 x 2832 (11M), M: 2464 x 1848 (4.6M), S: 1888 x 1416 (2.7M), APS-C L: 2464 x 1848 (4.6M), M: 1888 x 1416 (2.7M), S: 1232 x 920 (1.1M)

    Fast Hybrid AF with 759 phase-detection AF points and enhanced Real-time Eye AF

    Recording (movie)

    XAVC S, XAVC HS

    Body-integrated 5-axis optical image stabilisation, Active Mode for movies

    Recording System

    Yes

  • Specifications

    Designed for professionals, the α7S III builds on the strengths of the S series such as high sensitivity and wide dynamic range while providing pro features like enhanced AF, optical image stabilisation and 4K 120p recording. Incorporating a powerful new engine in its compact body, the camera delivers a wide range of visual experiences.

    Lens

    Lens Mount

    E-mount

    Image Sensor

    Aspect Ratio

    3:2

    Number Of Pixels (Effective)

    Approx. 12.1 megapixels

    Number of Pixels (total)

    Approx. 12.9 megapixels

    Sensor Type

    35mm full frame (35.6×23.8mm), Exmor R CMOS sensor

    Anti-Dust System

    Yes (Charge protection coating on Optical Filter and ultrasonic vibration mechanism)

    Recording (still images)

    IMAGE SIZE (PIXELS) [4:3] 

    35mm full frame L: 3776 x 2832 (11M), M: 2464 x 1848 (4.6M), S: 1888 x 1416 (2.7M), APS-C L: 2464 x 1848 (4.6M), M: 1888 x 1416 (2.7M), S: 1232 x 920 (1.1M)

    Image Size (pixels) [16:9]

    35mm full frame L: 4240 x 2384 (10M), M: 2768 x 1560 (4.3M), S: 2128 x 1200 (2.6M), APS-C L: 2768 x 1560 (4.3M), M: 2128 x 1200 (2.6M), S: 1376 x 776 (1.1M)

    IMAGE SIZE (PIXELS) [1:1] 

    35mm full frame L: 2832 x 2832 (8M), M: 1840 x 1840 (3.4M), S: 1408 x 1408 (2.0M),APS-C L: 1840 x 1840 (3.4M), M: 1408 x 1408 (2.0M), S: 912 x 912 (0.8M)

    Picture Effect

    -

    Creative Style

    -

    Picture Profile

    Yes (Off / PP1-PP10) Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset

    CREATIVE LOOK

    ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)

    Dynamic Range Functions

    Off, Dynamic Range Optimizer (Auto/Level (1-5))

    Colour Space

    sRGB standard (with sYCC gamut), Adobe RGB standard and Rec. ITU-R BT.2100 standard (BT.2020 gamut). (compatible with TRILUMINOS Color)

    14bit RAW

    Yes

    Recording (movie)

    Recording Format

    XAVC S, XAVC HS

    Colour Space

    Rec. ITU-R BT.2100 standard compatible (BT.2020 gamut). (compatible with TRILUMINOS Color)

    Picture Effect

    -

    Creative Style

    -

    Picture Profile

    Yes (Off / PP1-PP10) Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset

    CREATIVE LOOK

    ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)

    MOVIE RECORDING SYSTEM (XAVC HS 4K)

    3840 x 2160 (4:2:0, 10bit, NTSC) (Approx.): 120p (200Mbps), 60p (150Mbps / 75Mbps / 45Mbps), 24p (100Mbps / 50Mbps / 30Mbps); 3840 x 2160 (4:2:0, 10bit, PAL) (Approx.): 100p (200Mbps), 50p (150Mbps / 75Mbps / 45Mbps); 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 120p (280Mbps), 60p (200Mbps / 100Mbps), 24p (100Mbps / 50Mbps); 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 100p (280Mbps), 50p (200Mbps / 100Mbps)* details of frame rate

    MOVIE RECORDING SYSTEM (XAVC S 4K)

    3840 x 2160 (4:2:0, 8bit, NTSC) (Approx.): 120p (200Mbps), 60p (150Mbps), 30p (100Mbps / 60Mbps), 24p (100Mbps / 60Mbps); 3840 x 2160 (4:2:0, 8bit, PAL) (Approx.): 100p (200Mbps), 50p (150Mbps), 25p (100Mbps / 60Mbps); 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 120p (280Mbps), 60p (200Mbps), 30p (140Mbps), 24p (100Mbps); 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 100p (280Mbps), 50p (200Mbps), 25p (140Mbps)* details of frame rate

    MOVIE RECORDING SYSTEM (XAVC S HD)

    1920 x 1080 (4:2:0, 8bit, NTSC) (Approx.): 120p (100Mbps / 60Mbps), 60p (50Mbps / 25Mbps), 30p (50Mbps / 16Mbps), 24p (50Mbps); 1920 x 1080 (4:2:0, 8bit, PAL) (Approx.): 100p　(100Mbps / 60Mbps), 50p (50Mbps / 25Mbps), 25p (50Mbps / 16Mbps); 1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.): 60p (50Mbps), 30p (50Mbps), 24p (50Mbps); 1920 x 1080 (4:2:2, 10bit, PAL) (Approx.): 50p (50Mbps), 25p (50Mbps)* details of frame rate

    MOVIE RECORDING SYSTEM (XAVC S-I 4K)

    3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 60p (600Mbps), 30p (300Mbps), 24p (240Mbps); 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 50p (500Mbps), 25p (250Mbps)* details of frame rate

    MOVIE RECORDING SYSTEM (XAVC S-I HD)

    1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.): 60p (222Mbps), 30p (111Mbps), 24p (89Mbps); 1920 x 1080 (4:2:2, 10bit, PAL) (Approx.): 50p (185Mbps), 25p (93Mbps)* details of frame rate

    SLOW & QUICK MOTION (SHOOTING FRAME RATE) 

    NTSC mode: 1fps,2fps,4fps,8fps,15fps,30fps,60fps,120fps, 240fps,PAL mode: 1fps,2fps,3fps,6fps,12fps,25fps,50fps,100fps, 200fps* details of frame rate

    Movie Functions

    Audio Level Display, Audio Rec Level, PAL/NTSC Selector, Proxy Recording (1280 x 720 (6Mbps), 1920 x 1080(9Mbps), 1920 x 1080(16Mbps)), TC/UB, Auto Slow Shutter, Gamma Disp. Assist, RAW Output(HDMI)

    Recording System

    Location information Link from smartphone

    Yes

    Media

    SD memory card, SDHC memory card (UHS-I/II compliant), SDXC memory card (UHS-I/II compliant), CFexpress Type A memory card

    Memory Card Slot

    SLOT1: Multi slot for SD (UHS-I/II compliant) memory card/CFexpress Type A card, SLOT2: Multi slot for SD (UHS-I/II compliant) memory card/CFexpress Type A card

    Recording mode on 2 memory cards

    Simult. Rec, Sort, Auto Switch Media, Copy

    Noise Reduction

    Noise Reduction

    Long exposure NR: On/Off, available at shutter speeds longer than 1 sec.,High ISO NR: Normal / Low / Off

    White balance

    White Balance Modes

    Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom

    SHUTTER AWB LOCK 

    Yes (Shut. Halfway Down / Cont. Shooting / Off)

    Focus

    Focus Type

    Fast Hybrid AF (phase-detection AF / contrast-detection AF)

    Focus Sensor

    Exmor R CMOS sensor

    Focus Point

    35mm full frame: 759 points (phase-detection AF), APS-C mode with FF lens: 345 points (phase-detection AF), with APS-C lens: 285 points (phase-detection AF) / 425 points (contrast-detection AF)

    Focus Sensitivity Range

    EV-6 to EV20 (ISO100 equivalent with F2.0 lens attached)

    Focus Mode

    AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus

    Focus Area

    Wide / Zone / Center Fix / Spot / Expand Spot / Tracking

    EYE AF / SUBJECT RECOGNITION AF

    [Still images] Human (Right/Left Eye Select) / Animal, [Movie] Human (Right/Left Eye Select)

    Other Features

    Predictive control, Focus lock, AF Track Sens. (Still), AF Subj. Shift Sensitivity (Movie), AF Transition Speed (Movie), Switch V/H AF Area, AF Area Regist., Circ. of Focus Point

    AF Illuminator

    Yes (with Built-in LED type)

    AF Illuminator range

    Approx. 0.3m - approx. 3.0m (with FE 28-70mm F3.5-5.6 OSS lens attached)

    Focus type with LA-EA3 (Sold separately)

    Phase-detection

    Exposure

    Metering Sensor

    Exmor R CMOS sensor

    Metering Sensitivity

    EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)

    Metering Mode

    Multi-segment, Center-weighted, Spot, Spot Standard/Large, Entire Screen Avg., Highlight

    Exposure Compensation

    +/- 5.0EV (1/3 EV, 1/2 EV steps selectable) (with exposure compensation dial: +/- 3EV (1/3 EV steps))

    Exposure Bracketing

    Bracket: Cont., Bracket: Single, 3/5/9 frames selectable. (Ambient light, Flash light)

    AE Lock

    Locked when shutter button is pressed halfway. Available with AE lock button. (On/Off/Auto)

    Exposure Modes

    AUTO(iAuto), Programmed AE (P), Aperture priority (A), Shutter-speed priority (S), Manual (M), Movie (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode), Slow & Quick Motion (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode)

    ISO Sensitivity

    Still images: ISO 80-102400 (ISO numbers up from ISO 40 to ISO 409600 can be set as expanded ISO range.), Movies: ISO 80-102400 equivalent (ISO numbers up to ISO 409600 can be set as expanded ISO range.)

    Anti-flicker Shoot.

    Yes

    Scene Selection

    -

    Exposure

    Metering Type

    1200-zone evaluative metering

    Viewfinder

    Viewfinder Type

    1.6 cm (0.64 type) electronic viewfinder (color)

    Number of Dots

    9 437 184 dots

    Field Coverage

    100%

    Magnification

    Approx. 0.90 x (with 50mm lens at infinity, -1m-1)

    Dioptre Adjustment

    -4.0 to +3.0m-1

    Eye Point

    Approx. 25mm from the eyepiece lens, 21mm from the eyepiece frame at -1m-1 (CIPA standard)

    DISPLAY FUNCTION

    Histogram, Real-time image-adjustment display, Digital level gauge, Grid line, Focus check, Peaking MF, Zebra, Movie marker, Emph disp dur REC

    Finder Frame Rate Selection

    NTSC mode: STD 60fps / HI 120fps, PAL mode: STD 50fps / HI 100fps

    LCD Screen

    Monitor Type

    7.5cm (3.0-type) type TFT

    Number of Dots

    1,440,000 dots

    Touch Panel

    Yes

    Brightness Control

    Manual (5 steps between -2 and +2), Sunny Weather mode

    Adjustable Angle

    Opening Angle:Approx. 176 deg., Rotation Angle:Approx. 270 deg.

    Focus Magnifier

    Yes, Focus Magnifier (35mm full frame: 2.1x / 4.1x, APS-C: 1.5x / 3.0x)

    Other Features

    PlayMemories Camera Apps™

    -

    Clear Image Zoom

    Still images:Approx. 2x,Movies:Approx. 1.5x (4K), Approx. 2x (HD)

    Digital Zoom

    Smart zoom (Still images):35mm full frame: M:Approx. 1.5x, S:Approx. 2x, APS-C: M:Approx. 1.3x, S:Approx. 2x, Digital zoom (Still images):35mm full frame: L:Approx. 4x, M:Approx.6.1x, S:Approx. 8x, APS-C: L:Approx. 4x, M:Approx. 5.2x, S:Approx. 8x,Digital zoom (Movie):35mm full frame: Approx. 4x, APS-C: Approx. 4x

    Face Detection

    Face Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority

    Self-Portrait Self-timer

    -

    Others

    Interval Recording, ISO AUTO Min. SS, Bright Monitoring, Copyright Info, Set File Name, Save/Import Settings, Help guide, Video Light Mode, Zoom Ring Rotate

    Shutter

    Type

    Electronically-controlled, vertical-traverse, focal-plane type

    Shutter Type

    Mechanical shutter/Electronic shutter

    Shutter Speed

    Still images: 1/8000 to 30 sec, Bulb, Movies: 1/8000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode)

    Flash Sync. Speed

    1/250 sec.

    Electronic Front Curtain Shutter

    Yes (ON/OFF)

    Silent Shooting

    Yes (ON/OFF)

    Image Stabilization

    Type

    Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)

    Compensation Effect

    5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50mm F1.4 ZA lens mounted. Long exposure NR off.)

    Flash Control

    Type

    -

    Guide No.

    -

    Flash coverage

    -

    Control

    Pre-flash TTL

    Flash Compensation

    +/- 3.0 EV (switchable between 1/3 and 1/2 EV steps)

    Flash Modes

    Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction (on/off selectable), Wireless, Hi-speed sync.

    Recycling Time

    -

    External Flash Compatibility

    Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe

    FE Level Lock

    Yes

    Wireless Control

    Yes (Light signal: Available with Fill-flash, Slow Sync., Hi-speed sync. / Radio signal: Available with Fill-flash, Rear Sync., Slow Sync., Hi-speed sync.)

    Drive

    Drive Modes

    Single Shooting, Continuous shooting (Hi+/Hi/Mid/Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket

    Continuous Drive Speed (approx. max.)

    Continuous shooting: Hi+: 10 fps, Hi: 8 fps, Mid: 6 fps, Lo: 3 fps

    No. of recordable frames (approx.)

    JPEG Extra fine L: over 1000 frames, JPEG Fine L: over 1000 frames, JPEG Standard L: over 1000 frames, RAW: over 1000 frames, RAW & JPG: over 1000 frames, RAW (Uncompressed): over 1000 frames, RAW (Uncompressed) & JPG: over 1000 frames

    Self-Timer

    10 sec. delay / 5 sec. delay / 2 sec. delay / Continuous self-time / Bracketing self-timer

    Pixel Shift Multi Shooting

    -

    Playback

    Photo Capture

    Yes

    Modes

    Single (with or without shooting information Y RGB histogram & highlight / shadow warning),Index view,Enlarged display mode (L: 10.6x, M: 6.92x, S: 5.32x),Auto Review,Image orientation,Folder selection (Date / Still / Movie),Protect,Rating,Display as Group

    Print

    Compatible Standards

    Exif Print, Print Image Matching III

    Custom function

    Type

    Custom key settings,Programmable Setting (Body 3 sets /memory card 4 sets),My Dial Settings,My Menu,Reg Cust Shoot Set

    Lens Compensation

    Setting

    Peripheral Shading, Chromatic Aberration, Distortion

    Power

    Supplied Battery

    One rechargeable battery pack NP-FZ100

    Battery Life (Still Images)

    Approx. 510 shots (Viewfinder) / Approx. 600 shots (LCD monitor) (CIPA standard)

    Battery Life (Movie, actual recording)

    Approx. 80 min (Viewfinder) / Approx. 95 min (LCD monitor) (CIPA standard)

    Battery Life (Movie, continuous recording)

    Approx. 130 min (Viewfinder) / Approx. 135 min (LCD monitor) (CIPA standard)

    Internal Battery Charge

    Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)

    Power consumption with Viewfinder

    Still images: Approx. 4.3W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: Approx. 7.6W (with FE 28-70mm F3.5-5.6 OSS lens attached)

    Power consumption with LCD screen

    Still images: Approx. 3.3W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: Approx. 7.3W (with FE 28-70mm F3.5-5.6 OSS lens attached)

    USB Power supply

    Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)

    Interface

    PC Interface

    Mass-storage / MTP

    Multi / Micro USB Terminal

    Yes, Type-C® Terminal (SuperSpeed USB 5Gbps(USB 3.2) compatible)

    Bluetooth

    Yes (Bluetooth Standard Ver. 5.0 (2.4GHz band))

    Multi Interface Shoe

    Yes (with Digital Audio Interface)

    Mic Terminal

    Yes (3.5 mm Stereo minijack)

    Sync Terminal

    -

    Headphone Terminal

    Yes (3.5 mm Stereo minijack)

    Vertical Grip Connector

    Yes

    LAN Terminal

    -

    FUNCTIONS

    FTP Transfer Func.,View on Smartphone,Remote control via Smartphone,NFC One-touch remote,PC Remote,BRAVIA Sync (Control for HDMI),PhotoTV HD

    Size & Weight

    Weight (with battery and memory card included)

    Approx. 699 g, approx. 1 lb 8.7 oz

    Dimensions (W x H x D)

    Approx. 128.9mm x 96.9mm x 80.8mm, Approx. 128.9mm x 96.9mm x 69.7mm (FROM GRIP TO MONITOR), Approx. 5 1/8 x 3 7/8 x 3 1/4 inches, Approx. 5 1/8 x 3 7/8 x 2 3/4 inches (FROM GRIP TO MONITOR)

    Audio

    Microphone

    Built-in, stereo

    Speaker

    Built-in, monaural

    Others

    Operating Temperature

    32 - 104 degrees F / 0 - 40 degrees C

  • Delivery Information

    How much does delivery cost?

    Sony offers free deliveries for orders $100 and above. For orders below $100, a standard delivery charge of $2.90 will be applied during checkout.

     

    What is the expected delivery lead time?

    Products excluding those listed under Televisions and Home Cinema:

    For orders below $100, your order will be delivered within 3 working days upon order placement of products.

    For orders $100 and above, placed before 2pm on Monday - Thursday excluding eve of public holidays, delivery will be next day. Orders received on the weekend may take longer as some logistics partners do not support delivery on Sunday. Please refer to the following table for delivery estimates:

    Time Of Order

    Estimated Delivery Date

    Example

    Mon – Thu

    Orders before 2pm

    Receive it the next working day

    Order on Monday 11am, receive on Tuesday

    Mon – Thu

    Orders after 2pm

    Receive it the 3rd working day

    Order on Monday 2pm, receive on Wednesday

    Fri, Eve of PH

    Orders before 2pm

    Receive it the next working day

    Order on Thursday 11am (eve of PH), receive it on Monday

    Fri – Sun, Eve of PH

    Orders after 2pm

    Receive it on the 3rd  working day

    Order on Thursday 2pm (eve of PH), receive it on Tuesday

     

    Large products (products listed under Televisions and Home Cinema):

    Next day delivery may not be applicable. Please expect a phone call after placing your order for arrangement of the date of delivery.

     

    Where do you ship to?

    Shipping is only available within Singapore. Delivery will only be made to address located on the main Singapore island, with the exclusion of restricted zones. Delivery to Sentosa island will be subject to additional charges. Where Sony is unable to deliver, we will endeavour to notify you as soon as we become aware of the restriction.

    For more information, please refer to our Online Shopping FAQ

  • Overview

    Sony α7S III with full-frame movie performance including high sensitivity, 15-stop wide dynamic range, 4K 120p (With 10% image crop.), fast AF, and strong image stabilisation.

    • Newly developed 12.1-megapixel back-illuminated Exmor R(TM) CMOS image sensor
    • Newly developed BIONZ XR(TM) image processing engine with up to 8x the processing performance
    • Movie-making with 4K 120p, 10-bit 4:2:2 recording capability
    • Fast Hybrid AF with 759 phase-detection AF points and enhanced Real-time Eye AF
    • Body-integrated 5-axis optical image stabilisation, Active Mode for movies
    • High sensitivity, wide dynamic range
    • One Mount: A wide variety of E-mount lenses for imaginative movie-making
    • All-Intra internal recording
    • 16-bit RAW data output
    • Enhanced audio quality, 48 kHz/24-bit 4-ch

  • Promotions

    Next generation creativity on the go

    The α6700 combines the latest AI technology with Sony's outstanding α-series image quality in a compact APS-C camera body. Offering enhanced subject recognition, the latest technology for capturing stills and movies, and E-mount lens compatibility, the lightweight α6700 is designed for creative adventures, anytime, anywhere.

     

     

    Image of link destination

    α6700 Photo Gallery

    Click here explore Sample images

    A window for your world

    Photo of a small bird

    APS-C format Exmor R™ back-illuminated CMOS sensor

    The advanced Exmor R CMOS image sensor with 26.0 effective megapixels is packed with Sony's image sensor technologies. It offers extraordinary sensitivity, resolution and dynamic range, thanks to its back-illuminated format, gapless on-chip lenses, and AR coating (anti-reflection seal glass).

    Image of the Exmor R image sensor

    BIONZ XR™ processing power for exceptional image quality

    With up to eight times more processing power than previous versions, the latest BIONZ XR image processing engine delivers natural gradations and realistic colours with low noise for stills and movies.

    Image of the BIONZ XR

    Wide dynamic range for diverse shooting scenarios

    The α6700's standard sensitivity ranges from a low ISO 100 to ISO 32000, and offers a wide dynamic range so that natural gradations can be captured in high-contrast scenes without blown highlights or blocked shadows.

    Portrait photograph of a woman in evening light

    Consistently accurate exposure and colour

    The α6700 offers impressive exposure control. It's equipped with a new AE algorithm, initially developed for full-frame models, which enables it to accurately detect the skin area of faces and adjust exposure accordingly when shooting stills and movies. It can also maintain realistic colours under a wide range of light sources, from sunlight through to theatre and stadium lighting, and produce more natural skin tones, sky and foliage colours.

    Image of two birds

    Choose your Creative Look

    The Creative Look setting offers greater creative flexibility with added simplicity. It provides 10 presets that can be used just as they are or customised via 8 adjustable parameters to suit the subject or scene, whether you’re shooting stills, movies or live-streaming. You can easily set the mood ahead of shooting so your images are ready to share immediately.

    4 sample photos of Creative look: Ferris wheel, boathouse, portrait of a woman, macro of wildflowers

    5-axis optical image stabilisation

    Shoot hand-held or in low-light with confidence — the 5-axis in-body optical image stabilisation system is supported by precision gyro sensors to deliver up to 5-steps of shake compensation. It detects and compensates for various types of camera shake, including angular (pitch/yaw) shake that is more apparent at longer focal lengths, or when shooting with slower shutter speeds.

    [1] Yaw [2] Roll [3] Pitch

    Illustration of the image stabilization unit

    Precise compensation at the single-pixel level

    Through enhanced design and control of key parameters, the α6700 provides precise detection and control right down to the single-pixel level, taking full advantage of the sensor's 26.0 megapixel resolution to produce images that capture all the finer details.

    Portrait photograph of a woman and an enlargement photograph of her face

    Selectable RAW file types and quality

    In addition to compressed RAW capture, the α6700 supports lossless compressed RAW capture that provides efficient compression, allowing a greater number of high-quality images to be shot in continuous bursts. A new Light image quality selection that generates less data is provided for JPEG and HEIF images.

    Camera LCD display screen: RAW Image selection screen

    HEIF: High compression with excellent image quality

    For the first time in an APS-C camera, the α6700 includes the HEIF (High Efficiency Image File) format with smooth 10-bit gradations for more realistic reproduction of skies and portrait skin tones. The HEIF format also uses advanced compression technology to maintain image quality while significantly reducing file size and saving storage space.

    Landscape photograph of a city and lake

    Evolving with AI

     

    Innovative AI processing

    The α6700 is equipped with an innovative AI processing unit that greatly enhances its performance, including more accurate recognition for a wider range of subjects.

    Image of the AI Processing Unit

    Human pose estimation

    The α6700 uses subject form data to recognise movement, achieving greatly improved human eye recognition. It also employs learned human forms and postures to precisely recognise body and head positions, making it possible to lock onto and track a subject facing away from the camera, or with their face partly obscured by a helmet or sunglasses.

    Image showing AF Frame tracking a woman only in a small part of the frame

    Wider subject recognition

    In addition to humans and animals, the α6700 now recognises birds, insects, cars, trains and airplanes, providing even greater flexibility and reliability when shooting both stills and movies. Heads and bodies are recognised in addition to eyes (Real-time Eye AF) for the Human and Animal settings, and now for the Bird setting too, with animal recognition performance more than 40% higher compared to the α6600.

    Sample photos of recognizable subjects: leopard, bird, airplane, car, train, butterfly.

    Smarter Real-time Tracking

    The upgraded and more reliable AI-based Real-time Tracking makes shooting in a wider range of situations simpler, leaving you free to concentrate on framing and composition. The α6700 can even track people wearing helmets or animals facing away from the camera.

    Photo of a woman walking in the street

     

    Faster, more precise wide-area AF

    The immense processing power and updated algorithms of the new BIONZ XR engine achieve notably improved AF performance, with up to 759 phase detection points, covering approximately 93% of the image area when shooting stills.

    Illustration of focus points.

    Accurate AF in low EV -3.0 light

    The latest AF algorithms achieve high AF precision at light levels as low as EV -3.0 in AF-S mode (ISO 100 equivalent, F2.0 lens). The Focus Priority mode also provides more reliable AF in low light or when using smaller apertures.

    Portrait photo of a woman in a dark moonlit scene

    Shoot more than 1000 images at 11 fps

    The α6700's powerful BIONZ XR processing engine combines with a large buffer memory to boost write speeds to memory cards, so that the camera can shoot more than 1000 JPEG images, up to 59 compressed RAW images, or up to 23 lossless compressed RAW images in continuous high-speed bursts.

    Example of continuous shooting: an owl flying in the sky

    Full-time DMF

    When shooting stills with AF-C or AF-S autofocus, the lens's focus ring can be rotated to instantly switch to manual focus mode at any time. This makes it easy to switch focus to a different subject on the fly.

    Photo of a small owl perched on a branch

    Focus bracketing to capture the best shot

    The α6700 can automatically shoot up to 299 images with sequentially shifted focus points according to intervals and a sequence specified by you. Pick the perfect shot, or post-process multiple shots to achieve creative composites with incredible depth of focus.

    Several photos of plants taken with AF bracketing

    Flicker suppression

    Suppress flicker from artificial lighting whether you're shooting stills or movies. Simply select "Anti-flicker Shoot", or use "Var. Shutter" to fine-tune shutter speeds to match flicker rates when filming.

    Image of the camera's menu screen

     

    Movie performance inherited from the Cinema Line

    4K movie recording for stunning quality

    The α6700 captures 4K (QFHD: 3840 x 2160) at up to 60p (50p) using Sony's proprietary 6K oversampling technology. By compressing this expanded detail into the output, it achieves 4K video quality with outstanding definition, even at higher frame rates. The camera also supports high-quality XAVC S-I (All-Intra) and XAVC HS formats with 10-bit 4:2:2 colour sampling.

     

    High frame rate 4K 120p (100p) recording

    High frame rate recording at up to 120p for 4K QFHD (3840 x 2160) output makes it possible to capture high-resolution movies in-camera. This expands creative possibilities in post-production by allowing subject motion to be emphasised or transformed into smooth slow motion. S&Q mode also enables recording of slow or quick motion sequences in camera from the outset.

    Expressive S-Cinetone™

    Incorporating the same colour science as the highly regarded CineAlta and Cinema Line, the α6700 includes Sony's S-Cinetone picture profile as a preset, delivering images with more faithful colour reproduction and natural skin tones.Portrait of a woman’s face

    S-Log3 gamma curve with 14+ stops of latitude

    The S-Log3 gamma curve emphasises gradation characteristics from shadows to mid-grey (18% grey), achieving up to 14+ stops of latitude for flexible and creative colour editing.Portrait of a woman silhouetted against a cityscape

    Real-time Tracking for movies

    AI-based Real-time Tracking provides a dramatic improvement in Real-time Tracking performance, automatically recognising, tracking, and focusing on the eyes of a specified subject. In addition to using the Touch Tracking function to initiate tracking, a custom button can be used to temporarily track a selected subject regardless of the subject's position in the frame and the focus area setting.Sample photo of AF tracking the subject even at intersections where other people are passing by

    Active Mode for enhanced movie image stabilisation

    Active Mode provides powerful image stabilisation for handheld movie shooting. The α6700 can accurately measure camera shake which is then precisely compensated for optically, providing highly effective stabilisation without sacrificing mobility, even when shooting 4K. Photo of a man shooting hand-held video with telephoto lens attached

    Breathing compensation for consistent angle of view

    When shooting movies with compatible lenses, automatic breathing compensation uses Clear Image Zoom technology to maintain a consistent angle of view, suppressing changes that may occur due to shifts in focus position. Breathing metadata can also be used in post-production.Portrait of a woman with a birdcage in the foreground

    Import user LUT files

    See how your footage will look in post-processing while you're shooting. The α6700 allows you to import a custom LUT (Look Up Table) that can be applied to the camera's monitor image while recording, providing a preview.Image of the "Display LUT" selection screen

    Movie making made simple

    The α6700 is jampacked with features to support movie shooting and production. Its Auto Framing function automatically crops and re-frames the image while using AI to track the subject. Or, for a cinematic touch, the in-camera time-lapse function allows you to create time-lapse videos within the camera itself.Sample photos of auto-framing: Finder display image and actual captured image

     

    Outstanding control and reliability

     

    Made for your hands

    With its compact shape, and lightweight 493 gram body, the α6700 offers remarkable portability and manoeuvrability without compromising image quality. A new grip design provides a solid, even more comfortable hold on the camera, while giving greater control for shooting both stills and movies.

    Photos of people holding cameras or drones with cameras mounted on them

    High-performance electronic viewfinder

    A 2.36 million-dot (approx.) XGA OLED electronic viewfinder with approximately 1.07x magnification delivers an exceptional view of your world. With twice the brightness of the α6600, and a wider 33-degree viewing angle, it offers clear, easy viewing while shooting. The finder frame rate can be set to 120 fps — twice the normal rate — for a smooth viewfinder image, with minimum display motion blur when tracking and shooting moving subjects.Illustration of viewfinder interior

    Enhanced shooting flexibility with vari-angle monitor

    The α6700 features a large 3.0-type 1.03 million-dot (approx.) touch-panel LCD monitor with a 3:2 aspect ratio and side-opening vari-angle flexibility. This allows greater positioning and framing freedom, giving you plenty of creative options for handheld and gimbal-mounted shooting of stills and moviesImage of the camera illustrating LCD panel movement

    Intuitive touch control

    Just touch the screen to activate key functions, such as selecting a focus point or subject to track, or triggering the shutter. Swiping in from the left or right edge of the shooting display reveals touch icons that allow quick changes to the shooting mode and other settings. The function (Fn) menu can also be displayed by a simple swipe-up. During playback, you can easily select and zoom into images through taps and intuitive pinch-out/pinch-in gestures.Image showing touchscreen operation

    Improved menu structure

    Responding to feedback from professional photographers and videographers, the α6700 comes with a new Main Menu structure similar to the latest full-frame α series models. The logical layout provides more efficient access to important shooting parameters, such as frame rate, shutter speed, and more. It can be assigned to a custom key for quick access when needed, and touch operation means that adjusting key settings has never been faster.Image of the camera's menu screen

     

    Visualise your world with E-mount lenses

     

    More than 70 E-mount lenses to choose from

    Take your pick from a comprehensive range of E-mount lenses from Sony. Our acclaimed line-up includes the full-frame G Master™ series that blends breathtaking resolution with exquisite bokeh, and the G Lens™ series that offers excellent image quality and value. Combined with an APS-C body, Sony's ultra-wide lenses can capture sweeping scenery or large subjects in a single frame, while telephoto lenses, assisted by the 1.5 crop factor of APS-C bodies and teleconverter lenses as needed, make it possible to capture distant subjects with stunning clarity and detail.

    Image of all E-mount lenses

    Accessories expand creative horizons

    A variety of high-performance compatible microphones can be connected to the the camera’s Multi Interface Shoe for direct, noise-free digital audio transfer to the camera. Or choose from a variety of high-output flash units such as the HVL-F60RM2 that support high-speed continuous shooting, giving you even more ways to capture creative imagery.Image of Sony flashes Image of microphones attached to cameras

    Connected vision

    Easy and stable smartphone connectivity

    Make the most of the α6700’s greatly enhanced connection stability with Sony’s free Creators’ App that enables simple transfers of photos and movies to your smartphone or tablet. Transfers continue in the background even if the smartphone display sleeps or a different app is launched. You can also use your smartphone to control the camera remotely.

    Photo of a woman looking at a photos transferred from the camera

    Stream high-quality live content

    Connected to a personal computer or smartphone via USB, the α6700 can function as a 4K (2160p) webcam with advanced AF that makes online meetings and live streaming events even smoother.

    Photo of a woman live streaming with the camera

    Fast Wi-Fi for PC tethering

    Built-in Wi-Fi (IEEE 802.11a/b/g/n/ac) allows communication on the 2.4 GHz and 5 GHz bands for fast and stable data transfer.

    Image of the Wi-Fi setup screen

    Creators' Cloud platform

    Creators' Cloud is a platform that supports creative work from shooting to production by combining advanced Sony camera technology with cloud-based AI. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps providing efficient solutions that integrate cameras with shooting and production apps and services.

     

    Illustration of the Creators Cloud concept

     

    Towards a better future

    Accessible technology on α cameras

    Sony's α cameras are equipped with a number of accessibility features so that as many people as possible can utilise and enjoy our technology. For example, the screen reader function reads text on the menu screens aloud, with volume and reading speed adjustable as needed.

    Image of screen reader settings

    Sony's goal: zero environmental footprint

    At Sony, we've launched the Road to Zero plan to map our path to achieving a zero environmental footprint, with our Green Management 2025 plan defining intermediate targets. We've taken measures to reduce the environmental footprint of the α6700 at every stage of its life cycle, from product development through supply chain, production, and packaging.

    Image of Road to Zero logo

    Packing for the future

    Wherever possible, Sony strives to use non-plastic packaging materials that provide ample protection against shock and impact, including plant-based non-woven fabrics for product bags. All of this helps to minimise environmental stress.

    Image of camera packaging materials

     

     

    SPECIFICATIONS & FEATURES

    The α6700 represents a new generation of APS-C camera bodies with a futuristic fusion of AI-based recognition technology, superlative α-series still image quality, plus moviemaking features and performance from Sony’s acclaimed Cinema Line.

    •  

      APS-C format back-illuminated Exmor R CMOS sensor with approximately 26.0 effective megapixels

    •  

      Advanced BIONZ XR engine boosts overall processing speed by up to 8x

    •  

      Innovative AI processing unit for enhanced subject recognition, AF and tracking

    •  

      In-body 5-axis image stabilisation with Active Mode for movie shooting

    •  

      High-level movie performance inherited from the Cinema Line

    Picture of α6700 Premium E-mount APS-C Camera
    Picture of α6700 Premium E-mount APS-C Camera
  • Features
    New image sensor with double the readout speed

    New image sensor with double the readout speed

    The newly developed back-illuminated full-frame Exmor RTM CMOS sensor, with 12.1 effective megapixels, boasts a readout speed up to twice as fast as that of the α7S II, along with high sensitivity and wide dynamic range. An advanced colour filter array boosts colour reproduction accuracy, while focal plane phase-detection AF enables substantial increases in autofocus stability and precision, all of which contribute to outstanding image quality.

    New image-processing engine with up to 8x the processing performance

    New image-processing engine with up to 8x the processing performance

    The BIONZ XRTM image-processing engine boasts a performance level up to eight times that of the previous processor, minimising latency while markedly improving real-time processing capabilities for both movies and stills. The engine performs real-time processing of AF, image recognition and image-quality adjustments, while also handling data transfer, user interface and other camera operations.

    High sensitivity, wide dynamic range

    High sensitivity, wide dynamic range

    The full-frame 12.1-megapixel configuration enables high sensitivity with low noise throughout the camera's sensitivity range by optimising the output signal from the sensor. The standard ISO range is 80-102400, which is further expandable to 40-409600 (80-409600 for movies). The dynamic range is an impressively wide 15 stops, for beautiful, true-to-life images without blown highlights. Together, the camera's high sensitivity and wide dynamic range expand your creative freedom during shoots.

    Full-frame 4K recording at 120p

    Full-frame 4K recording at 120p

    Full-frame 4K recording at 120fps with autofocus is possible thanks to the high-speed readout capabilities of the new image sensor working in tandem with the newly developed, powerful BIONZ XR processor. This high image-quality 4K, with full-pixel readout without binning, allows for clear post-produced slow motion (up to x5 slower than real time), as well as bokeh effects typical of full-frame cameras, all with smooth, high-precision autofocus. Despite the α7S III's compact size, it provides impressive scope for your creativity.

    Recording movies with 10-bit depth and 4:2:2 colour sampling

    Recording movies with 10-bit depth and 4:2:2 colour sampling

    The camera is capable of performing 4K internal recording with 10-bit depth and 4:2:2 colour sampling when using either Long GOP or All Intra compression. This makes it possible to push your colour grades further, stretching video out for ultimate HDR realism while still retaining natural gradation, for true editing freedom.

    All-Intra internal recording

    All-Intra internal recording

    In addition to Long GOP inter-frame compression, the α7S III supports internal intra-frame (All-Intra) recording for the first time in an α-model body, where each frame is recorded independently at a high bitrate of up to 600Mbps. This can be useful for certain types of shoots as it allows maximum flexibility in post-production editing.  [1] All-Intra (All-I)  [2] Long GoP  [3] Group of Pictures

    HEVC codec with high compression efficiency

    HEVC codec with high compression efficiency

    Available for the first time, XAVC HS format recording using the MPEG-H HEVC/H.265 codec roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS allows for detailed 10-bit video with 4:2:2 colour sampling at comparable or lower data rates, delivering even better image quality as well as manageable file sizes.

    16-bit RAW data output

    16-bit RAW data output

    Facilitating improved image quality and more flexible and efficient editing in post production, the camera supports 16-bit RAW data output to an external recorder via HDMI, for the first time in the α series. The output is full-frame 4264 x 2408 (16:9 aspect ratio) 16-bit data from the image sensor, with a choice of 59.94p/50p/29.97p/25p/23.98p frame rates and colour spaces.

    S-Log2 and S-Log3 with 10bit 4:2:2 support

    S-Log2 and S-Log3 with 10bit 4:2:2 support

    S-Log2 and S-Log3 gamma curves are available, with S-Log3 designed for better reproduction of gradations from shadows to the mid-grey range (18% grey), enabling a dynamic range of up to 15 stops. Three colour gamut settings (S-Gamut, S-Gamut3, and S-Gamut3.Cine) are provided, and the latter two settings make it easier to match the colours of footage shot with Sony's professional cinema cameras. Because the colours match, colour grading is easier in post-production editing, making it more convenient to use the α7S III along with other pro cameras.

    Proxy recording for more efficient editing workflow

    Proxy recording for more efficient editing workflow

    When shooting movies, low bit-rate HD proxy files can be recorded simultaneously with higher bit-rate formats such as XAVC S-I 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files can be captured in either 10-bit XAVC HS (1920 x 1080) or 8-bit XAVC S (1280 x 720) .

    10-bit HLG picture profile

    10-bit HLG picture profile

    An HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 colour space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout and less whiteout, all without the need for colour grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism.  [1] High flexibility to fine-tune images as desired (colour grading required)  [2] Instant high-quality image (colour grading not required) 

    Enhanced movie image quality

    Enhanced movie image quality

    Thanks to the improved capabilities of the α7S III's new image-processing engine, colours and textures of foliage and human skin can be more consistently reproduced without over-dependence on light sources. Gradation rendering has also been refined, for better-looking skin tones and highlight roll-off in portraits. When shooting 4K, the new image sensor and processing engine reduce rolling shutter distortion to as little as one-third that of the α7S II.

    Fast Hybrid AF for dependable focus during movie shooting

    Fast Hybrid AF for dependable focus during movie shooting

    Inheriting technology and performance standards from Sony's large-format FX9 pro camcorder, Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field, taking full advantage of Sony E-mount lenses' smooth linear-motor focusing and power-zoom operations. Newly added AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as requested by professional users. Both allow preset settings to be recalled during recording by using a customisable button.

    AF support in manual-focus mode

    AF support in manual-focus mode

    The camera's autofocus support can be useful even when you're primarily using manual focus. For full AF speed, half-press the shutter button or press the AF-ON button, as you would when shooting stills. Alternatively, slower, more cinematic AF transitions can be achieved by initiating AF via the touch focus feature or Real-time Eye AF via a custom button assignment, resulting in slow, smooth autofocus at the preset AF Transition Speed.

    Game-changing tracking features to revolutionise movie shooting

    Game-changing tracking features to revolutionise movie shooting

    Real-time Tracking and Real-time Eye AF make movie-making much easier. Touch Tracking initiates subject tracking with an intuitive touch to the LCD monitor, processing data on colour, pattern (brightness), distance (depth) and facial information to keep your subject in steady focus. You can then concentrate more fully on composition, which can be especially useful when you're shooting solo or using a gimbal. Touch operations can be used to temporarily engage AF even when you're shooting manually.

    Active Mode optical image stabilisation for handheld shooting

    Active Mode optical image stabilisation for handheld shooting

    Relying on a new high-precision stabilisation unit, gyro sensors, and optimised image stabilisation algorithms, the camera's Optical SteadyShotTM Active Mode provides the precise degree of optical image compensation needed during movie shooting, even for 4K video. With this unprecedented level of stabilisation it's possible to shoot with the camera only, taking advantage of the compact size and mobility of the α system.  [1] Track of camera shake  [2] Standard  [3] Active

    Enhanced audio quality

    Enhanced audio quality

    A digital audio interface is incorporated in the camera's Multi Interface (MI) Shoe, to facilitate cleaner, clearer audio recordings without loss of quality. The XLR-K3M XLR Adaptor Kit additionally provides the camera with 4-channel 24-bit digital audio recording capability. Three recording formats can be selected from a menu: 48 kHz/16-bit 2-ch, 48 kHz/24-bit 2-ch, and 48 kHz/24-bit 4-ch, with the XLR-K3M XLR Adaptor Kit required for the latter two formats.

    New heat-dissipation design for extended recording times

    New heat-dissipation design for extended recording times

    The camera's design has been optimised to prevent overheating even during extended recording sessions. A unique Sony Σ (sigma) shaped graphite-alloy heatsink is built into the image stabilisation unit, allowing the sensor to dissipate heat five times more effectively than in previous models, while allowing it to move freely and avoiding interference with the stabilisation system.

    Designed for smooth movie-making

    Designed for smooth movie-making

    Flexibility in positioning the camera and framing shots is provided by the side-opening, vari-angle monitor, which incorporates a bright 3.0-type, 1.44 million-dot LCD screen. The MOVIE button is within easy reach on the camera's top panel, and a durable HDMI Type-A terminal ensures reliable connections to external monitors. The item arrangement and initial settings on the mode dial have also been adjusted to meet the needs of pro users.

    Dedicated settings menu for movie shooting

    Dedicated settings menu for movie shooting

    A subset of the camera's settings can be changed independently for movie or still shooting, which can be useful if you want to use different ISO, Iris (aperture) and other settings depending on the shooting mode. Another convenient feature is the use of Flexible Exposure Mode instead of normal PASM Mode when Movie or S&Q mode is selected. This allows quick switching between auto and manual control of Iris (aperture) and shutter speed, and the function can be assigned to a custom button to allow one-touch toggling between auto and manual.

    Fast Hybrid AF for still shots

    Fast Hybrid AF for still shots

    The Fast Hybrid AF uses a high-density array of 759 phase-detection AF points (covering around 93% of the imaging area) in conjunction with 425-point contrast-detection AF. Real-time Eye AF (for humans and animals) and Real-time Tracking features are also available for the first time in the S series. Advanced AF algorithms facilitate precise AF down to light levels as low as EV-6, for accurate focus even when the subject would be difficult to see clearly with the naked eye. 

    High-speed continuous shooting performance

    High-speed continuous shooting performance

    Mechanical and electronic shutters are each capable of continuous shooting at up to 10fps with AF/AE. Continuous shooting of over 1000 uncompressed RAW images is possible thanks to increases in the buffer memory of the BIONZ XR processor and memory-card writing speed.

    Enhanced image quality for stills

    Enhanced image quality for stills

    The new image sensor and image-processing engine deliver an extraordinary degree of sensitivity, a defining characteristic of the S series, and significantly better reproduction of colour and textural details. Improved rendering capability provides realistic-looking images with reduced noise, particularly in the mid-to-high sensitivity range. A new Visible Light and IR Sensor improves auto white balance, and HEIF file options and an HLG Still Image Mode (for 8-bit and 10-bit HEIF stills) have been added.

    Creative Look feature to set the mood and atmosphere

    Creative Look feature to set the mood and atmosphere

    The new Creative Look feature is a quick way to establish a particular mood in still shots and movies by altering parameters like brightness, contrast and colour saturation. Ten Creative Look presets are available in-camera, and each of these can be used as is, or further customised using eight individual parameter settings. Custom Creative Look settings can be easily saved and stored for later use.

    Two CFexpress Type A-compatible media slots

    Two CFexpress Type A-compatible media slots

    The camera's two media slots are compatible with new CFexpress Type A cards as well as SDXC/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write/read speeds suitable for both high-speed continuous still shooting and 4K movie recording at high bit rates. They are capable of quickly clearing camera buffers even when high volumes of still image and movie data are being generated.

    High-definition 9.44 million-dot electronic viewfinder

    High-definition 9.44 million-dot electronic viewfinder

    Boasting the highest resolution in its class, the α7S III's viewfinder rivals the resolution of the human eye. It provides category-leading 0.90x viewfinder magnification, a 41º diagonal field of view, and a 25mm high eyepoint for clear, low-distortion viewing. Improvements in sealing greatly reduce the chance that even drastic ambient temperature fluctuations will cause interior condensation.

    New touch-driven menu with workflow-based navigation

    New touch-driven menu with workflow-based navigation

    Responding to requests from pro photographers and videographers, the menu structure has been designed to allow professionals to work more efficiently. Menu tabs are on the left side of the display, while parameter groups and parameters related to the selected tab appear on the right. Up to three levels can be displayed together, making the menu structure more clearly visible. Touch-responsive menu operations enable fast, intuitive control.

    Reliable, durable construction

    Reliable, durable construction

    To maximise dust and moisture resistance, additional sealing has been applied to all body seams and to the battery compartment cover, and the media slot cover has been redesigned to handle harsh outdoor environments. A filter in front of the image sensor oscillates at an ultrasonic frequency of 70,000 cycles per second to remove dust from the sensor surface. The camera chassis is highly durable thanks to full magnesium-alloy construction.

    USB Power Delivery

    USB Power Delivery

    The camera supports USB PD (Power Delivery), to enable continuous shooting for extended periods without draining the internal battery. PD-compatible USB chargers and mobile batteries can be connected to the camera's USB Type C® port, to supply power or to recharge the internal battery at 3 to 4 times the rate of conventional power supplies.

    Data communications to support on-site workflow

    Data communications to support on-site workflow

    Wired and wireless communications features support FTP transfer for still and movie files as well as remote shooting capability, to facilitate professional workflows during shoots. Wireless 5GHz/2.4GHz LAN connections are supported, and wired connectivity to 1000BASE-T Ethernet networks is available via a USB-to-Ethernet adaptor cable connected to the camera's USB Type C® port supporting SuperSpeed USB 5Gbps (USB 3.2). Remote shooting can be controlled from a PC with Sony's Imaging Edge DesktopTM application, or from a mobile device with Imaging Edge MobileTM.

    External flash control from the camera body

    External flash control from the camera body

    It is now possible to configure the settings of a compatible attached flash or Wireless Radio Commander (both sold separately) from the camera. Most settings, including light output, can be accessed and easily changed directly from a camera menu, for high-performance flash control with these genuine Sony accessories. Flash parameters are shown in the selected camera display language.

    Imaging Edge Desktop

    Imaging Edge Desktop

    Elevate your photography with Imaging Edge Desktop applications. Use ‘Remote’ to control and monitor shooting live on your PC screen; ‘Viewer’ to quickly preview, rate, and select photos from large image libraries; and ‘Edit’ to develop RAW data into high-quality photos for delivery. Get the best from Sony RAW files, and manage your productions more efficiently.

    Capture One for Sony

    Capture One for Sony

    Capture One Express (for Sony) is free award-winning editing software that provides RAW development, easy management and powerful editing tools. Capture One Pro (for Sony) is also available for even more editing tools and remote shooting capability.

    S-Cinetone™ from high-end cinema camera colour science

    S-Cinetone™ from high-end cinema camera colour science

    The inclusion of Sony’s acclaimed S-Cinetone look, inherited from the development of the Cinema Line FX9 and CineAlta cameras such as VENICE, allows cinematic colour to be achieved directly in-camera. S-Cinetone is optimised for natural skin tones and mid-range colours, with gentle highlight roll-off, for impressive subject depiction without grading at post production as a workflow.

    Works with iMovie and Final Cut Pro X

    Works with iMovie and Final Cut Pro X

    This product is compatible with Final Cut Pro X and iMovie.

  • Highlight

    Newly developed 12.1-megapixel back-illuminated Exmor RTM CMOS image sensor

    Lens

    E-mount

    Newly developed BIONZ XR image processing engine with up to 8x the processing performance

    Image Sensor

    3:2

    Movie-making with 4K 120p, 10-bit 4:2:2 recording capability

    Recording (still images)

    35mm full frame L: 3776 x 2832 (11M), M: 2464 x 1848 (4.6M), S: 1888 x 1416 (2.7M), APS-C L: 2464 x 1848 (4.6M), M: 1888 x 1416 (2.7M), S: 1232 x 920 (1.1M)

    Fast Hybrid AF with 759 phase-detection AF points and enhanced Real-time Eye AF

    Recording (movie)

    XAVC S, XAVC HS

    Body-integrated 5-axis optical image stabilisation, Active Mode for movies

    Recording System

    Yes

  • Specifications

    Designed for professionals, the α7S III builds on the strengths of the S series such as high sensitivity and wide dynamic range while providing pro features like enhanced AF, optical image stabilisation and 4K 120p recording. Incorporating a powerful new engine in its compact body, the camera delivers a wide range of visual experiences.

    Lens

    Lens Mount

    E-mount

    Image Sensor

    Aspect Ratio

    3:2

    Number Of Pixels (Effective)

    Approx. 12.1 megapixels

    Number of Pixels (total)

    Approx. 12.9 megapixels

    Sensor Type

    35mm full frame (35.6×23.8mm), Exmor R CMOS sensor

    Anti-Dust System

    Yes (Charge protection coating on Optical Filter and ultrasonic vibration mechanism)

    Recording (still images)

    IMAGE SIZE (PIXELS) [4:3] 

    35mm full frame L: 3776 x 2832 (11M), M: 2464 x 1848 (4.6M), S: 1888 x 1416 (2.7M), APS-C L: 2464 x 1848 (4.6M), M: 1888 x 1416 (2.7M), S: 1232 x 920 (1.1M)

    Image Size (pixels) [16:9]

    35mm full frame L: 4240 x 2384 (10M), M: 2768 x 1560 (4.3M), S: 2128 x 1200 (2.6M), APS-C L: 2768 x 1560 (4.3M), M: 2128 x 1200 (2.6M), S: 1376 x 776 (1.1M)

    IMAGE SIZE (PIXELS) [1:1] 

    35mm full frame L: 2832 x 2832 (8M), M: 1840 x 1840 (3.4M), S: 1408 x 1408 (2.0M),APS-C L: 1840 x 1840 (3.4M), M: 1408 x 1408 (2.0M), S: 912 x 912 (0.8M)

    Picture Effect

    -

    Creative Style

    -

    Picture Profile

    Yes (Off / PP1-PP10) Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset

    CREATIVE LOOK

    ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)

    Dynamic Range Functions

    Off, Dynamic Range Optimizer (Auto/Level (1-5))

    Colour Space

    sRGB standard (with sYCC gamut), Adobe RGB standard and Rec. ITU-R BT.2100 standard (BT.2020 gamut). (compatible with TRILUMINOS Color)

    14bit RAW

    Yes

    Recording (movie)

    Recording Format

    XAVC S, XAVC HS

    Colour Space

    Rec. ITU-R BT.2100 standard compatible (BT.2020 gamut). (compatible with TRILUMINOS Color)

    Picture Effect

    -

    Creative Style

    -

    Picture Profile

    Yes (Off / PP1-PP10) Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset

    CREATIVE LOOK

    ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)

    MOVIE RECORDING SYSTEM (XAVC HS 4K)

    3840 x 2160 (4:2:0, 10bit, NTSC) (Approx.): 120p (200Mbps), 60p (150Mbps / 75Mbps / 45Mbps), 24p (100Mbps / 50Mbps / 30Mbps); 3840 x 2160 (4:2:0, 10bit, PAL) (Approx.): 100p (200Mbps), 50p (150Mbps / 75Mbps / 45Mbps); 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 120p (280Mbps), 60p (200Mbps / 100Mbps), 24p (100Mbps / 50Mbps); 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 100p (280Mbps), 50p (200Mbps / 100Mbps)* details of frame rate

    MOVIE RECORDING SYSTEM (XAVC S 4K)

    3840 x 2160 (4:2:0, 8bit, NTSC) (Approx.): 120p (200Mbps), 60p (150Mbps), 30p (100Mbps / 60Mbps), 24p (100Mbps / 60Mbps); 3840 x 2160 (4:2:0, 8bit, PAL) (Approx.): 100p (200Mbps), 50p (150Mbps), 25p (100Mbps / 60Mbps); 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 120p (280Mbps), 60p (200Mbps), 30p (140Mbps), 24p (100Mbps); 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 100p (280Mbps), 50p (200Mbps), 25p (140Mbps)* details of frame rate

    MOVIE RECORDING SYSTEM (XAVC S HD)

    1920 x 1080 (4:2:0, 8bit, NTSC) (Approx.): 120p (100Mbps / 60Mbps), 60p (50Mbps / 25Mbps), 30p (50Mbps / 16Mbps), 24p (50Mbps); 1920 x 1080 (4:2:0, 8bit, PAL) (Approx.): 100p　(100Mbps / 60Mbps), 50p (50Mbps / 25Mbps), 25p (50Mbps / 16Mbps); 1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.): 60p (50Mbps), 30p (50Mbps), 24p (50Mbps); 1920 x 1080 (4:2:2, 10bit, PAL) (Approx.): 50p (50Mbps), 25p (50Mbps)* details of frame rate

    MOVIE RECORDING SYSTEM (XAVC S-I 4K)

    3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 60p (600Mbps), 30p (300Mbps), 24p (240Mbps); 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 50p (500Mbps), 25p (250Mbps)* details of frame rate

    MOVIE RECORDING SYSTEM (XAVC S-I HD)

    1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.): 60p (222Mbps), 30p (111Mbps), 24p (89Mbps); 1920 x 1080 (4:2:2, 10bit, PAL) (Approx.): 50p (185Mbps), 25p (93Mbps)* details of frame rate

    SLOW & QUICK MOTION (SHOOTING FRAME RATE) 

    NTSC mode: 1fps,2fps,4fps,8fps,15fps,30fps,60fps,120fps, 240fps,PAL mode: 1fps,2fps,3fps,6fps,12fps,25fps,50fps,100fps, 200fps* details of frame rate

    Movie Functions

    Audio Level Display, Audio Rec Level, PAL/NTSC Selector, Proxy Recording (1280 x 720 (6Mbps), 1920 x 1080(9Mbps), 1920 x 1080(16Mbps)), TC/UB, Auto Slow Shutter, Gamma Disp. Assist, RAW Output(HDMI)

    Recording System

    Location information Link from smartphone

    Yes

    Media

    SD memory card, SDHC memory card (UHS-I/II compliant), SDXC memory card (UHS-I/II compliant), CFexpress Type A memory card

    Memory Card Slot

    SLOT1: Multi slot for SD (UHS-I/II compliant) memory card/CFexpress Type A card, SLOT2: Multi slot for SD (UHS-I/II compliant) memory card/CFexpress Type A card

    Recording mode on 2 memory cards

    Simult. Rec, Sort, Auto Switch Media, Copy

    Noise Reduction

    Noise Reduction

    Long exposure NR: On/Off, available at shutter speeds longer than 1 sec.,High ISO NR: Normal / Low / Off

    White balance

    White Balance Modes

    Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom

    SHUTTER AWB LOCK 

    Yes (Shut. Halfway Down / Cont. Shooting / Off)

    Focus

    Focus Type

    Fast Hybrid AF (phase-detection AF / contrast-detection AF)

    Focus Sensor

    Exmor R CMOS sensor

    Focus Point

    35mm full frame: 759 points (phase-detection AF), APS-C mode with FF lens: 345 points (phase-detection AF), with APS-C lens: 285 points (phase-detection AF) / 425 points (contrast-detection AF)

    Focus Sensitivity Range

    EV-6 to EV20 (ISO100 equivalent with F2.0 lens attached)

    Focus Mode

    AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus

    Focus Area

    Wide / Zone / Center Fix / Spot / Expand Spot / Tracking

    EYE AF / SUBJECT RECOGNITION AF

    [Still images] Human (Right/Left Eye Select) / Animal, [Movie] Human (Right/Left Eye Select)

    Other Features

    Predictive control, Focus lock, AF Track Sens. (Still), AF Subj. Shift Sensitivity (Movie), AF Transition Speed (Movie), Switch V/H AF Area, AF Area Regist., Circ. of Focus Point

    AF Illuminator

    Yes (with Built-in LED type)

    AF Illuminator range

    Approx. 0.3m - approx. 3.0m (with FE 28-70mm F3.5-5.6 OSS lens attached)

    Focus type with LA-EA3 (Sold separately)

    Phase-detection

    Exposure

    Metering Sensor

    Exmor R CMOS sensor

    Metering Sensitivity

    EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)

    Metering Mode

    Multi-segment, Center-weighted, Spot, Spot Standard/Large, Entire Screen Avg., Highlight

    Exposure Compensation

    +/- 5.0EV (1/3 EV, 1/2 EV steps selectable) (with exposure compensation dial: +/- 3EV (1/3 EV steps))

    Exposure Bracketing

    Bracket: Cont., Bracket: Single, 3/5/9 frames selectable. (Ambient light, Flash light)

    AE Lock

    Locked when shutter button is pressed halfway. Available with AE lock button. (On/Off/Auto)

    Exposure Modes

    AUTO(iAuto), Programmed AE (P), Aperture priority (A), Shutter-speed priority (S), Manual (M), Movie (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode), Slow & Quick Motion (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode)

    ISO Sensitivity

    Still images: ISO 80-102400 (ISO numbers up from ISO 40 to ISO 409600 can be set as expanded ISO range.), Movies: ISO 80-102400 equivalent (ISO numbers up to ISO 409600 can be set as expanded ISO range.)

    Anti-flicker Shoot.

    Yes

    Scene Selection

    -

    Exposure

    Metering Type

    1200-zone evaluative metering

    Viewfinder

    Viewfinder Type

    1.6 cm (0.64 type) electronic viewfinder (color)

    Number of Dots

    9 437 184 dots

    Field Coverage

    100%

    Magnification

    Approx. 0.90 x (with 50mm lens at infinity, -1m-1)

    Dioptre Adjustment

    -4.0 to +3.0m-1

    Eye Point

    Approx. 25mm from the eyepiece lens, 21mm from the eyepiece frame at -1m-1 (CIPA standard)

    DISPLAY FUNCTION

    Histogram, Real-time image-adjustment display, Digital level gauge, Grid line, Focus check, Peaking MF, Zebra, Movie marker, Emph disp dur REC

    Finder Frame Rate Selection

    NTSC mode: STD 60fps / HI 120fps, PAL mode: STD 50fps / HI 100fps

    LCD Screen

    Monitor Type

    7.5cm (3.0-type) type TFT

    Number of Dots

    1,440,000 dots

    Touch Panel

    Yes

    Brightness Control

    Manual (5 steps between -2 and +2), Sunny Weather mode

    Adjustable Angle

    Opening Angle:Approx. 176 deg., Rotation Angle:Approx. 270 deg.

    Focus Magnifier

    Yes, Focus Magnifier (35mm full frame: 2.1x / 4.1x, APS-C: 1.5x / 3.0x)

    Other Features

    PlayMemories Camera Apps™

    -

    Clear Image Zoom

    Still images:Approx. 2x,Movies:Approx. 1.5x (4K), Approx. 2x (HD)

    Digital Zoom

    Smart zoom (Still images):35mm full frame: M:Approx. 1.5x, S:Approx. 2x, APS-C: M:Approx. 1.3x, S:Approx. 2x, Digital zoom (Still images):35mm full frame: L:Approx. 4x, M:Approx.6.1x, S:Approx. 8x, APS-C: L:Approx. 4x, M:Approx. 5.2x, S:Approx. 8x,Digital zoom (Movie):35mm full frame: Approx. 4x, APS-C: Approx. 4x

    Face Detection

    Face Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority

    Self-Portrait Self-timer

    -

    Others

    Interval Recording, ISO AUTO Min. SS, Bright Monitoring, Copyright Info, Set File Name, Save/Import Settings, Help guide, Video Light Mode, Zoom Ring Rotate

    Shutter

    Type

    Electronically-controlled, vertical-traverse, focal-plane type

    Shutter Type

    Mechanical shutter/Electronic shutter

    Shutter Speed

    Still images: 1/8000 to 30 sec, Bulb, Movies: 1/8000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode)

    Flash Sync. Speed

    1/250 sec.

    Electronic Front Curtain Shutter

    Yes (ON/OFF)

    Silent Shooting

    Yes (ON/OFF)

    Image Stabilization

    Type

    Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)

    Compensation Effect

    5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50mm F1.4 ZA lens mounted. Long exposure NR off.)

    Flash Control

    Type

    -

    Guide No.

    -

    Flash coverage

    -

    Control

    Pre-flash TTL

    Flash Compensation

    +/- 3.0 EV (switchable between 1/3 and 1/2 EV steps)

    Flash Modes

    Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction (on/off selectable), Wireless, Hi-speed sync.

    Recycling Time

    -

    External Flash Compatibility

    Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe

    FE Level Lock

    Yes

    Wireless Control

    Yes (Light signal: Available with Fill-flash, Slow Sync., Hi-speed sync. / Radio signal: Available with Fill-flash, Rear Sync., Slow Sync., Hi-speed sync.)

    Drive

    Drive Modes

    Single Shooting, Continuous shooting (Hi+/Hi/Mid/Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket

    Continuous Drive Speed (approx. max.)

    Continuous shooting: Hi+: 10 fps, Hi: 8 fps, Mid: 6 fps, Lo: 3 fps

    No. of recordable frames (approx.)

    JPEG Extra fine L: over 1000 frames, JPEG Fine L: over 1000 frames, JPEG Standard L: over 1000 frames, RAW: over 1000 frames, RAW & JPG: over 1000 frames, RAW (Uncompressed): over 1000 frames, RAW (Uncompressed) & JPG: over 1000 frames

    Self-Timer

    10 sec. delay / 5 sec. delay / 2 sec. delay / Continuous self-time / Bracketing self-timer

    Pixel Shift Multi Shooting

    -

    Playback

    Photo Capture

    Yes

    Modes

    Single (with or without shooting information Y RGB histogram & highlight / shadow warning),Index view,Enlarged display mode (L: 10.6x, M: 6.92x, S: 5.32x),Auto Review,Image orientation,Folder selection (Date / Still / Movie),Protect,Rating,Display as Group

    Print

    Compatible Standards

    Exif Print, Print Image Matching III

    Custom function

    Type

    Custom key settings,Programmable Setting (Body 3 sets /memory card 4 sets),My Dial Settings,My Menu,Reg Cust Shoot Set

    Lens Compensation

    Setting

    Peripheral Shading, Chromatic Aberration, Distortion

    Power

    Supplied Battery

    One rechargeable battery pack NP-FZ100

    Battery Life (Still Images)

    Approx. 510 shots (Viewfinder) / Approx. 600 shots (LCD monitor) (CIPA standard)

    Battery Life (Movie, actual recording)

    Approx. 80 min (Viewfinder) / Approx. 95 min (LCD monitor) (CIPA standard)

    Battery Life (Movie, continuous recording)

    Approx. 130 min (Viewfinder) / Approx. 135 min (LCD monitor) (CIPA standard)

    Internal Battery Charge

    Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)

    Power consumption with Viewfinder

    Still images: Approx. 4.3W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: Approx. 7.6W (with FE 28-70mm F3.5-5.6 OSS lens attached)

    Power consumption with LCD screen

    Still images: Approx. 3.3W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: Approx. 7.3W (with FE 28-70mm F3.5-5.6 OSS lens attached)

    USB Power supply

    Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)

    Interface

    PC Interface

    Mass-storage / MTP

    Multi / Micro USB Terminal

    Yes, Type-C® Terminal (SuperSpeed USB 5Gbps(USB 3.2) compatible)

    Bluetooth

    Yes (Bluetooth Standard Ver. 5.0 (2.4GHz band))

    Multi Interface Shoe

    Yes (with Digital Audio Interface)

    Mic Terminal

    Yes (3.5 mm Stereo minijack)

    Sync Terminal

    -

    Headphone Terminal

    Yes (3.5 mm Stereo minijack)

    Vertical Grip Connector

    Yes

    LAN Terminal

    -

    FUNCTIONS

    FTP Transfer Func.,View on Smartphone,Remote control via Smartphone,NFC One-touch remote,PC Remote,BRAVIA Sync (Control for HDMI),PhotoTV HD

    Size & Weight

    Weight (with battery and memory card included)

    Approx. 699 g, approx. 1 lb 8.7 oz

    Dimensions (W x H x D)

    Approx. 128.9mm x 96.9mm x 80.8mm, Approx. 128.9mm x 96.9mm x 69.7mm (FROM GRIP TO MONITOR), Approx. 5 1/8 x 3 7/8 x 3 1/4 inches, Approx. 5 1/8 x 3 7/8 x 2 3/4 inches (FROM GRIP TO MONITOR)

    Audio

    Microphone

    Built-in, stereo

    Speaker

    Built-in, monaural

    Others

    Operating Temperature

    32 - 104 degrees F / 0 - 40 degrees C

  • Delivery Information

    How much does delivery cost?

    Sony offers free deliveries for orders $100 and above. For orders below $100, a standard delivery charge of $2.90 will be applied during checkout.

     

    What is the expected delivery lead time?

    Products excluding those listed under Televisions and Home Cinema:

    For orders below $100, your order will be delivered within 3 working days upon order placement of products.

    For orders $100 and above, placed before 2pm on Monday - Thursday excluding eve of public holidays, delivery will be next day. Orders received on the weekend may take longer as some logistics partners do not support delivery on Sunday. Please refer to the following table for delivery estimates:

    Time Of Order

    Estimated Delivery Date

    Example

    Mon – Thu

    Orders before 2pm

    Receive it the next working day

    Order on Monday 11am, receive on Tuesday

    Mon – Thu

    Orders after 2pm

    Receive it the 3rd working day

    Order on Monday 2pm, receive on Wednesday

    Fri, Eve of PH

    Orders before 2pm

    Receive it the next working day

    Order on Thursday 11am (eve of PH), receive it on Monday

    Fri – Sun, Eve of PH

    Orders after 2pm

    Receive it on the 3rd  working day

    Order on Thursday 2pm (eve of PH), receive it on Tuesday

     

    Large products (products listed under Televisions and Home Cinema):

    Next day delivery may not be applicable. Please expect a phone call after placing your order for arrangement of the date of delivery.

     

    Where do you ship to?

    Shipping is only available within Singapore. Delivery will only be made to address located on the main Singapore island, with the exclusion of restricted zones. Delivery to Sentosa island will be subject to additional charges. Where Sony is unable to deliver, we will endeavour to notify you as soon as we become aware of the restriction.

    For more information, please refer to our Online Shopping FAQ

  • Overview

    Sony α7S III with full-frame movie performance including high sensitivity, 15-stop wide dynamic range, 4K 120p (With 10% image crop.), fast AF, and strong image stabilisation.

    • Newly developed 12.1-megapixel back-illuminated Exmor R(TM) CMOS image sensor
    • Newly developed BIONZ XR(TM) image processing engine with up to 8x the processing performance
    • Movie-making with 4K 120p, 10-bit 4:2:2 recording capability
    • Fast Hybrid AF with 759 phase-detection AF points and enhanced Real-time Eye AF
    • Body-integrated 5-axis optical image stabilisation, Active Mode for movies
    • High sensitivity, wide dynamic range
    • One Mount: A wide variety of E-mount lenses for imaginative movie-making
    • All-Intra internal recording
    • 16-bit RAW data output
    • Enhanced audio quality, 48 kHz/24-bit 4-ch

  • Promotions

    Next generation creativity on the go

    The α6700 combines the latest AI technology with Sony's outstanding α-series image quality in a compact APS-C camera body. Offering enhanced subject recognition, the latest technology for capturing stills and movies, and E-mount lens compatibility, the lightweight α6700 is designed for creative adventures, anytime, anywhere.

     

     

    Image of link destination

    α6700 Photo Gallery

    Click here explore Sample images

    A window for your world

    Photo of a small bird

    APS-C format Exmor R™ back-illuminated CMOS sensor

    The advanced Exmor R CMOS image sensor with 26.0 effective megapixels is packed with Sony's image sensor technologies. It offers extraordinary sensitivity, resolution and dynamic range, thanks to its back-illuminated format, gapless on-chip lenses, and AR coating (anti-reflection seal glass).

    Image of the Exmor R image sensor

    BIONZ XR™ processing power for exceptional image quality

    With up to eight times more processing power than previous versions, the latest BIONZ XR image processing engine delivers natural gradations and realistic colours with low noise for stills and movies.

    Image of the BIONZ XR

    Wide dynamic range for diverse shooting scenarios

    The α6700's standard sensitivity ranges from a low ISO 100 to ISO 32000, and offers a wide dynamic range so that natural gradations can be captured in high-contrast scenes without blown highlights or blocked shadows.

    Portrait photograph of a woman in evening light

    Consistently accurate exposure and colour

    The α6700 offers impressive exposure control. It's equipped with a new AE algorithm, initially developed for full-frame models, which enables it to accurately detect the skin area of faces and adjust exposure accordingly when shooting stills and movies. It can also maintain realistic colours under a wide range of light sources, from sunlight through to theatre and stadium lighting, and produce more natural skin tones, sky and foliage colours.

    Image of two birds

    Choose your Creative Look

    The Creative Look setting offers greater creative flexibility with added simplicity. It provides 10 presets that can be used just as they are or customised via 8 adjustable parameters to suit the subject or scene, whether you’re shooting stills, movies or live-streaming. You can easily set the mood ahead of shooting so your images are ready to share immediately.

    4 sample photos of Creative look: Ferris wheel, boathouse, portrait of a woman, macro of wildflowers

    5-axis optical image stabilisation

    Shoot hand-held or in low-light with confidence — the 5-axis in-body optical image stabilisation system is supported by precision gyro sensors to deliver up to 5-steps of shake compensation. It detects and compensates for various types of camera shake, including angular (pitch/yaw) shake that is more apparent at longer focal lengths, or when shooting with slower shutter speeds.

    [1] Yaw [2] Roll [3] Pitch

    Illustration of the image stabilization unit

    Precise compensation at the single-pixel level

    Through enhanced design and control of key parameters, the α6700 provides precise detection and control right down to the single-pixel level, taking full advantage of the sensor's 26.0 megapixel resolution to produce images that capture all the finer details.

    Portrait photograph of a woman and an enlargement photograph of her face

    Selectable RAW file types and quality

    In addition to compressed RAW capture, the α6700 supports lossless compressed RAW capture that provides efficient compression, allowing a greater number of high-quality images to be shot in continuous bursts. A new Light image quality selection that generates less data is provided for JPEG and HEIF images.

    Camera LCD display screen: RAW Image selection screen

    HEIF: High compression with excellent image quality

    For the first time in an APS-C camera, the α6700 includes the HEIF (High Efficiency Image File) format with smooth 10-bit gradations for more realistic reproduction of skies and portrait skin tones. The HEIF format also uses advanced compression technology to maintain image quality while significantly reducing file size and saving storage space.

    Landscape photograph of a city and lake

    Evolving with AI

     

    Innovative AI processing

    The α6700 is equipped with an innovative AI processing unit that greatly enhances its performance, including more accurate recognition for a wider range of subjects.

    Image of the AI Processing Unit

    Human pose estimation

    The α6700 uses subject form data to recognise movement, achieving greatly improved human eye recognition. It also employs learned human forms and postures to precisely recognise body and head positions, making it possible to lock onto and track a subject facing away from the camera, or with their face partly obscured by a helmet or sunglasses.

    Image showing AF Frame tracking a woman only in a small part of the frame

    Wider subject recognition

    In addition to humans and animals, the α6700 now recognises birds, insects, cars, trains and airplanes, providing even greater flexibility and reliability when shooting both stills and movies. Heads and bodies are recognised in addition to eyes (Real-time Eye AF) for the Human and Animal settings, and now for the Bird setting too, with animal recognition performance more than 40% higher compared to the α6600.

    Sample photos of recognizable subjects: leopard, bird, airplane, car, train, butterfly.

    Smarter Real-time Tracking

    The upgraded and more reliable AI-based Real-time Tracking makes shooting in a wider range of situations simpler, leaving you free to concentrate on framing and composition. The α6700 can even track people wearing helmets or animals facing away from the camera.

    Photo of a woman walking in the street

     

    Faster, more precise wide-area AF

    The immense processing power and updated algorithms of the new BIONZ XR engine achieve notably improved AF performance, with up to 759 phase detection points, covering approximately 93% of the image area when shooting stills.

    Illustration of focus points.

    Accurate AF in low EV -3.0 light

    The latest AF algorithms achieve high AF precision at light levels as low as EV -3.0 in AF-S mode (ISO 100 equivalent, F2.0 lens). The Focus Priority mode also provides more reliable AF in low light or when using smaller apertures.

    Portrait photo of a woman in a dark moonlit scene

    Shoot more than 1000 images at 11 fps

    The α6700's powerful BIONZ XR processing engine combines with a large buffer memory to boost write speeds to memory cards, so that the camera can shoot more than 1000 JPEG images, up to 59 compressed RAW images, or up to 23 lossless compressed RAW images in continuous high-speed bursts.

    Example of continuous shooting: an owl flying in the sky

    Full-time DMF

    When shooting stills with AF-C or AF-S autofocus, the lens's focus ring can be rotated to instantly switch to manual focus mode at any time. This makes it easy to switch focus to a different subject on the fly.

    Photo of a small owl perched on a branch

    Focus bracketing to capture the best shot

    The α6700 can automatically shoot up to 299 images with sequentially shifted focus points according to intervals and a sequence specified by you. Pick the perfect shot, or post-process multiple shots to achieve creative composites with incredible depth of focus.

    Several photos of plants taken with AF bracketing

    Flicker suppression

    Suppress flicker from artificial lighting whether you're shooting stills or movies. Simply select "Anti-flicker Shoot", or use "Var. Shutter" to fine-tune shutter speeds to match flicker rates when filming.

    Image of the camera's menu screen

     

    Movie performance inherited from the Cinema Line

    4K movie recording for stunning quality

    The α6700 captures 4K (QFHD: 3840 x 2160) at up to 60p (50p) using Sony's proprietary 6K oversampling technology. By compressing this expanded detail into the output, it achieves 4K video quality with outstanding definition, even at higher frame rates. The camera also supports high-quality XAVC S-I (All-Intra) and XAVC HS formats with 10-bit 4:2:2 colour sampling.

     

    High frame rate 4K 120p (100p) recording

    High frame rate recording at up to 120p for 4K QFHD (3840 x 2160) output makes it possible to capture high-resolution movies in-camera. This expands creative possibilities in post-production by allowing subject motion to be emphasised or transformed into smooth slow motion. S&Q mode also enables recording of slow or quick motion sequences in camera from the outset.

    Expressive S-Cinetone™

    Incorporating the same colour science as the highly regarded CineAlta and Cinema Line, the α6700 includes Sony's S-Cinetone picture profile as a preset, delivering images with more faithful colour reproduction and natural skin tones.Portrait of a woman’s face

    S-Log3 gamma curve with 14+ stops of latitude

    The S-Log3 gamma curve emphasises gradation characteristics from shadows to mid-grey (18% grey), achieving up to 14+ stops of latitude for flexible and creative colour editing.Portrait of a woman silhouetted against a cityscape

    Real-time Tracking for movies

    AI-based Real-time Tracking provides a dramatic improvement in Real-time Tracking performance, automatically recognising, tracking, and focusing on the eyes of a specified subject. In addition to using the Touch Tracking function to initiate tracking, a custom button can be used to temporarily track a selected subject regardless of the subject's position in the frame and the focus area setting.Sample photo of AF tracking the subject even at intersections where other people are passing by

    Active Mode for enhanced movie image stabilisation

    Active Mode provides powerful image stabilisation for handheld movie shooting. The α6700 can accurately measure camera shake which is then precisely compensated for optically, providing highly effective stabilisation without sacrificing mobility, even when shooting 4K. Photo of a man shooting hand-held video with telephoto lens attached

    Breathing compensation for consistent angle of view

    When shooting movies with compatible lenses, automatic breathing compensation uses Clear Image Zoom technology to maintain a consistent angle of view, suppressing changes that may occur due to shifts in focus position. Breathing metadata can also be used in post-production.Portrait of a woman with a birdcage in the foreground

    Import user LUT files

    See how your footage will look in post-processing while you're shooting. The α6700 allows you to import a custom LUT (Look Up Table) that can be applied to the camera's monitor image while recording, providing a preview.Image of the "Display LUT" selection screen

    Movie making made simple

    The α6700 is jampacked with features to support movie shooting and production. Its Auto Framing function automatically crops and re-frames the image while using AI to track the subject. Or, for a cinematic touch, the in-camera time-lapse function allows you to create time-lapse videos within the camera itself.Sample photos of auto-framing: Finder display image and actual captured image

     

    Outstanding control and reliability

     

    Made for your hands

    With its compact shape, and lightweight 493 gram body, the α6700 offers remarkable portability and manoeuvrability without compromising image quality. A new grip design provides a solid, even more comfortable hold on the camera, while giving greater control for shooting both stills and movies.

    Photos of people holding cameras or drones with cameras mounted on them

    High-performance electronic viewfinder

    A 2.36 million-dot (approx.) XGA OLED electronic viewfinder with approximately 1.07x magnification delivers an exceptional view of your world. With twice the brightness of the α6600, and a wider 33-degree viewing angle, it offers clear, easy viewing while shooting. The finder frame rate can be set to 120 fps — twice the normal rate — for a smooth viewfinder image, with minimum display motion blur when tracking and shooting moving subjects.Illustration of viewfinder interior

    Enhanced shooting flexibility with vari-angle monitor

    The α6700 features a large 3.0-type 1.03 million-dot (approx.) touch-panel LCD monitor with a 3:2 aspect ratio and side-opening vari-angle flexibility. This allows greater positioning and framing freedom, giving you plenty of creative options for handheld and gimbal-mounted shooting of stills and moviesImage of the camera illustrating LCD panel movement

    Intuitive touch control

    Just touch the screen to activate key functions, such as selecting a focus point or subject to track, or triggering the shutter. Swiping in from the left or right edge of the shooting display reveals touch icons that allow quick changes to the shooting mode and other settings. The function (Fn) menu can also be displayed by a simple swipe-up. During playback, you can easily select and zoom into images through taps and intuitive pinch-out/pinch-in gestures.Image showing touchscreen operation

    Improved menu structure

    Responding to feedback from professional photographers and videographers, the α6700 comes with a new Main Menu structure similar to the latest full-frame α series models. The logical layout provides more efficient access to important shooting parameters, such as frame rate, shutter speed, and more. It can be assigned to a custom key for quick access when needed, and touch operation means that adjusting key settings has never been faster.Image of the camera's menu screen

     

    Visualise your world with E-mount lenses

     

    More than 70 E-mount lenses to choose from

    Take your pick from a comprehensive range of E-mount lenses from Sony. Our acclaimed line-up includes the full-frame G Master™ series that blends breathtaking resolution with exquisite bokeh, and the G Lens™ series that offers excellent image quality and value. Combined with an APS-C body, Sony's ultra-wide lenses can capture sweeping scenery or large subjects in a single frame, while telephoto lenses, assisted by the 1.5 crop factor of APS-C bodies and teleconverter lenses as needed, make it possible to capture distant subjects with stunning clarity and detail.

    Image of all E-mount lenses

    Accessories expand creative horizons

    A variety of high-performance compatible microphones can be connected to the the camera’s Multi Interface Shoe for direct, noise-free digital audio transfer to the camera. Or choose from a variety of high-output flash units such as the HVL-F60RM2 that support high-speed continuous shooting, giving you even more ways to capture creative imagery.Image of Sony flashes Image of microphones attached to cameras

    Connected vision

    Easy and stable smartphone connectivity

    Make the most of the α6700’s greatly enhanced connection stability with Sony’s free Creators’ App that enables simple transfers of photos and movies to your smartphone or tablet. Transfers continue in the background even if the smartphone display sleeps or a different app is launched. You can also use your smartphone to control the camera remotely.

    Photo of a woman looking at a photos transferred from the camera

    Stream high-quality live content

    Connected to a personal computer or smartphone via USB, the α6700 can function as a 4K (2160p) webcam with advanced AF that makes online meetings and live streaming events even smoother.

    Photo of a woman live streaming with the camera

    Fast Wi-Fi for PC tethering

    Built-in Wi-Fi (IEEE 802.11a/b/g/n/ac) allows communication on the 2.4 GHz and 5 GHz bands for fast and stable data transfer.

    Image of the Wi-Fi setup screen

    Creators' Cloud platform

    Creators' Cloud is a platform that supports creative work from shooting to production by combining advanced Sony camera technology with cloud-based AI. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps providing efficient solutions that integrate cameras with shooting and production apps and services.

     

    Illustration of the Creators Cloud concept

     

    Towards a better future

    Accessible technology on α cameras

    Sony's α cameras are equipped with a number of accessibility features so that as many people as possible can utilise and enjoy our technology. For example, the screen reader function reads text on the menu screens aloud, with volume and reading speed adjustable as needed.

    Image of screen reader settings

    Sony's goal: zero environmental footprint

    At Sony, we've launched the Road to Zero plan to map our path to achieving a zero environmental footprint, with our Green Management 2025 plan defining intermediate targets. We've taken measures to reduce the environmental footprint of the α6700 at every stage of its life cycle, from product development through supply chain, production, and packaging.

    Image of Road to Zero logo

    Packing for the future

    Wherever possible, Sony strives to use non-plastic packaging materials that provide ample protection against shock and impact, including plant-based non-woven fabrics for product bags. All of this helps to minimise environmental stress.

    Image of camera packaging materials

     

     

    SPECIFICATIONS & FEATURES

    The α6700 represents a new generation of APS-C camera bodies with a futuristic fusion of AI-based recognition technology, superlative α-series still image quality, plus moviemaking features and performance from Sony’s acclaimed Cinema Line.

    •  

      APS-C format back-illuminated Exmor R CMOS sensor with approximately 26.0 effective megapixels

    •  

      Advanced BIONZ XR engine boosts overall processing speed by up to 8x

    •  

      Innovative AI processing unit for enhanced subject recognition, AF and tracking

    •  

      In-body 5-axis image stabilisation with Active Mode for movie shooting

    •  

      High-level movie performance inherited from the Cinema Line

    Picture of α6700 Premium E-mount APS-C Camera
    Picture of α6700 Premium E-mount APS-C Camera
  • Features
    New image sensor with double the readout speed

    New image sensor with double the readout speed

    The newly developed back-illuminated full-frame Exmor RTM CMOS sensor, with 12.1 effective megapixels, boasts a readout speed up to twice as fast as that of the α7S II, along with high sensitivity and wide dynamic range. An advanced colour filter array boosts colour reproduction accuracy, while focal plane phase-detection AF enables substantial increases in autofocus stability and precision, all of which contribute to outstanding image quality.

    New image-processing engine with up to 8x the processing performance

    New image-processing engine with up to 8x the processing performance

    The BIONZ XRTM image-processing engine boasts a performance level up to eight times that of the previous processor, minimising latency while markedly improving real-time processing capabilities for both movies and stills. The engine performs real-time processing of AF, image recognition and image-quality adjustments, while also handling data transfer, user interface and other camera operations.

    High sensitivity, wide dynamic range

    High sensitivity, wide dynamic range

    The full-frame 12.1-megapixel configuration enables high sensitivity with low noise throughout the camera's sensitivity range by optimising the output signal from the sensor. The standard ISO range is 80-102400, which is further expandable to 40-409600 (80-409600 for movies). The dynamic range is an impressively wide 15 stops, for beautiful, true-to-life images without blown highlights. Together, the camera's high sensitivity and wide dynamic range expand your creative freedom during shoots.

    Full-frame 4K recording at 120p

    Full-frame 4K recording at 120p

    Full-frame 4K recording at 120fps with autofocus is possible thanks to the high-speed readout capabilities of the new image sensor working in tandem with the newly developed, powerful BIONZ XR processor. This high image-quality 4K, with full-pixel readout without binning, allows for clear post-produced slow motion (up to x5 slower than real time), as well as bokeh effects typical of full-frame cameras, all with smooth, high-precision autofocus. Despite the α7S III's compact size, it provides impressive scope for your creativity.

    Recording movies with 10-bit depth and 4:2:2 colour sampling

    Recording movies with 10-bit depth and 4:2:2 colour sampling

    The camera is capable of performing 4K internal recording with 10-bit depth and 4:2:2 colour sampling when using either Long GOP or All Intra compression. This makes it possible to push your colour grades further, stretching video out for ultimate HDR realism while still retaining natural gradation, for true editing freedom.

    All-Intra internal recording

    All-Intra internal recording

    In addition to Long GOP inter-frame compression, the α7S III supports internal intra-frame (All-Intra) recording for the first time in an α-model body, where each frame is recorded independently at a high bitrate of up to 600Mbps. This can be useful for certain types of shoots as it allows maximum flexibility in post-production editing.  [1] All-Intra (All-I)  [2] Long GoP  [3] Group of Pictures

    HEVC codec with high compression efficiency

    HEVC codec with high compression efficiency

    Available for the first time, XAVC HS format recording using the MPEG-H HEVC/H.265 codec roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS allows for detailed 10-bit video with 4:2:2 colour sampling at comparable or lower data rates, delivering even better image quality as well as manageable file sizes.

    16-bit RAW data output

    16-bit RAW data output

    Facilitating improved image quality and more flexible and efficient editing in post production, the camera supports 16-bit RAW data output to an external recorder via HDMI, for the first time in the α series. The output is full-frame 4264 x 2408 (16:9 aspect ratio) 16-bit data from the image sensor, with a choice of 59.94p/50p/29.97p/25p/23.98p frame rates and colour spaces.

    S-Log2 and S-Log3 with 10bit 4:2:2 support

    S-Log2 and S-Log3 with 10bit 4:2:2 support

    S-Log2 and S-Log3 gamma curves are available, with S-Log3 designed for better reproduction of gradations from shadows to the mid-grey range (18% grey), enabling a dynamic range of up to 15 stops. Three colour gamut settings (S-Gamut, S-Gamut3, and S-Gamut3.Cine) are provided, and the latter two settings make it easier to match the colours of footage shot with Sony's professional cinema cameras. Because the colours match, colour grading is easier in post-production editing, making it more convenient to use the α7S III along with other pro cameras.

    Proxy recording for more efficient editing workflow

    Proxy recording for more efficient editing workflow

    When shooting movies, low bit-rate HD proxy files can be recorded simultaneously with higher bit-rate formats such as XAVC S-I 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files can be captured in either 10-bit XAVC HS (1920 x 1080) or 8-bit XAVC S (1280 x 720) .

    10-bit HLG picture profile

    10-bit HLG picture profile

    An HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 colour space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout and less whiteout, all without the need for colour grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism.  [1] High flexibility to fine-tune images as desired (colour grading required)  [2] Instant high-quality image (colour grading not required) 

    Enhanced movie image quality

    Enhanced movie image quality

    Thanks to the improved capabilities of the α7S III's new image-processing engine, colours and textures of foliage and human skin can be more consistently reproduced without over-dependence on light sources. Gradation rendering has also been refined, for better-looking skin tones and highlight roll-off in portraits. When shooting 4K, the new image sensor and processing engine reduce rolling shutter distortion to as little as one-third that of the α7S II.

    Fast Hybrid AF for dependable focus during movie shooting

    Fast Hybrid AF for dependable focus during movie shooting

    Inheriting technology and performance standards from Sony's large-format FX9 pro camcorder, Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field, taking full advantage of Sony E-mount lenses' smooth linear-motor focusing and power-zoom operations. Newly added AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as requested by professional users. Both allow preset settings to be recalled during recording by using a customisable button.

    AF support in manual-focus mode

    AF support in manual-focus mode

    The camera's autofocus support can be useful even when you're primarily using manual focus. For full AF speed, half-press the shutter button or press the AF-ON button, as you would when shooting stills. Alternatively, slower, more cinematic AF transitions can be achieved by initiating AF via the touch focus feature or Real-time Eye AF via a custom button assignment, resulting in slow, smooth autofocus at the preset AF Transition Speed.

    Game-changing tracking features to revolutionise movie shooting

    Game-changing tracking features to revolutionise movie shooting

    Real-time Tracking and Real-time Eye AF make movie-making much easier. Touch Tracking initiates subject tracking with an intuitive touch to the LCD monitor, processing data on colour, pattern (brightness), distance (depth) and facial information to keep your subject in steady focus. You can then concentrate more fully on composition, which can be especially useful when you're shooting solo or using a gimbal. Touch operations can be used to temporarily engage AF even when you're shooting manually.

    Active Mode optical image stabilisation for handheld shooting

    Active Mode optical image stabilisation for handheld shooting

    Relying on a new high-precision stabilisation unit, gyro sensors, and optimised image stabilisation algorithms, the camera's Optical SteadyShotTM Active Mode provides the precise degree of optical image compensation needed during movie shooting, even for 4K video. With this unprecedented level of stabilisation it's possible to shoot with the camera only, taking advantage of the compact size and mobility of the α system.  [1] Track of camera shake  [2] Standard  [3] Active

    Enhanced audio quality

    Enhanced audio quality

    A digital audio interface is incorporated in the camera's Multi Interface (MI) Shoe, to facilitate cleaner, clearer audio recordings without loss of quality. The XLR-K3M XLR Adaptor Kit additionally provides the camera with 4-channel 24-bit digital audio recording capability. Three recording formats can be selected from a menu: 48 kHz/16-bit 2-ch, 48 kHz/24-bit 2-ch, and 48 kHz/24-bit 4-ch, with the XLR-K3M XLR Adaptor Kit required for the latter two formats.

    New heat-dissipation design for extended recording times

    New heat-dissipation design for extended recording times

    The camera's design has been optimised to prevent overheating even during extended recording sessions. A unique Sony Σ (sigma) shaped graphite-alloy heatsink is built into the image stabilisation unit, allowing the sensor to dissipate heat five times more effectively than in previous models, while allowing it to move freely and avoiding interference with the stabilisation system.

    Designed for smooth movie-making

    Designed for smooth movie-making

    Flexibility in positioning the camera and framing shots is provided by the side-opening, vari-angle monitor, which incorporates a bright 3.0-type, 1.44 million-dot LCD screen. The MOVIE button is within easy reach on the camera's top panel, and a durable HDMI Type-A terminal ensures reliable connections to external monitors. The item arrangement and initial settings on the mode dial have also been adjusted to meet the needs of pro users.

    Dedicated settings menu for movie shooting

    Dedicated settings menu for movie shooting

    A subset of the camera's settings can be changed independently for movie or still shooting, which can be useful if you want to use different ISO, Iris (aperture) and other settings depending on the shooting mode. Another convenient feature is the use of Flexible Exposure Mode instead of normal PASM Mode when Movie or S&Q mode is selected. This allows quick switching between auto and manual control of Iris (aperture) and shutter speed, and the function can be assigned to a custom button to allow one-touch toggling between auto and manual.

    Fast Hybrid AF for still shots

    Fast Hybrid AF for still shots

    The Fast Hybrid AF uses a high-density array of 759 phase-detection AF points (covering around 93% of the imaging area) in conjunction with 425-point contrast-detection AF. Real-time Eye AF (for humans and animals) and Real-time Tracking features are also available for the first time in the S series. Advanced AF algorithms facilitate precise AF down to light levels as low as EV-6, for accurate focus even when the subject would be difficult to see clearly with the naked eye. 

    High-speed continuous shooting performance

    High-speed continuous shooting performance

    Mechanical and electronic shutters are each capable of continuous shooting at up to 10fps with AF/AE. Continuous shooting of over 1000 uncompressed RAW images is possible thanks to increases in the buffer memory of the BIONZ XR processor and memory-card writing speed.

    Enhanced image quality for stills

    Enhanced image quality for stills

    The new image sensor and image-processing engine deliver an extraordinary degree of sensitivity, a defining characteristic of the S series, and significantly better reproduction of colour and textural details. Improved rendering capability provides realistic-looking images with reduced noise, particularly in the mid-to-high sensitivity range. A new Visible Light and IR Sensor improves auto white balance, and HEIF file options and an HLG Still Image Mode (for 8-bit and 10-bit HEIF stills) have been added.

    Creative Look feature to set the mood and atmosphere

    Creative Look feature to set the mood and atmosphere

    The new Creative Look feature is a quick way to establish a particular mood in still shots and movies by altering parameters like brightness, contrast and colour saturation. Ten Creative Look presets are available in-camera, and each of these can be used as is, or further customised using eight individual parameter settings. Custom Creative Look settings can be easily saved and stored for later use.

    Two CFexpress Type A-compatible media slots

    Two CFexpress Type A-compatible media slots

    The camera's two media slots are compatible with new CFexpress Type A cards as well as SDXC/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write/read speeds suitable for both high-speed continuous still shooting and 4K movie recording at high bit rates. They are capable of quickly clearing camera buffers even when high volumes of still image and movie data are being generated.

    High-definition 9.44 million-dot electronic viewfinder

    High-definition 9.44 million-dot electronic viewfinder

    Boasting the highest resolution in its class, the α7S III's viewfinder rivals the resolution of the human eye. It provides category-leading 0.90x viewfinder magnification, a 41º diagonal field of view, and a 25mm high eyepoint for clear, low-distortion viewing. Improvements in sealing greatly reduce the chance that even drastic ambient temperature fluctuations will cause interior condensation.

    New touch-driven menu with workflow-based navigation

    New touch-driven menu with workflow-based navigation

    Responding to requests from pro photographers and videographers, the menu structure has been designed to allow professionals to work more efficiently. Menu tabs are on the left side of the display, while parameter groups and parameters related to the selected tab appear on the right. Up to three levels can be displayed together, making the menu structure more clearly visible. Touch-responsive menu operations enable fast, intuitive control.

    Reliable, durable construction

    Reliable, durable construction

    To maximise dust and moisture resistance, additional sealing has been applied to all body seams and to the battery compartment cover, and the media slot cover has been redesigned to handle harsh outdoor environments. A filter in front of the image sensor oscillates at an ultrasonic frequency of 70,000 cycles per second to remove dust from the sensor surface. The camera chassis is highly durable thanks to full magnesium-alloy construction.

    USB Power Delivery

    USB Power Delivery

    The camera supports USB PD (Power Delivery), to enable continuous shooting for extended periods without draining the internal battery. PD-compatible USB chargers and mobile batteries can be connected to the camera's USB Type C® port, to supply power or to recharge the internal battery at 3 to 4 times the rate of conventional power supplies.

    Data communications to support on-site workflow

    Data communications to support on-site workflow

    Wired and wireless communications features support FTP transfer for still and movie files as well as remote shooting capability, to facilitate professional workflows during shoots. Wireless 5GHz/2.4GHz LAN connections are supported, and wired connectivity to 1000BASE-T Ethernet networks is available via a USB-to-Ethernet adaptor cable connected to the camera's USB Type C® port supporting SuperSpeed USB 5Gbps (USB 3.2). Remote shooting can be controlled from a PC with Sony's Imaging Edge DesktopTM application, or from a mobile device with Imaging Edge MobileTM.

    External flash control from the camera body

    External flash control from the camera body

    It is now possible to configure the settings of a compatible attached flash or Wireless Radio Commander (both sold separately) from the camera. Most settings, including light output, can be accessed and easily changed directly from a camera menu, for high-performance flash control with these genuine Sony accessories. Flash parameters are shown in the selected camera display language.

    Imaging Edge Desktop

    Imaging Edge Desktop

    Elevate your photography with Imaging Edge Desktop applications. Use ‘Remote’ to control and monitor shooting live on your PC screen; ‘Viewer’ to quickly preview, rate, and select photos from large image libraries; and ‘Edit’ to develop RAW data into high-quality photos for delivery. Get the best from Sony RAW files, and manage your productions more efficiently.

    Capture One for Sony

    Capture One for Sony

    Capture One Express (for Sony) is free award-winning editing software that provides RAW development, easy management and powerful editing tools. Capture One Pro (for Sony) is also available for even more editing tools and remote shooting capability.

    S-Cinetone™ from high-end cinema camera colour science

    S-Cinetone™ from high-end cinema camera colour science

    The inclusion of Sony’s acclaimed S-Cinetone look, inherited from the development of the Cinema Line FX9 and CineAlta cameras such as VENICE, allows cinematic colour to be achieved directly in-camera. S-Cinetone is optimised for natural skin tones and mid-range colours, with gentle highlight roll-off, for impressive subject depiction without grading at post production as a workflow.

    Works with iMovie and Final Cut Pro X

    Works with iMovie and Final Cut Pro X

    This product is compatible with Final Cut Pro X and iMovie.

  • Highlight

    Newly developed 12.1-megapixel back-illuminated Exmor RTM CMOS image sensor

    Lens

    E-mount

    Newly developed BIONZ XR image processing engine with up to 8x the processing performance

    Image Sensor

    3:2

    Movie-making with 4K 120p, 10-bit 4:2:2 recording capability

    Recording (still images)

    35mm full frame L: 3776 x 2832 (11M), M: 2464 x 1848 (4.6M), S: 1888 x 1416 (2.7M), APS-C L: 2464 x 1848 (4.6M), M: 1888 x 1416 (2.7M), S: 1232 x 920 (1.1M)

    Fast Hybrid AF with 759 phase-detection AF points and enhanced Real-time Eye AF

    Recording (movie)

    XAVC S, XAVC HS

    Body-integrated 5-axis optical image stabilisation, Active Mode for movies

    Recording System

    Yes

  • Specifications

    Designed for professionals, the α7S III builds on the strengths of the S series such as high sensitivity and wide dynamic range while providing pro features like enhanced AF, optical image stabilisation and 4K 120p recording. Incorporating a powerful new engine in its compact body, the camera delivers a wide range of visual experiences.

    Lens

    Lens Mount

    E-mount

    Image Sensor

    Aspect Ratio

    3:2

    Number Of Pixels (Effective)

    Approx. 12.1 megapixels

    Number of Pixels (total)

    Approx. 12.9 megapixels

    Sensor Type

    35mm full frame (35.6×23.8mm), Exmor R CMOS sensor

    Anti-Dust System

    Yes (Charge protection coating on Optical Filter and ultrasonic vibration mechanism)

    Recording (still images)

    IMAGE SIZE (PIXELS) [4:3] 

    35mm full frame L: 3776 x 2832 (11M), M: 2464 x 1848 (4.6M), S: 1888 x 1416 (2.7M), APS-C L: 2464 x 1848 (4.6M), M: 1888 x 1416 (2.7M), S: 1232 x 920 (1.1M)

    Image Size (pixels) [16:9]

    35mm full frame L: 4240 x 2384 (10M), M: 2768 x 1560 (4.3M), S: 2128 x 1200 (2.6M), APS-C L: 2768 x 1560 (4.3M), M: 2128 x 1200 (2.6M), S: 1376 x 776 (1.1M)

    IMAGE SIZE (PIXELS) [1:1] 

    35mm full frame L: 2832 x 2832 (8M), M: 1840 x 1840 (3.4M), S: 1408 x 1408 (2.0M),APS-C L: 1840 x 1840 (3.4M), M: 1408 x 1408 (2.0M), S: 912 x 912 (0.8M)

    Picture Effect

    -

    Creative Style

    -

    Picture Profile

    Yes (Off / PP1-PP10) Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset

    CREATIVE LOOK

    ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)

    Dynamic Range Functions

    Off, Dynamic Range Optimizer (Auto/Level (1-5))

    Colour Space

    sRGB standard (with sYCC gamut), Adobe RGB standard and Rec. ITU-R BT.2100 standard (BT.2020 gamut). (compatible with TRILUMINOS Color)

    14bit RAW

    Yes

    Recording (movie)

    Recording Format

    XAVC S, XAVC HS

    Colour Space

    Rec. ITU-R BT.2100 standard compatible (BT.2020 gamut). (compatible with TRILUMINOS Color)

    Picture Effect

    -

    Creative Style

    -

    Picture Profile

    Yes (Off / PP1-PP10) Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset

    CREATIVE LOOK

    ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)

    MOVIE RECORDING SYSTEM (XAVC HS 4K)

    3840 x 2160 (4:2:0, 10bit, NTSC) (Approx.): 120p (200Mbps), 60p (150Mbps / 75Mbps / 45Mbps), 24p (100Mbps / 50Mbps / 30Mbps); 3840 x 2160 (4:2:0, 10bit, PAL) (Approx.): 100p (200Mbps), 50p (150Mbps / 75Mbps / 45Mbps); 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 120p (280Mbps), 60p (200Mbps / 100Mbps), 24p (100Mbps / 50Mbps); 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 100p (280Mbps), 50p (200Mbps / 100Mbps)* details of frame rate

    MOVIE RECORDING SYSTEM (XAVC S 4K)

    3840 x 2160 (4:2:0, 8bit, NTSC) (Approx.): 120p (200Mbps), 60p (150Mbps), 30p (100Mbps / 60Mbps), 24p (100Mbps / 60Mbps); 3840 x 2160 (4:2:0, 8bit, PAL) (Approx.): 100p (200Mbps), 50p (150Mbps), 25p (100Mbps / 60Mbps); 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 120p (280Mbps), 60p (200Mbps), 30p (140Mbps), 24p (100Mbps); 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 100p (280Mbps), 50p (200Mbps), 25p (140Mbps)* details of frame rate

    MOVIE RECORDING SYSTEM (XAVC S HD)

    1920 x 1080 (4:2:0, 8bit, NTSC) (Approx.): 120p (100Mbps / 60Mbps), 60p (50Mbps / 25Mbps), 30p (50Mbps / 16Mbps), 24p (50Mbps); 1920 x 1080 (4:2:0, 8bit, PAL) (Approx.): 100p　(100Mbps / 60Mbps), 50p (50Mbps / 25Mbps), 25p (50Mbps / 16Mbps); 1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.): 60p (50Mbps), 30p (50Mbps), 24p (50Mbps); 1920 x 1080 (4:2:2, 10bit, PAL) (Approx.): 50p (50Mbps), 25p (50Mbps)* details of frame rate

    MOVIE RECORDING SYSTEM (XAVC S-I 4K)

    3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 60p (600Mbps), 30p (300Mbps), 24p (240Mbps); 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 50p (500Mbps), 25p (250Mbps)* details of frame rate

    MOVIE RECORDING SYSTEM (XAVC S-I HD)

    1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.): 60p (222Mbps), 30p (111Mbps), 24p (89Mbps); 1920 x 1080 (4:2:2, 10bit, PAL) (Approx.): 50p (185Mbps), 25p (93Mbps)* details of frame rate

    SLOW & QUICK MOTION (SHOOTING FRAME RATE) 

    NTSC mode: 1fps,2fps,4fps,8fps,15fps,30fps,60fps,120fps, 240fps,PAL mode: 1fps,2fps,3fps,6fps,12fps,25fps,50fps,100fps, 200fps* details of frame rate

    Movie Functions

    Audio Level Display, Audio Rec Level, PAL/NTSC Selector, Proxy Recording (1280 x 720 (6Mbps), 1920 x 1080(9Mbps), 1920 x 1080(16Mbps)), TC/UB, Auto Slow Shutter, Gamma Disp. Assist, RAW Output(HDMI)

    Recording System

    Location information Link from smartphone

    Yes

    Media

    SD memory card, SDHC memory card (UHS-I/II compliant), SDXC memory card (UHS-I/II compliant), CFexpress Type A memory card

    Memory Card Slot

    SLOT1: Multi slot for SD (UHS-I/II compliant) memory card/CFexpress Type A card, SLOT2: Multi slot for SD (UHS-I/II compliant) memory card/CFexpress Type A card

    Recording mode on 2 memory cards

    Simult. Rec, Sort, Auto Switch Media, Copy

    Noise Reduction

    Noise Reduction

    Long exposure NR: On/Off, available at shutter speeds longer than 1 sec.,High ISO NR: Normal / Low / Off

    White balance

    White Balance Modes

    Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom

    SHUTTER AWB LOCK 

    Yes (Shut. Halfway Down / Cont. Shooting / Off)

    Focus

    Focus Type

    Fast Hybrid AF (phase-detection AF / contrast-detection AF)

    Focus Sensor

    Exmor R CMOS sensor

    Focus Point

    35mm full frame: 759 points (phase-detection AF), APS-C mode with FF lens: 345 points (phase-detection AF), with APS-C lens: 285 points (phase-detection AF) / 425 points (contrast-detection AF)

    Focus Sensitivity Range

    EV-6 to EV20 (ISO100 equivalent with F2.0 lens attached)

    Focus Mode

    AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus

    Focus Area

    Wide / Zone / Center Fix / Spot / Expand Spot / Tracking

    EYE AF / SUBJECT RECOGNITION AF

    [Still images] Human (Right/Left Eye Select) / Animal, [Movie] Human (Right/Left Eye Select)

    Other Features

    Predictive control, Focus lock, AF Track Sens. (Still), AF Subj. Shift Sensitivity (Movie), AF Transition Speed (Movie), Switch V/H AF Area, AF Area Regist., Circ. of Focus Point

    AF Illuminator

    Yes (with Built-in LED type)

    AF Illuminator range

    Approx. 0.3m - approx. 3.0m (with FE 28-70mm F3.5-5.6 OSS lens attached)

    Focus type with LA-EA3 (Sold separately)

    Phase-detection

    Exposure

    Metering Sensor

    Exmor R CMOS sensor

    Metering Sensitivity

    EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)

    Metering Mode

    Multi-segment, Center-weighted, Spot, Spot Standard/Large, Entire Screen Avg., Highlight

    Exposure Compensation

    +/- 5.0EV (1/3 EV, 1/2 EV steps selectable) (with exposure compensation dial: +/- 3EV (1/3 EV steps))

    Exposure Bracketing

    Bracket: Cont., Bracket: Single, 3/5/9 frames selectable. (Ambient light, Flash light)

    AE Lock

    Locked when shutter button is pressed halfway. Available with AE lock button. (On/Off/Auto)

    Exposure Modes

    AUTO(iAuto), Programmed AE (P), Aperture priority (A), Shutter-speed priority (S), Manual (M), Movie (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode), Slow & Quick Motion (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode)

    ISO Sensitivity

    Still images: ISO 80-102400 (ISO numbers up from ISO 40 to ISO 409600 can be set as expanded ISO range.), Movies: ISO 80-102400 equivalent (ISO numbers up to ISO 409600 can be set as expanded ISO range.)

    Anti-flicker Shoot.

    Yes

    Scene Selection

    -

    Exposure

    Metering Type

    1200-zone evaluative metering

    Viewfinder

    Viewfinder Type

    1.6 cm (0.64 type) electronic viewfinder (color)

    Number of Dots

    9 437 184 dots

    Field Coverage

    100%

    Magnification

    Approx. 0.90 x (with 50mm lens at infinity, -1m-1)

    Dioptre Adjustment

    -4.0 to +3.0m-1

    Eye Point

    Approx. 25mm from the eyepiece lens, 21mm from the eyepiece frame at -1m-1 (CIPA standard)

    DISPLAY FUNCTION

    Histogram, Real-time image-adjustment display, Digital level gauge, Grid line, Focus check, Peaking MF, Zebra, Movie marker, Emph disp dur REC

    Finder Frame Rate Selection

    NTSC mode: STD 60fps / HI 120fps, PAL mode: STD 50fps / HI 100fps

    LCD Screen

    Monitor Type

    7.5cm (3.0-type) type TFT

    Number of Dots

    1,440,000 dots

    Touch Panel

    Yes

    Brightness Control

    Manual (5 steps between -2 and +2), Sunny Weather mode

    Adjustable Angle

    Opening Angle:Approx. 176 deg., Rotation Angle:Approx. 270 deg.

    Focus Magnifier

    Yes, Focus Magnifier (35mm full frame: 2.1x / 4.1x, APS-C: 1.5x / 3.0x)

    Other Features

    PlayMemories Camera Apps™

    -

    Clear Image Zoom

    Still images:Approx. 2x,Movies:Approx. 1.5x (4K), Approx. 2x (HD)

    Digital Zoom

    Smart zoom (Still images):35mm full frame: M:Approx. 1.5x, S:Approx. 2x, APS-C: M:Approx. 1.3x, S:Approx. 2x, Digital zoom (Still images):35mm full frame: L:Approx. 4x, M:Approx.6.1x, S:Approx. 8x, APS-C: L:Approx. 4x, M:Approx. 5.2x, S:Approx. 8x,Digital zoom (Movie):35mm full frame: Approx. 4x, APS-C: Approx. 4x

    Face Detection

    Face Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority

    Self-Portrait Self-timer

    -

    Others

    Interval Recording, ISO AUTO Min. SS, Bright Monitoring, Copyright Info, Set File Name, Save/Import Settings, Help guide, Video Light Mode, Zoom Ring Rotate

    Shutter

    Type

    Electronically-controlled, vertical-traverse, focal-plane type

    Shutter Type

    Mechanical shutter/Electronic shutter

    Shutter Speed

    Still images: 1/8000 to 30 sec, Bulb, Movies: 1/8000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode)

    Flash Sync. Speed

    1/250 sec.

    Electronic Front Curtain Shutter

    Yes (ON/OFF)

    Silent Shooting

    Yes (ON/OFF)

    Image Stabilization

    Type

    Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)

    Compensation Effect

    5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50mm F1.4 ZA lens mounted. Long exposure NR off.)

    Flash Control

    Type

    -

    Guide No.

    -

    Flash coverage

    -

    Control

    Pre-flash TTL

    Flash Compensation

    +/- 3.0 EV (switchable between 1/3 and 1/2 EV steps)

    Flash Modes

    Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction (on/off selectable), Wireless, Hi-speed sync.

    Recycling Time

    -

    External Flash Compatibility

    Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe

    FE Level Lock

    Yes

    Wireless Control

    Yes (Light signal: Available with Fill-flash, Slow Sync., Hi-speed sync. / Radio signal: Available with Fill-flash, Rear Sync., Slow Sync., Hi-speed sync.)

    Drive

    Drive Modes

    Single Shooting, Continuous shooting (Hi+/Hi/Mid/Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket

    Continuous Drive Speed (approx. max.)

    Continuous shooting: Hi+: 10 fps, Hi: 8 fps, Mid: 6 fps, Lo: 3 fps

    No. of recordable frames (approx.)

    JPEG Extra fine L: over 1000 frames, JPEG Fine L: over 1000 frames, JPEG Standard L: over 1000 frames, RAW: over 1000 frames, RAW & JPG: over 1000 frames, RAW (Uncompressed): over 1000 frames, RAW (Uncompressed) & JPG: over 1000 frames

    Self-Timer

    10 sec. delay / 5 sec. delay / 2 sec. delay / Continuous self-time / Bracketing self-timer

    Pixel Shift Multi Shooting

    -

    Playback

    Photo Capture

    Yes

    Modes

    Single (with or without shooting information Y RGB histogram & highlight / shadow warning),Index view,Enlarged display mode (L: 10.6x, M: 6.92x, S: 5.32x),Auto Review,Image orientation,Folder selection (Date / Still / Movie),Protect,Rating,Display as Group

    Print

    Compatible Standards

    Exif Print, Print Image Matching III

    Custom function

    Type

    Custom key settings,Programmable Setting (Body 3 sets /memory card 4 sets),My Dial Settings,My Menu,Reg Cust Shoot Set

    Lens Compensation

    Setting

    Peripheral Shading, Chromatic Aberration, Distortion

    Power

    Supplied Battery

    One rechargeable battery pack NP-FZ100

    Battery Life (Still Images)

    Approx. 510 shots (Viewfinder) / Approx. 600 shots (LCD monitor) (CIPA standard)

    Battery Life (Movie, actual recording)

    Approx. 80 min (Viewfinder) / Approx. 95 min (LCD monitor) (CIPA standard)

    Battery Life (Movie, continuous recording)

    Approx. 130 min (Viewfinder) / Approx. 135 min (LCD monitor) (CIPA standard)

    Internal Battery Charge

    Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)

    Power consumption with Viewfinder

    Still images: Approx. 4.3W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: Approx. 7.6W (with FE 28-70mm F3.5-5.6 OSS lens attached)

    Power consumption with LCD screen

    Still images: Approx. 3.3W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: Approx. 7.3W (with FE 28-70mm F3.5-5.6 OSS lens attached)

    USB Power supply

    Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)

    Interface

    PC Interface

    Mass-storage / MTP

    Multi / Micro USB Terminal

    Yes, Type-C® Terminal (SuperSpeed USB 5Gbps(USB 3.2) compatible)

    Bluetooth

    Yes (Bluetooth Standard Ver. 5.0 (2.4GHz band))

    Multi Interface Shoe

    Yes (with Digital Audio Interface)

    Mic Terminal

    Yes (3.5 mm Stereo minijack)

    Sync Terminal

    -

    Headphone Terminal

    Yes (3.5 mm Stereo minijack)

    Vertical Grip Connector

    Yes

    LAN Terminal

    -

    FUNCTIONS

    FTP Transfer Func.,View on Smartphone,Remote control via Smartphone,NFC One-touch remote,PC Remote,BRAVIA Sync (Control for HDMI),PhotoTV HD

    Size & Weight

    Weight (with battery and memory card included)

    Approx. 699 g, approx. 1 lb 8.7 oz

    Dimensions (W x H x D)

    Approx. 128.9mm x 96.9mm x 80.8mm, Approx. 128.9mm x 96.9mm x 69.7mm (FROM GRIP TO MONITOR), Approx. 5 1/8 x 3 7/8 x 3 1/4 inches, Approx. 5 1/8 x 3 7/8 x 2 3/4 inches (FROM GRIP TO MONITOR)

    Audio

    Microphone

    Built-in, stereo

    Speaker

    Built-in, monaural

    Others

    Operating Temperature

    32 - 104 degrees F / 0 - 40 degrees C

  • Delivery Information

    How much does delivery cost?

    Sony offers free deliveries for orders $100 and above. For orders below $100, a standard delivery charge of $2.90 will be applied during checkout.

     

    What is the expected delivery lead time?

    Products excluding those listed under Televisions and Home Cinema:

    For orders below $100, your order will be delivered within 3 working days upon order placement of products.

    For orders $100 and above, placed before 2pm on Monday - Thursday excluding eve of public holidays, delivery will be next day. Orders received on the weekend may take longer as some logistics partners do not support delivery on Sunday. Please refer to the following table for delivery estimates:

    Time Of Order

    Estimated Delivery Date

    Example

    Mon – Thu

    Orders before 2pm

    Receive it the next working day

    Order on Monday 11am, receive on Tuesday

    Mon – Thu

    Orders after 2pm

    Receive it the 3rd working day

    Order on Monday 2pm, receive on Wednesday

    Fri, Eve of PH

    Orders before 2pm

    Receive it the next working day

    Order on Thursday 11am (eve of PH), receive it on Monday

    Fri – Sun, Eve of PH

    Orders after 2pm

    Receive it on the 3rd  working day

    Order on Thursday 2pm (eve of PH), receive it on Tuesday

     

    Large products (products listed under Televisions and Home Cinema):

    Next day delivery may not be applicable. Please expect a phone call after placing your order for arrangement of the date of delivery.

     

    Where do you ship to?

    Shipping is only available within Singapore. Delivery will only be made to address located on the main Singapore island, with the exclusion of restricted zones. Delivery to Sentosa island will be subject to additional charges. Where Sony is unable to deliver, we will endeavour to notify you as soon as we become aware of the restriction.

    For more information, please refer to our Online Shopping FAQ

  • Overview

    Sony α7S III with full-frame movie performance including high sensitivity, 15-stop wide dynamic range, 4K 120p (With 10% image crop.), fast AF, and strong image stabilisation.

    • Newly developed 12.1-megapixel back-illuminated Exmor R(TM) CMOS image sensor
    • Newly developed BIONZ XR(TM) image processing engine with up to 8x the processing performance
    • Movie-making with 4K 120p, 10-bit 4:2:2 recording capability
    • Fast Hybrid AF with 759 phase-detection AF points and enhanced Real-time Eye AF
    • Body-integrated 5-axis optical image stabilisation, Active Mode for movies
    • High sensitivity, wide dynamic range
    • One Mount: A wide variety of E-mount lenses for imaginative movie-making
    • All-Intra internal recording
    • 16-bit RAW data output
    • Enhanced audio quality, 48 kHz/24-bit 4-ch

  • Promotions

    Next generation creativity on the go

    The α6700 combines the latest AI technology with Sony's outstanding α-series image quality in a compact APS-C camera body. Offering enhanced subject recognition, the latest technology for capturing stills and movies, and E-mount lens compatibility, the lightweight α6700 is designed for creative adventures, anytime, anywhere.

     

     

    Image of link destination

    α6700 Photo Gallery

    Click here explore Sample images

    A window for your world

    Photo of a small bird

    APS-C format Exmor R™ back-illuminated CMOS sensor

    The advanced Exmor R CMOS image sensor with 26.0 effective megapixels is packed with Sony's image sensor technologies. It offers extraordinary sensitivity, resolution and dynamic range, thanks to its back-illuminated format, gapless on-chip lenses, and AR coating (anti-reflection seal glass).

    Image of the Exmor R image sensor

    BIONZ XR™ processing power for exceptional image quality

    With up to eight times more processing power than previous versions, the latest BIONZ XR image processing engine delivers natural gradations and realistic colours with low noise for stills and movies.

    Image of the BIONZ XR

    Wide dynamic range for diverse shooting scenarios

    The α6700's standard sensitivity ranges from a low ISO 100 to ISO 32000, and offers a wide dynamic range so that natural gradations can be captured in high-contrast scenes without blown highlights or blocked shadows.

    Portrait photograph of a woman in evening light

    Consistently accurate exposure and colour

    The α6700 offers impressive exposure control. It's equipped with a new AE algorithm, initially developed for full-frame models, which enables it to accurately detect the skin area of faces and adjust exposure accordingly when shooting stills and movies. It can also maintain realistic colours under a wide range of light sources, from sunlight through to theatre and stadium lighting, and produce more natural skin tones, sky and foliage colours.

    Image of two birds

    Choose your Creative Look

    The Creative Look setting offers greater creative flexibility with added simplicity. It provides 10 presets that can be used just as they are or customised via 8 adjustable parameters to suit the subject or scene, whether you’re shooting stills, movies or live-streaming. You can easily set the mood ahead of shooting so your images are ready to share immediately.

    4 sample photos of Creative look: Ferris wheel, boathouse, portrait of a woman, macro of wildflowers

    5-axis optical image stabilisation

    Shoot hand-held or in low-light with confidence — the 5-axis in-body optical image stabilisation system is supported by precision gyro sensors to deliver up to 5-steps of shake compensation. It detects and compensates for various types of camera shake, including angular (pitch/yaw) shake that is more apparent at longer focal lengths, or when shooting with slower shutter speeds.

    [1] Yaw [2] Roll [3] Pitch

    Illustration of the image stabilization unit

    Precise compensation at the single-pixel level

    Through enhanced design and control of key parameters, the α6700 provides precise detection and control right down to the single-pixel level, taking full advantage of the sensor's 26.0 megapixel resolution to produce images that capture all the finer details.

    Portrait photograph of a woman and an enlargement photograph of her face

    Selectable RAW file types and quality

    In addition to compressed RAW capture, the α6700 supports lossless compressed RAW capture that provides efficient compression, allowing a greater number of high-quality images to be shot in continuous bursts. A new Light image quality selection that generates less data is provided for JPEG and HEIF images.

    Camera LCD display screen: RAW Image selection screen

    HEIF: High compression with excellent image quality

    For the first time in an APS-C camera, the α6700 includes the HEIF (High Efficiency Image File) format with smooth 10-bit gradations for more realistic reproduction of skies and portrait skin tones. The HEIF format also uses advanced compression technology to maintain image quality while significantly reducing file size and saving storage space.

    Landscape photograph of a city and lake

    Evolving with AI

     

    Innovative AI processing

    The α6700 is equipped with an innovative AI processing unit that greatly enhances its performance, including more accurate recognition for a wider range of subjects.

    Image of the AI Processing Unit

    Human pose estimation

    The α6700 uses subject form data to recognise movement, achieving greatly improved human eye recognition. It also employs learned human forms and postures to precisely recognise body and head positions, making it possible to lock onto and track a subject facing away from the camera, or with their face partly obscured by a helmet or sunglasses.

    Image showing AF Frame tracking a woman only in a small part of the frame

    Wider subject recognition

    In addition to humans and animals, the α6700 now recognises birds, insects, cars, trains and airplanes, providing even greater flexibility and reliability when shooting both stills and movies. Heads and bodies are recognised in addition to eyes (Real-time Eye AF) for the Human and Animal settings, and now for the Bird setting too, with animal recognition performance more than 40% higher compared to the α6600.

    Sample photos of recognizable subjects: leopard, bird, airplane, car, train, butterfly.

    Smarter Real-time Tracking

    The upgraded and more reliable AI-based Real-time Tracking makes shooting in a wider range of situations simpler, leaving you free to concentrate on framing and composition. The α6700 can even track people wearing helmets or animals facing away from the camera.

    Photo of a woman walking in the street

     

    Faster, more precise wide-area AF

    The immense processing power and updated algorithms of the new BIONZ XR engine achieve notably improved AF performance, with up to 759 phase detection points, covering approximately 93% of the image area when shooting stills.

    Illustration of focus points.

    Accurate AF in low EV -3.0 light

    The latest AF algorithms achieve high AF precision at light levels as low as EV -3.0 in AF-S mode (ISO 100 equivalent, F2.0 lens). The Focus Priority mode also provides more reliable AF in low light or when using smaller apertures.

    Portrait photo of a woman in a dark moonlit scene

    Shoot more than 1000 images at 11 fps

    The α6700's powerful BIONZ XR processing engine combines with a large buffer memory to boost write speeds to memory cards, so that the camera can shoot more than 1000 JPEG images, up to 59 compressed RAW images, or up to 23 lossless compressed RAW images in continuous high-speed bursts.

    Example of continuous shooting: an owl flying in the sky

    Full-time DMF

    When shooting stills with AF-C or AF-S autofocus, the lens's focus ring can be rotated to instantly switch to manual focus mode at any time. This makes it easy to switch focus to a different subject on the fly.

    Photo of a small owl perched on a branch

    Focus bracketing to capture the best shot

    The α6700 can automatically shoot up to 299 images with sequentially shifted focus points according to intervals and a sequence specified by you. Pick the perfect shot, or post-process multiple shots to achieve creative composites with incredible depth of focus.

    Several photos of plants taken with AF bracketing

    Flicker suppression

    Suppress flicker from artificial lighting whether you're shooting stills or movies. Simply select "Anti-flicker Shoot", or use "Var. Shutter" to fine-tune shutter speeds to match flicker rates when filming.

    Image of the camera's menu screen

     

    Movie performance inherited from the Cinema Line

    4K movie recording for stunning quality

    The α6700 captures 4K (QFHD: 3840 x 2160) at up to 60p (50p) using Sony's proprietary 6K oversampling technology. By compressing this expanded detail into the output, it achieves 4K video quality with outstanding definition, even at higher frame rates. The camera also supports high-quality XAVC S-I (All-Intra) and XAVC HS formats with 10-bit 4:2:2 colour sampling.

     

    High frame rate 4K 120p (100p) recording

    High frame rate recording at up to 120p for 4K QFHD (3840 x 2160) output makes it possible to capture high-resolution movies in-camera. This expands creative possibilities in post-production by allowing subject motion to be emphasised or transformed into smooth slow motion. S&Q mode also enables recording of slow or quick motion sequences in camera from the outset.

    Expressive S-Cinetone™

    Incorporating the same colour science as the highly regarded CineAlta and Cinema Line, the α6700 includes Sony's S-Cinetone picture profile as a preset, delivering images with more faithful colour reproduction and natural skin tones.Portrait of a woman’s face

    S-Log3 gamma curve with 14+ stops of latitude

    The S-Log3 gamma curve emphasises gradation characteristics from shadows to mid-grey (18% grey), achieving up to 14+ stops of latitude for flexible and creative colour editing.Portrait of a woman silhouetted against a cityscape

    Real-time Tracking for movies

    AI-based Real-time Tracking provides a dramatic improvement in Real-time Tracking performance, automatically recognising, tracking, and focusing on the eyes of a specified subject. In addition to using the Touch Tracking function to initiate tracking, a custom button can be used to temporarily track a selected subject regardless of the subject's position in the frame and the focus area setting.Sample photo of AF tracking the subject even at intersections where other people are passing by

    Active Mode for enhanced movie image stabilisation

    Active Mode provides powerful image stabilisation for handheld movie shooting. The α6700 can accurately measure camera shake which is then precisely compensated for optically, providing highly effective stabilisation without sacrificing mobility, even when shooting 4K. Photo of a man shooting hand-held video with telephoto lens attached

    Breathing compensation for consistent angle of view

    When shooting movies with compatible lenses, automatic breathing compensation uses Clear Image Zoom technology to maintain a consistent angle of view, suppressing changes that may occur due to shifts in focus position. Breathing metadata can also be used in post-production.Portrait of a woman with a birdcage in the foreground

    Import user LUT files

    See how your footage will look in post-processing while you're shooting. The α6700 allows you to import a custom LUT (Look Up Table) that can be applied to the camera's monitor image while recording, providing a preview.Image of the "Display LUT" selection screen

    Movie making made simple

    The α6700 is jampacked with features to support movie shooting and production. Its Auto Framing function automatically crops and re-frames the image while using AI to track the subject. Or, for a cinematic touch, the in-camera time-lapse function allows you to create time-lapse videos within the camera itself.Sample photos of auto-framing: Finder display image and actual captured image

     

    Outstanding control and reliability

     

    Made for your hands

    With its compact shape, and lightweight 493 gram body, the α6700 offers remarkable portability and manoeuvrability without compromising image quality. A new grip design provides a solid, even more comfortable hold on the camera, while giving greater control for shooting both stills and movies.

    Photos of people holding cameras or drones with cameras mounted on them

    High-performance electronic viewfinder

    A 2.36 million-dot (approx.) XGA OLED electronic viewfinder with approximately 1.07x magnification delivers an exceptional view of your world. With twice the brightness of the α6600, and a wider 33-degree viewing angle, it offers clear, easy viewing while shooting. The finder frame rate can be set to 120 fps — twice the normal rate — for a smooth viewfinder image, with minimum display motion blur when tracking and shooting moving subjects.Illustration of viewfinder interior

    Enhanced shooting flexibility with vari-angle monitor

    The α6700 features a large 3.0-type 1.03 million-dot (approx.) touch-panel LCD monitor with a 3:2 aspect ratio and side-opening vari-angle flexibility. This allows greater positioning and framing freedom, giving you plenty of creative options for handheld and gimbal-mounted shooting of stills and moviesImage of the camera illustrating LCD panel movement

    Intuitive touch control

    Just touch the screen to activate key functions, such as selecting a focus point or subject to track, or triggering the shutter. Swiping in from the left or right edge of the shooting display reveals touch icons that allow quick changes to the shooting mode and other settings. The function (Fn) menu can also be displayed by a simple swipe-up. During playback, you can easily select and zoom into images through taps and intuitive pinch-out/pinch-in gestures.Image showing touchscreen operation

    Improved menu structure

    Responding to feedback from professional photographers and videographers, the α6700 comes with a new Main Menu structure similar to the latest full-frame α series models. The logical layout provides more efficient access to important shooting parameters, such as frame rate, shutter speed, and more. It can be assigned to a custom key for quick access when needed, and touch operation means that adjusting key settings has never been faster.Image of the camera's menu screen

     

    Visualise your world with E-mount lenses

     

    More than 70 E-mount lenses to choose from

    Take your pick from a comprehensive range of E-mount lenses from Sony. Our acclaimed line-up includes the full-frame G Master™ series that blends breathtaking resolution with exquisite bokeh, and the G Lens™ series that offers excellent image quality and value. Combined with an APS-C body, Sony's ultra-wide lenses can capture sweeping scenery or large subjects in a single frame, while telephoto lenses, assisted by the 1.5 crop factor of APS-C bodies and teleconverter lenses as needed, make it possible to capture distant subjects with stunning clarity and detail.

    Image of all E-mount lenses

    Accessories expand creative horizons

    A variety of high-performance compatible microphones can be connected to the the camera’s Multi Interface Shoe for direct, noise-free digital audio transfer to the camera. Or choose from a variety of high-output flash units such as the HVL-F60RM2 that support high-speed continuous shooting, giving you even more ways to capture creative imagery.Image of Sony flashes Image of microphones attached to cameras

    Connected vision

    Easy and stable smartphone connectivity

    Make the most of the α6700’s greatly enhanced connection stability with Sony’s free Creators’ App that enables simple transfers of photos and movies to your smartphone or tablet. Transfers continue in the background even if the smartphone display sleeps or a different app is launched. You can also use your smartphone to control the camera remotely.

    Photo of a woman looking at a photos transferred from the camera

    Stream high-quality live content

    Connected to a personal computer or smartphone via USB, the α6700 can function as a 4K (2160p) webcam with advanced AF that makes online meetings and live streaming events even smoother.

    Photo of a woman live streaming with the camera

    Fast Wi-Fi for PC tethering

    Built-in Wi-Fi (IEEE 802.11a/b/g/n/ac) allows communication on the 2.4 GHz and 5 GHz bands for fast and stable data transfer.

    Image of the Wi-Fi setup screen

    Creators' Cloud platform

    Creators' Cloud is a platform that supports creative work from shooting to production by combining advanced Sony camera technology with cloud-based AI. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps providing efficient solutions that integrate cameras with shooting and production apps and services.

     

    Illustration of the Creators Cloud concept

     

    Towards a better future

    Accessible technology on α cameras

    Sony's α cameras are equipped with a number of accessibility features so that as many people as possible can utilise and enjoy our technology. For example, the screen reader function reads text on the menu screens aloud, with volume and reading speed adjustable as needed.

    Image of screen reader settings

    Sony's goal: zero environmental footprint

    At Sony, we've launched the Road to Zero plan to map our path to achieving a zero environmental footprint, with our Green Management 2025 plan defining intermediate targets. We've taken measures to reduce the environmental footprint of the α6700 at every stage of its life cycle, from product development through supply chain, production, and packaging.

    Image of Road to Zero logo

    Packing for the future

    Wherever possible, Sony strives to use non-plastic packaging materials that provide ample protection against shock and impact, including plant-based non-woven fabrics for product bags. All of this helps to minimise environmental stress.

    Image of camera packaging materials

     

     

    SPECIFICATIONS & FEATURES

    The α6700 represents a new generation of APS-C camera bodies with a futuristic fusion of AI-based recognition technology, superlative α-series still image quality, plus moviemaking features and performance from Sony’s acclaimed Cinema Line.

    •  

      APS-C format back-illuminated Exmor R CMOS sensor with approximately 26.0 effective megapixels

    •  

      Advanced BIONZ XR engine boosts overall processing speed by up to 8x

    •  

      Innovative AI processing unit for enhanced subject recognition, AF and tracking

    •  

      In-body 5-axis image stabilisation with Active Mode for movie shooting

    •  

      High-level movie performance inherited from the Cinema Line

    Picture of α6700 Premium E-mount APS-C Camera
    Picture of α6700 Premium E-mount APS-C Camera
  • Features
    New image sensor with double the readout speed

    New image sensor with double the readout speed

    The newly developed back-illuminated full-frame Exmor RTM CMOS sensor, with 12.1 effective megapixels, boasts a readout speed up to twice as fast as that of the α7S II, along with high sensitivity and wide dynamic range. An advanced colour filter array boosts colour reproduction accuracy, while focal plane phase-detection AF enables substantial increases in autofocus stability and precision, all of which contribute to outstanding image quality.

    New image-processing engine with up to 8x the processing performance

    New image-processing engine with up to 8x the processing performance

    The BIONZ XRTM image-processing engine boasts a performance level up to eight times that of the previous processor, minimising latency while markedly improving real-time processing capabilities for both movies and stills. The engine performs real-time processing of AF, image recognition and image-quality adjustments, while also handling data transfer, user interface and other camera operations.

    High sensitivity, wide dynamic range

    High sensitivity, wide dynamic range

    The full-frame 12.1-megapixel configuration enables high sensitivity with low noise throughout the camera's sensitivity range by optimising the output signal from the sensor. The standard ISO range is 80-102400, which is further expandable to 40-409600 (80-409600 for movies). The dynamic range is an impressively wide 15 stops, for beautiful, true-to-life images without blown highlights. Together, the camera's high sensitivity and wide dynamic range expand your creative freedom during shoots.

    Full-frame 4K recording at 120p

    Full-frame 4K recording at 120p

    Full-frame 4K recording at 120fps with autofocus is possible thanks to the high-speed readout capabilities of the new image sensor working in tandem with the newly developed, powerful BIONZ XR processor. This high image-quality 4K, with full-pixel readout without binning, allows for clear post-produced slow motion (up to x5 slower than real time), as well as bokeh effects typical of full-frame cameras, all with smooth, high-precision autofocus. Despite the α7S III's compact size, it provides impressive scope for your creativity.

    Recording movies with 10-bit depth and 4:2:2 colour sampling

    Recording movies with 10-bit depth and 4:2:2 colour sampling

    The camera is capable of performing 4K internal recording with 10-bit depth and 4:2:2 colour sampling when using either Long GOP or All Intra compression. This makes it possible to push your colour grades further, stretching video out for ultimate HDR realism while still retaining natural gradation, for true editing freedom.

    All-Intra internal recording

    All-Intra internal recording

    In addition to Long GOP inter-frame compression, the α7S III supports internal intra-frame (All-Intra) recording for the first time in an α-model body, where each frame is recorded independently at a high bitrate of up to 600Mbps. This can be useful for certain types of shoots as it allows maximum flexibility in post-production editing.  [1] All-Intra (All-I)  [2] Long GoP  [3] Group of Pictures

    HEVC codec with high compression efficiency

    HEVC codec with high compression efficiency

    Available for the first time, XAVC HS format recording using the MPEG-H HEVC/H.265 codec roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS allows for detailed 10-bit video with 4:2:2 colour sampling at comparable or lower data rates, delivering even better image quality as well as manageable file sizes.

    16-bit RAW data output

    16-bit RAW data output

    Facilitating improved image quality and more flexible and efficient editing in post production, the camera supports 16-bit RAW data output to an external recorder via HDMI, for the first time in the α series. The output is full-frame 4264 x 2408 (16:9 aspect ratio) 16-bit data from the image sensor, with a choice of 59.94p/50p/29.97p/25p/23.98p frame rates and colour spaces.

    S-Log2 and S-Log3 with 10bit 4:2:2 support

    S-Log2 and S-Log3 with 10bit 4:2:2 support

    S-Log2 and S-Log3 gamma curves are available, with S-Log3 designed for better reproduction of gradations from shadows to the mid-grey range (18% grey), enabling a dynamic range of up to 15 stops. Three colour gamut settings (S-Gamut, S-Gamut3, and S-Gamut3.Cine) are provided, and the latter two settings make it easier to match the colours of footage shot with Sony's professional cinema cameras. Because the colours match, colour grading is easier in post-production editing, making it more convenient to use the α7S III along with other pro cameras.

    Proxy recording for more efficient editing workflow

    Proxy recording for more efficient editing workflow

    When shooting movies, low bit-rate HD proxy files can be recorded simultaneously with higher bit-rate formats such as XAVC S-I 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files can be captured in either 10-bit XAVC HS (1920 x 1080) or 8-bit XAVC S (1280 x 720) .

    10-bit HLG picture profile

    10-bit HLG picture profile

    An HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 colour space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout and less whiteout, all without the need for colour grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism.  [1] High flexibility to fine-tune images as desired (colour grading required)  [2] Instant high-quality image (colour grading not required) 

    Enhanced movie image quality

    Enhanced movie image quality

    Thanks to the improved capabilities of the α7S III's new image-processing engine, colours and textures of foliage and human skin can be more consistently reproduced without over-dependence on light sources. Gradation rendering has also been refined, for better-looking skin tones and highlight roll-off in portraits. When shooting 4K, the new image sensor and processing engine reduce rolling shutter distortion to as little as one-third that of the α7S II.

    Fast Hybrid AF for dependable focus during movie shooting

    Fast Hybrid AF for dependable focus during movie shooting

    Inheriting technology and performance standards from Sony's large-format FX9 pro camcorder, Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field, taking full advantage of Sony E-mount lenses' smooth linear-motor focusing and power-zoom operations. Newly added AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as requested by professional users. Both allow preset settings to be recalled during recording by using a customisable button.

    AF support in manual-focus mode

    AF support in manual-focus mode

    The camera's autofocus support can be useful even when you're primarily using manual focus. For full AF speed, half-press the shutter button or press the AF-ON button, as you would when shooting stills. Alternatively, slower, more cinematic AF transitions can be achieved by initiating AF via the touch focus feature or Real-time Eye AF via a custom button assignment, resulting in slow, smooth autofocus at the preset AF Transition Speed.

    Game-changing tracking features to revolutionise movie shooting

    Game-changing tracking features to revolutionise movie shooting

    Real-time Tracking and Real-time Eye AF make movie-making much easier. Touch Tracking initiates subject tracking with an intuitive touch to the LCD monitor, processing data on colour, pattern (brightness), distance (depth) and facial information to keep your subject in steady focus. You can then concentrate more fully on composition, which can be especially useful when you're shooting solo or using a gimbal. Touch operations can be used to temporarily engage AF even when you're shooting manually.

    Active Mode optical image stabilisation for handheld shooting

    Active Mode optical image stabilisation for handheld shooting

    Relying on a new high-precision stabilisation unit, gyro sensors, and optimised image stabilisation algorithms, the camera's Optical SteadyShotTM Active Mode provides the precise degree of optical image compensation needed during movie shooting, even for 4K video. With this unprecedented level of stabilisation it's possible to shoot with the camera only, taking advantage of the compact size and mobility of the α system.  [1] Track of camera shake  [2] Standard  [3] Active

    Enhanced audio quality

    Enhanced audio quality

    A digital audio interface is incorporated in the camera's Multi Interface (MI) Shoe, to facilitate cleaner, clearer audio recordings without loss of quality. The XLR-K3M XLR Adaptor Kit additionally provides the camera with 4-channel 24-bit digital audio recording capability. Three recording formats can be selected from a menu: 48 kHz/16-bit 2-ch, 48 kHz/24-bit 2-ch, and 48 kHz/24-bit 4-ch, with the XLR-K3M XLR Adaptor Kit required for the latter two formats.

    New heat-dissipation design for extended recording times

    New heat-dissipation design for extended recording times

    The camera's design has been optimised to prevent overheating even during extended recording sessions. A unique Sony Σ (sigma) shaped graphite-alloy heatsink is built into the image stabilisation unit, allowing the sensor to dissipate heat five times more effectively than in previous models, while allowing it to move freely and avoiding interference with the stabilisation system.

    Designed for smooth movie-making

    Designed for smooth movie-making

    Flexibility in positioning the camera and framing shots is provided by the side-opening, vari-angle monitor, which incorporates a bright 3.0-type, 1.44 million-dot LCD screen. The MOVIE button is within easy reach on the camera's top panel, and a durable HDMI Type-A terminal ensures reliable connections to external monitors. The item arrangement and initial settings on the mode dial have also been adjusted to meet the needs of pro users.

    Dedicated settings menu for movie shooting

    Dedicated settings menu for movie shooting

    A subset of the camera's settings can be changed independently for movie or still shooting, which can be useful if you want to use different ISO, Iris (aperture) and other settings depending on the shooting mode. Another convenient feature is the use of Flexible Exposure Mode instead of normal PASM Mode when Movie or S&Q mode is selected. This allows quick switching between auto and manual control of Iris (aperture) and shutter speed, and the function can be assigned to a custom button to allow one-touch toggling between auto and manual.

    Fast Hybrid AF for still shots

    Fast Hybrid AF for still shots

    The Fast Hybrid AF uses a high-density array of 759 phase-detection AF points (covering around 93% of the imaging area) in conjunction with 425-point contrast-detection AF. Real-time Eye AF (for humans and animals) and Real-time Tracking features are also available for the first time in the S series. Advanced AF algorithms facilitate precise AF down to light levels as low as EV-6, for accurate focus even when the subject would be difficult to see clearly with the naked eye. 

    High-speed continuous shooting performance

    High-speed continuous shooting performance

    Mechanical and electronic shutters are each capable of continuous shooting at up to 10fps with AF/AE. Continuous shooting of over 1000 uncompressed RAW images is possible thanks to increases in the buffer memory of the BIONZ XR processor and memory-card writing speed.

    Enhanced image quality for stills

    Enhanced image quality for stills

    The new image sensor and image-processing engine deliver an extraordinary degree of sensitivity, a defining characteristic of the S series, and significantly better reproduction of colour and textural details. Improved rendering capability provides realistic-looking images with reduced noise, particularly in the mid-to-high sensitivity range. A new Visible Light and IR Sensor improves auto white balance, and HEIF file options and an HLG Still Image Mode (for 8-bit and 10-bit HEIF stills) have been added.

    Creative Look feature to set the mood and atmosphere

    Creative Look feature to set the mood and atmosphere

    The new Creative Look feature is a quick way to establish a particular mood in still shots and movies by altering parameters like brightness, contrast and colour saturation. Ten Creative Look presets are available in-camera, and each of these can be used as is, or further customised using eight individual parameter settings. Custom Creative Look settings can be easily saved and stored for later use.

    Two CFexpress Type A-compatible media slots

    Two CFexpress Type A-compatible media slots

    The camera's two media slots are compatible with new CFexpress Type A cards as well as SDXC/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write/read speeds suitable for both high-speed continuous still shooting and 4K movie recording at high bit rates. They are capable of quickly clearing camera buffers even when high volumes of still image and movie data are being generated.

    High-definition 9.44 million-dot electronic viewfinder

    High-definition 9.44 million-dot electronic viewfinder

    Boasting the highest resolution in its class, the α7S III's viewfinder rivals the resolution of the human eye. It provides category-leading 0.90x viewfinder magnification, a 41º diagonal field of view, and a 25mm high eyepoint for clear, low-distortion viewing. Improvements in sealing greatly reduce the chance that even drastic ambient temperature fluctuations will cause interior condensation.

    New touch-driven menu with workflow-based navigation

    New touch-driven menu with workflow-based navigation

    Responding to requests from pro photographers and videographers, the menu structure has been designed to allow professionals to work more efficiently. Menu tabs are on the left side of the display, while parameter groups and parameters related to the selected tab appear on the right. Up to three levels can be displayed together, making the menu structure more clearly visible. Touch-responsive menu operations enable fast, intuitive control.

    Reliable, durable construction

    Reliable, durable construction

    To maximise dust and moisture resistance, additional sealing has been applied to all body seams and to the battery compartment cover, and the media slot cover has been redesigned to handle harsh outdoor environments. A filter in front of the image sensor oscillates at an ultrasonic frequency of 70,000 cycles per second to remove dust from the sensor surface. The camera chassis is highly durable thanks to full magnesium-alloy construction.

    USB Power Delivery

    USB Power Delivery

    The camera supports USB PD (Power Delivery), to enable continuous shooting for extended periods without draining the internal battery. PD-compatible USB chargers and mobile batteries can be connected to the camera's USB Type C® port, to supply power or to recharge the internal battery at 3 to 4 times the rate of conventional power supplies.

    Data communications to support on-site workflow

    Data communications to support on-site workflow

    Wired and wireless communications features support FTP transfer for still and movie files as well as remote shooting capability, to facilitate professional workflows during shoots. Wireless 5GHz/2.4GHz LAN connections are supported, and wired connectivity to 1000BASE-T Ethernet networks is available via a USB-to-Ethernet adaptor cable connected to the camera's USB Type C® port supporting SuperSpeed USB 5Gbps (USB 3.2). Remote shooting can be controlled from a PC with Sony's Imaging Edge DesktopTM application, or from a mobile device with Imaging Edge MobileTM.

    External flash control from the camera body

    External flash control from the camera body

    It is now possible to configure the settings of a compatible attached flash or Wireless Radio Commander (both sold separately) from the camera. Most settings, including light output, can be accessed and easily changed directly from a camera menu, for high-performance flash control with these genuine Sony accessories. Flash parameters are shown in the selected camera display language.

    Imaging Edge Desktop

    Imaging Edge Desktop

    Elevate your photography with Imaging Edge Desktop applications. Use ‘Remote’ to control and monitor shooting live on your PC screen; ‘Viewer’ to quickly preview, rate, and select photos from large image libraries; and ‘Edit’ to develop RAW data into high-quality photos for delivery. Get the best from Sony RAW files, and manage your productions more efficiently.

    Capture One for Sony

    Capture One for Sony

    Capture One Express (for Sony) is free award-winning editing software that provides RAW development, easy management and powerful editing tools. Capture One Pro (for Sony) is also available for even more editing tools and remote shooting capability.

    S-Cinetone™ from high-end cinema camera colour science

    S-Cinetone™ from high-end cinema camera colour science

    The inclusion of Sony’s acclaimed S-Cinetone look, inherited from the development of the Cinema Line FX9 and CineAlta cameras such as VENICE, allows cinematic colour to be achieved directly in-camera. S-Cinetone is optimised for natural skin tones and mid-range colours, with gentle highlight roll-off, for impressive subject depiction without grading at post production as a workflow.

    Works with iMovie and Final Cut Pro X

    Works with iMovie and Final Cut Pro X

    This product is compatible with Final Cut Pro X and iMovie.

  • Highlight

    Newly developed 12.1-megapixel back-illuminated Exmor RTM CMOS image sensor

    Lens

    E-mount

    Newly developed BIONZ XR image processing engine with up to 8x the processing performance

    Image Sensor

    3:2

    Movie-making with 4K 120p, 10-bit 4:2:2 recording capability

    Recording (still images)

    35mm full frame L: 3776 x 2832 (11M), M: 2464 x 1848 (4.6M), S: 1888 x 1416 (2.7M), APS-C L: 2464 x 1848 (4.6M), M: 1888 x 1416 (2.7M), S: 1232 x 920 (1.1M)

    Fast Hybrid AF with 759 phase-detection AF points and enhanced Real-time Eye AF

    Recording (movie)

    XAVC S, XAVC HS

    Body-integrated 5-axis optical image stabilisation, Active Mode for movies

    Recording System

    Yes

  • Specifications

    Designed for professionals, the α7S III builds on the strengths of the S series such as high sensitivity and wide dynamic range while providing pro features like enhanced AF, optical image stabilisation and 4K 120p recording. Incorporating a powerful new engine in its compact body, the camera delivers a wide range of visual experiences.

    Lens

    Lens Mount

    E-mount

    Image Sensor

    Aspect Ratio

    3:2

    Number Of Pixels (Effective)

    Approx. 12.1 megapixels

    Number of Pixels (total)

    Approx. 12.9 megapixels

    Sensor Type

    35mm full frame (35.6×23.8mm), Exmor R CMOS sensor

    Anti-Dust System

    Yes (Charge protection coating on Optical Filter and ultrasonic vibration mechanism)

    Recording (still images)

    IMAGE SIZE (PIXELS) [4:3] 

    35mm full frame L: 3776 x 2832 (11M), M: 2464 x 1848 (4.6M), S: 1888 x 1416 (2.7M), APS-C L: 2464 x 1848 (4.6M), M: 1888 x 1416 (2.7M), S: 1232 x 920 (1.1M)

    Image Size (pixels) [16:9]

    35mm full frame L: 4240 x 2384 (10M), M: 2768 x 1560 (4.3M), S: 2128 x 1200 (2.6M), APS-C L: 2768 x 1560 (4.3M), M: 2128 x 1200 (2.6M), S: 1376 x 776 (1.1M)

    IMAGE SIZE (PIXELS) [1:1] 

    35mm full frame L: 2832 x 2832 (8M), M: 1840 x 1840 (3.4M), S: 1408 x 1408 (2.0M),APS-C L: 1840 x 1840 (3.4M), M: 1408 x 1408 (2.0M), S: 912 x 912 (0.8M)

    Picture Effect

    -

    Creative Style

    -

    Picture Profile

    Yes (Off / PP1-PP10) Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset

    CREATIVE LOOK

    ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)

    Dynamic Range Functions

    Off, Dynamic Range Optimizer (Auto/Level (1-5))

    Colour Space

    sRGB standard (with sYCC gamut), Adobe RGB standard and Rec. ITU-R BT.2100 standard (BT.2020 gamut). (compatible with TRILUMINOS Color)

    14bit RAW

    Yes

    Recording (movie)

    Recording Format

    XAVC S, XAVC HS

    Colour Space

    Rec. ITU-R BT.2100 standard compatible (BT.2020 gamut). (compatible with TRILUMINOS Color)

    Picture Effect

    -

    Creative Style

    -

    Picture Profile

    Yes (Off / PP1-PP10) Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset

    CREATIVE LOOK

    ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)

    MOVIE RECORDING SYSTEM (XAVC HS 4K)

    3840 x 2160 (4:2:0, 10bit, NTSC) (Approx.): 120p (200Mbps), 60p (150Mbps / 75Mbps / 45Mbps), 24p (100Mbps / 50Mbps / 30Mbps); 3840 x 2160 (4:2:0, 10bit, PAL) (Approx.): 100p (200Mbps), 50p (150Mbps / 75Mbps / 45Mbps); 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 120p (280Mbps), 60p (200Mbps / 100Mbps), 24p (100Mbps / 50Mbps); 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 100p (280Mbps), 50p (200Mbps / 100Mbps)* details of frame rate

    MOVIE RECORDING SYSTEM (XAVC S 4K)

    3840 x 2160 (4:2:0, 8bit, NTSC) (Approx.): 120p (200Mbps), 60p (150Mbps), 30p (100Mbps / 60Mbps), 24p (100Mbps / 60Mbps); 3840 x 2160 (4:2:0, 8bit, PAL) (Approx.): 100p (200Mbps), 50p (150Mbps), 25p (100Mbps / 60Mbps); 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 120p (280Mbps), 60p (200Mbps), 30p (140Mbps), 24p (100Mbps); 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 100p (280Mbps), 50p (200Mbps), 25p (140Mbps)* details of frame rate

    MOVIE RECORDING SYSTEM (XAVC S HD)

    1920 x 1080 (4:2:0, 8bit, NTSC) (Approx.): 120p (100Mbps / 60Mbps), 60p (50Mbps / 25Mbps), 30p (50Mbps / 16Mbps), 24p (50Mbps); 1920 x 1080 (4:2:0, 8bit, PAL) (Approx.): 100p　(100Mbps / 60Mbps), 50p (50Mbps / 25Mbps), 25p (50Mbps / 16Mbps); 1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.): 60p (50Mbps), 30p (50Mbps), 24p (50Mbps); 1920 x 1080 (4:2:2, 10bit, PAL) (Approx.): 50p (50Mbps), 25p (50Mbps)* details of frame rate

    MOVIE RECORDING SYSTEM (XAVC S-I 4K)

    3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 60p (600Mbps), 30p (300Mbps), 24p (240Mbps); 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 50p (500Mbps), 25p (250Mbps)* details of frame rate

    MOVIE RECORDING SYSTEM (XAVC S-I HD)

    1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.): 60p (222Mbps), 30p (111Mbps), 24p (89Mbps); 1920 x 1080 (4:2:2, 10bit, PAL) (Approx.): 50p (185Mbps), 25p (93Mbps)* details of frame rate

    SLOW & QUICK MOTION (SHOOTING FRAME RATE) 

    NTSC mode: 1fps,2fps,4fps,8fps,15fps,30fps,60fps,120fps, 240fps,PAL mode: 1fps,2fps,3fps,6fps,12fps,25fps,50fps,100fps, 200fps* details of frame rate

    Movie Functions

    Audio Level Display, Audio Rec Level, PAL/NTSC Selector, Proxy Recording (1280 x 720 (6Mbps), 1920 x 1080(9Mbps), 1920 x 1080(16Mbps)), TC/UB, Auto Slow Shutter, Gamma Disp. Assist, RAW Output(HDMI)

    Recording System

    Location information Link from smartphone

    Yes

    Media

    SD memory card, SDHC memory card (UHS-I/II compliant), SDXC memory card (UHS-I/II compliant), CFexpress Type A memory card

    Memory Card Slot

    SLOT1: Multi slot for SD (UHS-I/II compliant) memory card/CFexpress Type A card, SLOT2: Multi slot for SD (UHS-I/II compliant) memory card/CFexpress Type A card

    Recording mode on 2 memory cards

    Simult. Rec, Sort, Auto Switch Media, Copy

    Noise Reduction

    Noise Reduction

    Long exposure NR: On/Off, available at shutter speeds longer than 1 sec.,High ISO NR: Normal / Low / Off

    White balance

    White Balance Modes

    Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom

    SHUTTER AWB LOCK 

    Yes (Shut. Halfway Down / Cont. Shooting / Off)

    Focus

    Focus Type

    Fast Hybrid AF (phase-detection AF / contrast-detection AF)

    Focus Sensor

    Exmor R CMOS sensor

    Focus Point

    35mm full frame: 759 points (phase-detection AF), APS-C mode with FF lens: 345 points (phase-detection AF), with APS-C lens: 285 points (phase-detection AF) / 425 points (contrast-detection AF)

    Focus Sensitivity Range

    EV-6 to EV20 (ISO100 equivalent with F2.0 lens attached)

    Focus Mode

    AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus

    Focus Area

    Wide / Zone / Center Fix / Spot / Expand Spot / Tracking

    EYE AF / SUBJECT RECOGNITION AF

    [Still images] Human (Right/Left Eye Select) / Animal, [Movie] Human (Right/Left Eye Select)

    Other Features

    Predictive control, Focus lock, AF Track Sens. (Still), AF Subj. Shift Sensitivity (Movie), AF Transition Speed (Movie), Switch V/H AF Area, AF Area Regist., Circ. of Focus Point

    AF Illuminator

    Yes (with Built-in LED type)

    AF Illuminator range

    Approx. 0.3m - approx. 3.0m (with FE 28-70mm F3.5-5.6 OSS lens attached)

    Focus type with LA-EA3 (Sold separately)

    Phase-detection

    Exposure

    Metering Sensor

    Exmor R CMOS sensor

    Metering Sensitivity

    EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)

    Metering Mode

    Multi-segment, Center-weighted, Spot, Spot Standard/Large, Entire Screen Avg., Highlight

    Exposure Compensation

    +/- 5.0EV (1/3 EV, 1/2 EV steps selectable) (with exposure compensation dial: +/- 3EV (1/3 EV steps))

    Exposure Bracketing

    Bracket: Cont., Bracket: Single, 3/5/9 frames selectable. (Ambient light, Flash light)

    AE Lock

    Locked when shutter button is pressed halfway. Available with AE lock button. (On/Off/Auto)

    Exposure Modes

    AUTO(iAuto), Programmed AE (P), Aperture priority (A), Shutter-speed priority (S), Manual (M), Movie (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode), Slow & Quick Motion (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode)

    ISO Sensitivity

    Still images: ISO 80-102400 (ISO numbers up from ISO 40 to ISO 409600 can be set as expanded ISO range.), Movies: ISO 80-102400 equivalent (ISO numbers up to ISO 409600 can be set as expanded ISO range.)

    Anti-flicker Shoot.

    Yes

    Scene Selection

    -

    Exposure

    Metering Type

    1200-zone evaluative metering

    Viewfinder

    Viewfinder Type

    1.6 cm (0.64 type) electronic viewfinder (color)

    Number of Dots

    9 437 184 dots

    Field Coverage

    100%

    Magnification

    Approx. 0.90 x (with 50mm lens at infinity, -1m-1)

    Dioptre Adjustment

    -4.0 to +3.0m-1

    Eye Point

    Approx. 25mm from the eyepiece lens, 21mm from the eyepiece frame at -1m-1 (CIPA standard)

    DISPLAY FUNCTION

    Histogram, Real-time image-adjustment display, Digital level gauge, Grid line, Focus check, Peaking MF, Zebra, Movie marker, Emph disp dur REC

    Finder Frame Rate Selection

    NTSC mode: STD 60fps / HI 120fps, PAL mode: STD 50fps / HI 100fps

    LCD Screen

    Monitor Type

    7.5cm (3.0-type) type TFT

    Number of Dots

    1,440,000 dots

    Touch Panel

    Yes

    Brightness Control

    Manual (5 steps between -2 and +2), Sunny Weather mode

    Adjustable Angle

    Opening Angle:Approx. 176 deg., Rotation Angle:Approx. 270 deg.

    Focus Magnifier

    Yes, Focus Magnifier (35mm full frame: 2.1x / 4.1x, APS-C: 1.5x / 3.0x)

    Other Features

    PlayMemories Camera Apps™

    -

    Clear Image Zoom

    Still images:Approx. 2x,Movies:Approx. 1.5x (4K), Approx. 2x (HD)

    Digital Zoom

    Smart zoom (Still images):35mm full frame: M:Approx. 1.5x, S:Approx. 2x, APS-C: M:Approx. 1.3x, S:Approx. 2x, Digital zoom (Still images):35mm full frame: L:Approx. 4x, M:Approx.6.1x, S:Approx. 8x, APS-C: L:Approx. 4x, M:Approx. 5.2x, S:Approx. 8x,Digital zoom (Movie):35mm full frame: Approx. 4x, APS-C: Approx. 4x

    Face Detection

    Face Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority

    Self-Portrait Self-timer

    -

    Others

    Interval Recording, ISO AUTO Min. SS, Bright Monitoring, Copyright Info, Set File Name, Save/Import Settings, Help guide, Video Light Mode, Zoom Ring Rotate

    Shutter

    Type

    Electronically-controlled, vertical-traverse, focal-plane type

    Shutter Type

    Mechanical shutter/Electronic shutter

    Shutter Speed

    Still images: 1/8000 to 30 sec, Bulb, Movies: 1/8000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode)

    Flash Sync. Speed

    1/250 sec.

    Electronic Front Curtain Shutter

    Yes (ON/OFF)

    Silent Shooting

    Yes (ON/OFF)

    Image Stabilization

    Type

    Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)

    Compensation Effect

    5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50mm F1.4 ZA lens mounted. Long exposure NR off.)

    Flash Control

    Type

    -

    Guide No.

    -

    Flash coverage

    -

    Control

    Pre-flash TTL

    Flash Compensation

    +/- 3.0 EV (switchable between 1/3 and 1/2 EV steps)

    Flash Modes

    Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction (on/off selectable), Wireless, Hi-speed sync.

    Recycling Time

    -

    External Flash Compatibility

    Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe

    FE Level Lock

    Yes

    Wireless Control

    Yes (Light signal: Available with Fill-flash, Slow Sync., Hi-speed sync. / Radio signal: Available with Fill-flash, Rear Sync., Slow Sync., Hi-speed sync.)

    Drive

    Drive Modes

    Single Shooting, Continuous shooting (Hi+/Hi/Mid/Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket

    Continuous Drive Speed (approx. max.)

    Continuous shooting: Hi+: 10 fps, Hi: 8 fps, Mid: 6 fps, Lo: 3 fps

    No. of recordable frames (approx.)

    JPEG Extra fine L: over 1000 frames, JPEG Fine L: over 1000 frames, JPEG Standard L: over 1000 frames, RAW: over 1000 frames, RAW & JPG: over 1000 frames, RAW (Uncompressed): over 1000 frames, RAW (Uncompressed) & JPG: over 1000 frames

    Self-Timer

    10 sec. delay / 5 sec. delay / 2 sec. delay / Continuous self-time / Bracketing self-timer

    Pixel Shift Multi Shooting

    -

    Playback

    Photo Capture

    Yes

    Modes

    Single (with or without shooting information Y RGB histogram & highlight / shadow warning),Index view,Enlarged display mode (L: 10.6x, M: 6.92x, S: 5.32x),Auto Review,Image orientation,Folder selection (Date / Still / Movie),Protect,Rating,Display as Group

    Print

    Compatible Standards

    Exif Print, Print Image Matching III

    Custom function

    Type

    Custom key settings,Programmable Setting (Body 3 sets /memory card 4 sets),My Dial Settings,My Menu,Reg Cust Shoot Set

    Lens Compensation

    Setting

    Peripheral Shading, Chromatic Aberration, Distortion

    Power

    Supplied Battery

    One rechargeable battery pack NP-FZ100

    Battery Life (Still Images)

    Approx. 510 shots (Viewfinder) / Approx. 600 shots (LCD monitor) (CIPA standard)

    Battery Life (Movie, actual recording)

    Approx. 80 min (Viewfinder) / Approx. 95 min (LCD monitor) (CIPA standard)

    Battery Life (Movie, continuous recording)

    Approx. 130 min (Viewfinder) / Approx. 135 min (LCD monitor) (CIPA standard)

    Internal Battery Charge

    Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)

    Power consumption with Viewfinder

    Still images: Approx. 4.3W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: Approx. 7.6W (with FE 28-70mm F3.5-5.6 OSS lens attached)

    Power consumption with LCD screen

    Still images: Approx. 3.3W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: Approx. 7.3W (with FE 28-70mm F3.5-5.6 OSS lens attached)

    USB Power supply

    Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)

    Interface

    PC Interface

    Mass-storage / MTP

    Multi / Micro USB Terminal

    Yes, Type-C® Terminal (SuperSpeed USB 5Gbps(USB 3.2) compatible)

    Bluetooth

    Yes (Bluetooth Standard Ver. 5.0 (2.4GHz band))

    Multi Interface Shoe

    Yes (with Digital Audio Interface)

    Mic Terminal

    Yes (3.5 mm Stereo minijack)

    Sync Terminal

    -

    Headphone Terminal

    Yes (3.5 mm Stereo minijack)

    Vertical Grip Connector

    Yes

    LAN Terminal

    -

    FUNCTIONS

    FTP Transfer Func.,View on Smartphone,Remote control via Smartphone,NFC One-touch remote,PC Remote,BRAVIA Sync (Control for HDMI),PhotoTV HD

    Size & Weight

    Weight (with battery and memory card included)

    Approx. 699 g, approx. 1 lb 8.7 oz

    Dimensions (W x H x D)

    Approx. 128.9mm x 96.9mm x 80.8mm, Approx. 128.9mm x 96.9mm x 69.7mm (FROM GRIP TO MONITOR), Approx. 5 1/8 x 3 7/8 x 3 1/4 inches, Approx. 5 1/8 x 3 7/8 x 2 3/4 inches (FROM GRIP TO MONITOR)

    Audio

    Microphone

    Built-in, stereo

    Speaker

    Built-in, monaural

    Others

    Operating Temperature

    32 - 104 degrees F / 0 - 40 degrees C

  • Delivery Information

    How much does delivery cost?

    Sony offers free deliveries for orders $100 and above. For orders below $100, a standard delivery charge of $2.90 will be applied during checkout.

     

    What is the expected delivery lead time?

    Products excluding those listed under Televisions and Home Cinema:

    For orders below $100, your order will be delivered within 3 working days upon order placement of products.

    For orders $100 and above, placed before 2pm on Monday - Thursday excluding eve of public holidays, delivery will be next day. Orders received on the weekend may take longer as some logistics partners do not support delivery on Sunday. Please refer to the following table for delivery estimates:

    Time Of Order

    Estimated Delivery Date

    Example

    Mon – Thu

    Orders before 2pm

    Receive it the next working day

    Order on Monday 11am, receive on Tuesday

    Mon – Thu

    Orders after 2pm

    Receive it the 3rd working day

    Order on Monday 2pm, receive on Wednesday

    Fri, Eve of PH

    Orders before 2pm

    Receive it the next working day

    Order on Thursday 11am (eve of PH), receive it on Monday

    Fri – Sun, Eve of PH

    Orders after 2pm

    Receive it on the 3rd  working day

    Order on Thursday 2pm (eve of PH), receive it on Tuesday

     

    Large products (products listed under Televisions and Home Cinema):

    Next day delivery may not be applicable. Please expect a phone call after placing your order for arrangement of the date of delivery.

     

    Where do you ship to?

    Shipping is only available within Singapore. Delivery will only be made to address located on the main Singapore island, with the exclusion of restricted zones. Delivery to Sentosa island will be subject to additional charges. Where Sony is unable to deliver, we will endeavour to notify you as soon as we become aware of the restriction.

    For more information, please refer to our Online Shopping FAQ

  • Overview
    • Overview

      Sony α7S III with full-frame movie performance including high sensitivity, 15-stop wide dynamic range, 4K 120p (With 10% image crop.), fast AF, and strong image stabilisation.

      • Newly developed 12.1-megapixel back-illuminated Exmor R(TM) CMOS image sensor
      • Newly developed BIONZ XR(TM) image processing engine with up to 8x the processing performance
      • Movie-making with 4K 120p, 10-bit 4:2:2 recording capability
      • Fast Hybrid AF with 759 phase-detection AF points and enhanced Real-time Eye AF
      • Body-integrated 5-axis optical image stabilisation, Active Mode for movies
      • High sensitivity, wide dynamic range
      • One Mount: A wide variety of E-mount lenses for imaginative movie-making
      • All-Intra internal recording
      • 16-bit RAW data output
      • Enhanced audio quality, 48 kHz/24-bit 4-ch

  • Promotions
    • Promotions

      Next generation creativity on the go

      The α6700 combines the latest AI technology with Sony's outstanding α-series image quality in a compact APS-C camera body. Offering enhanced subject recognition, the latest technology for capturing stills and movies, and E-mount lens compatibility, the lightweight α6700 is designed for creative adventures, anytime, anywhere.

       

       

      Image of link destination

      α6700 Photo Gallery

      Click here explore Sample images

      A window for your world

      Photo of a small bird

      APS-C format Exmor R™ back-illuminated CMOS sensor

      The advanced Exmor R CMOS image sensor with 26.0 effective megapixels is packed with Sony's image sensor technologies. It offers extraordinary sensitivity, resolution and dynamic range, thanks to its back-illuminated format, gapless on-chip lenses, and AR coating (anti-reflection seal glass).

      Image of the Exmor R image sensor

      BIONZ XR™ processing power for exceptional image quality

      With up to eight times more processing power than previous versions, the latest BIONZ XR image processing engine delivers natural gradations and realistic colours with low noise for stills and movies.

      Image of the BIONZ XR

      Wide dynamic range for diverse shooting scenarios

      The α6700's standard sensitivity ranges from a low ISO 100 to ISO 32000, and offers a wide dynamic range so that natural gradations can be captured in high-contrast scenes without blown highlights or blocked shadows.

      Portrait photograph of a woman in evening light

      Consistently accurate exposure and colour

      The α6700 offers impressive exposure control. It's equipped with a new AE algorithm, initially developed for full-frame models, which enables it to accurately detect the skin area of faces and adjust exposure accordingly when shooting stills and movies. It can also maintain realistic colours under a wide range of light sources, from sunlight through to theatre and stadium lighting, and produce more natural skin tones, sky and foliage colours.

      Image of two birds

      Choose your Creative Look

      The Creative Look setting offers greater creative flexibility with added simplicity. It provides 10 presets that can be used just as they are or customised via 8 adjustable parameters to suit the subject or scene, whether you’re shooting stills, movies or live-streaming. You can easily set the mood ahead of shooting so your images are ready to share immediately.

      4 sample photos of Creative look: Ferris wheel, boathouse, portrait of a woman, macro of wildflowers

      5-axis optical image stabilisation

      Shoot hand-held or in low-light with confidence — the 5-axis in-body optical image stabilisation system is supported by precision gyro sensors to deliver up to 5-steps of shake compensation. It detects and compensates for various types of camera shake, including angular (pitch/yaw) shake that is more apparent at longer focal lengths, or when shooting with slower shutter speeds.

      [1] Yaw [2] Roll [3] Pitch

      Illustration of the image stabilization unit

      Precise compensation at the single-pixel level

      Through enhanced design and control of key parameters, the α6700 provides precise detection and control right down to the single-pixel level, taking full advantage of the sensor's 26.0 megapixel resolution to produce images that capture all the finer details.

      Portrait photograph of a woman and an enlargement photograph of her face

      Selectable RAW file types and quality

      In addition to compressed RAW capture, the α6700 supports lossless compressed RAW capture that provides efficient compression, allowing a greater number of high-quality images to be shot in continuous bursts. A new Light image quality selection that generates less data is provided for JPEG and HEIF images.

      Camera LCD display screen: RAW Image selection screen

      HEIF: High compression with excellent image quality

      For the first time in an APS-C camera, the α6700 includes the HEIF (High Efficiency Image File) format with smooth 10-bit gradations for more realistic reproduction of skies and portrait skin tones. The HEIF format also uses advanced compression technology to maintain image quality while significantly reducing file size and saving storage space.

      Landscape photograph of a city and lake

      Evolving with AI

       

      Innovative AI processing

      The α6700 is equipped with an innovative AI processing unit that greatly enhances its performance, including more accurate recognition for a wider range of subjects.

      Image of the AI Processing Unit

      Human pose estimation

      The α6700 uses subject form data to recognise movement, achieving greatly improved human eye recognition. It also employs learned human forms and postures to precisely recognise body and head positions, making it possible to lock onto and track a subject facing away from the camera, or with their face partly obscured by a helmet or sunglasses.

      Image showing AF Frame tracking a woman only in a small part of the frame

      Wider subject recognition

      In addition to humans and animals, the α6700 now recognises birds, insects, cars, trains and airplanes, providing even greater flexibility and reliability when shooting both stills and movies. Heads and bodies are recognised in addition to eyes (Real-time Eye AF) for the Human and Animal settings, and now for the Bird setting too, with animal recognition performance more than 40% higher compared to the α6600.

      Sample photos of recognizable subjects: leopard, bird, airplane, car, train, butterfly.

      Smarter Real-time Tracking

      The upgraded and more reliable AI-based Real-time Tracking makes shooting in a wider range of situations simpler, leaving you free to concentrate on framing and composition. The α6700 can even track people wearing helmets or animals facing away from the camera.

      Photo of a woman walking in the street

       

      Faster, more precise wide-area AF

      The immense processing power and updated algorithms of the new BIONZ XR engine achieve notably improved AF performance, with up to 759 phase detection points, covering approximately 93% of the image area when shooting stills.

      Illustration of focus points.

      Accurate AF in low EV -3.0 light

      The latest AF algorithms achieve high AF precision at light levels as low as EV -3.0 in AF-S mode (ISO 100 equivalent, F2.0 lens). The Focus Priority mode also provides more reliable AF in low light or when using smaller apertures.

      Portrait photo of a woman in a dark moonlit scene

      Shoot more than 1000 images at 11 fps

      The α6700's powerful BIONZ XR processing engine combines with a large buffer memory to boost write speeds to memory cards, so that the camera can shoot more than 1000 JPEG images, up to 59 compressed RAW images, or up to 23 lossless compressed RAW images in continuous high-speed bursts.

      Example of continuous shooting: an owl flying in the sky

      Full-time DMF

      When shooting stills with AF-C or AF-S autofocus, the lens's focus ring can be rotated to instantly switch to manual focus mode at any time. This makes it easy to switch focus to a different subject on the fly.

      Photo of a small owl perched on a branch

      Focus bracketing to capture the best shot

      The α6700 can automatically shoot up to 299 images with sequentially shifted focus points according to intervals and a sequence specified by you. Pick the perfect shot, or post-process multiple shots to achieve creative composites with incredible depth of focus.

      Several photos of plants taken with AF bracketing

      Flicker suppression

      Suppress flicker from artificial lighting whether you're shooting stills or movies. Simply select "Anti-flicker Shoot", or use "Var. Shutter" to fine-tune shutter speeds to match flicker rates when filming.

      Image of the camera's menu screen

       

      Movie performance inherited from the Cinema Line

      4K movie recording for stunning quality

      The α6700 captures 4K (QFHD: 3840 x 2160) at up to 60p (50p) using Sony's proprietary 6K oversampling technology. By compressing this expanded detail into the output, it achieves 4K video quality with outstanding definition, even at higher frame rates. The camera also supports high-quality XAVC S-I (All-Intra) and XAVC HS formats with 10-bit 4:2:2 colour sampling.

       

      High frame rate 4K 120p (100p) recording

      High frame rate recording at up to 120p for 4K QFHD (3840 x 2160) output makes it possible to capture high-resolution movies in-camera. This expands creative possibilities in post-production by allowing subject motion to be emphasised or transformed into smooth slow motion. S&Q mode also enables recording of slow or quick motion sequences in camera from the outset.

      Expressive S-Cinetone™

      Incorporating the same colour science as the highly regarded CineAlta and Cinema Line, the α6700 includes Sony's S-Cinetone picture profile as a preset, delivering images with more faithful colour reproduction and natural skin tones.Portrait of a woman’s face

      S-Log3 gamma curve with 14+ stops of latitude

      The S-Log3 gamma curve emphasises gradation characteristics from shadows to mid-grey (18% grey), achieving up to 14+ stops of latitude for flexible and creative colour editing.Portrait of a woman silhouetted against a cityscape

      Real-time Tracking for movies

      AI-based Real-time Tracking provides a dramatic improvement in Real-time Tracking performance, automatically recognising, tracking, and focusing on the eyes of a specified subject. In addition to using the Touch Tracking function to initiate tracking, a custom button can be used to temporarily track a selected subject regardless of the subject's position in the frame and the focus area setting.Sample photo of AF tracking the subject even at intersections where other people are passing by

      Active Mode for enhanced movie image stabilisation

      Active Mode provides powerful image stabilisation for handheld movie shooting. The α6700 can accurately measure camera shake which is then precisely compensated for optically, providing highly effective stabilisation without sacrificing mobility, even when shooting 4K. Photo of a man shooting hand-held video with telephoto lens attached

      Breathing compensation for consistent angle of view

      When shooting movies with compatible lenses, automatic breathing compensation uses Clear Image Zoom technology to maintain a consistent angle of view, suppressing changes that may occur due to shifts in focus position. Breathing metadata can also be used in post-production.Portrait of a woman with a birdcage in the foreground

      Import user LUT files

      See how your footage will look in post-processing while you're shooting. The α6700 allows you to import a custom LUT (Look Up Table) that can be applied to the camera's monitor image while recording, providing a preview.Image of the "Display LUT" selection screen

      Movie making made simple

      The α6700 is jampacked with features to support movie shooting and production. Its Auto Framing function automatically crops and re-frames the image while using AI to track the subject. Or, for a cinematic touch, the in-camera time-lapse function allows you to create time-lapse videos within the camera itself.Sample photos of auto-framing: Finder display image and actual captured image

       

      Outstanding control and reliability

       

      Made for your hands

      With its compact shape, and lightweight 493 gram body, the α6700 offers remarkable portability and manoeuvrability without compromising image quality. A new grip design provides a solid, even more comfortable hold on the camera, while giving greater control for shooting both stills and movies.

      Photos of people holding cameras or drones with cameras mounted on them

      High-performance electronic viewfinder

      A 2.36 million-dot (approx.) XGA OLED electronic viewfinder with approximately 1.07x magnification delivers an exceptional view of your world. With twice the brightness of the α6600, and a wider 33-degree viewing angle, it offers clear, easy viewing while shooting. The finder frame rate can be set to 120 fps — twice the normal rate — for a smooth viewfinder image, with minimum display motion blur when tracking and shooting moving subjects.Illustration of viewfinder interior

      Enhanced shooting flexibility with vari-angle monitor

      The α6700 features a large 3.0-type 1.03 million-dot (approx.) touch-panel LCD monitor with a 3:2 aspect ratio and side-opening vari-angle flexibility. This allows greater positioning and framing freedom, giving you plenty of creative options for handheld and gimbal-mounted shooting of stills and moviesImage of the camera illustrating LCD panel movement

      Intuitive touch control

      Just touch the screen to activate key functions, such as selecting a focus point or subject to track, or triggering the shutter. Swiping in from the left or right edge of the shooting display reveals touch icons that allow quick changes to the shooting mode and other settings. The function (Fn) menu can also be displayed by a simple swipe-up. During playback, you can easily select and zoom into images through taps and intuitive pinch-out/pinch-in gestures.Image showing touchscreen operation

      Improved menu structure

      Responding to feedback from professional photographers and videographers, the α6700 comes with a new Main Menu structure similar to the latest full-frame α series models. The logical layout provides more efficient access to important shooting parameters, such as frame rate, shutter speed, and more. It can be assigned to a custom key for quick access when needed, and touch operation means that adjusting key settings has never been faster.Image of the camera's menu screen

       

      Visualise your world with E-mount lenses

       

      More than 70 E-mount lenses to choose from

      Take your pick from a comprehensive range of E-mount lenses from Sony. Our acclaimed line-up includes the full-frame G Master™ series that blends breathtaking resolution with exquisite bokeh, and the G Lens™ series that offers excellent image quality and value. Combined with an APS-C body, Sony's ultra-wide lenses can capture sweeping scenery or large subjects in a single frame, while telephoto lenses, assisted by the 1.5 crop factor of APS-C bodies and teleconverter lenses as needed, make it possible to capture distant subjects with stunning clarity and detail.

      Image of all E-mount lenses

      Accessories expand creative horizons

      A variety of high-performance compatible microphones can be connected to the the camera’s Multi Interface Shoe for direct, noise-free digital audio transfer to the camera. Or choose from a variety of high-output flash units such as the HVL-F60RM2 that support high-speed continuous shooting, giving you even more ways to capture creative imagery.Image of Sony flashes Image of microphones attached to cameras

      Connected vision

      Easy and stable smartphone connectivity

      Make the most of the α6700’s greatly enhanced connection stability with Sony’s free Creators’ App that enables simple transfers of photos and movies to your smartphone or tablet. Transfers continue in the background even if the smartphone display sleeps or a different app is launched. You can also use your smartphone to control the camera remotely.

      Photo of a woman looking at a photos transferred from the camera

      Stream high-quality live content

      Connected to a personal computer or smartphone via USB, the α6700 can function as a 4K (2160p) webcam with advanced AF that makes online meetings and live streaming events even smoother.

      Photo of a woman live streaming with the camera

      Fast Wi-Fi for PC tethering

      Built-in Wi-Fi (IEEE 802.11a/b/g/n/ac) allows communication on the 2.4 GHz and 5 GHz bands for fast and stable data transfer.

      Image of the Wi-Fi setup screen

      Creators' Cloud platform

      Creators' Cloud is a platform that supports creative work from shooting to production by combining advanced Sony camera technology with cloud-based AI. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps providing efficient solutions that integrate cameras with shooting and production apps and services.

       

      Illustration of the Creators Cloud concept

       

      Towards a better future

      Accessible technology on α cameras

      Sony's α cameras are equipped with a number of accessibility features so that as many people as possible can utilise and enjoy our technology. For example, the screen reader function reads text on the menu screens aloud, with volume and reading speed adjustable as needed.

      Image of screen reader settings

      Sony's goal: zero environmental footprint

      At Sony, we've launched the Road to Zero plan to map our path to achieving a zero environmental footprint, with our Green Management 2025 plan defining intermediate targets. We've taken measures to reduce the environmental footprint of the α6700 at every stage of its life cycle, from product development through supply chain, production, and packaging.

      Image of Road to Zero logo

      Packing for the future

      Wherever possible, Sony strives to use non-plastic packaging materials that provide ample protection against shock and impact, including plant-based non-woven fabrics for product bags. All of this helps to minimise environmental stress.

      Image of camera packaging materials

       

       

      SPECIFICATIONS & FEATURES

      The α6700 represents a new generation of APS-C camera bodies with a futuristic fusion of AI-based recognition technology, superlative α-series still image quality, plus moviemaking features and performance from Sony’s acclaimed Cinema Line.

      •  

        APS-C format back-illuminated Exmor R CMOS sensor with approximately 26.0 effective megapixels

      •  

        Advanced BIONZ XR engine boosts overall processing speed by up to 8x

      •  

        Innovative AI processing unit for enhanced subject recognition, AF and tracking

      •  

        In-body 5-axis image stabilisation with Active Mode for movie shooting

      •  

        High-level movie performance inherited from the Cinema Line

      Picture of α6700 Premium E-mount APS-C Camera
      Picture of α6700 Premium E-mount APS-C Camera
  • features
    • Features
      New image sensor with double the readout speed

      New image sensor with double the readout speed

      The newly developed back-illuminated full-frame Exmor RTM CMOS sensor, with 12.1 effective megapixels, boasts a readout speed up to twice as fast as that of the α7S II, along with high sensitivity and wide dynamic range. An advanced colour filter array boosts colour reproduction accuracy, while focal plane phase-detection AF enables substantial increases in autofocus stability and precision, all of which contribute to outstanding image quality.

      New image-processing engine with up to 8x the processing performance

      New image-processing engine with up to 8x the processing performance

      The BIONZ XRTM image-processing engine boasts a performance level up to eight times that of the previous processor, minimising latency while markedly improving real-time processing capabilities for both movies and stills. The engine performs real-time processing of AF, image recognition and image-quality adjustments, while also handling data transfer, user interface and other camera operations.

      High sensitivity, wide dynamic range

      High sensitivity, wide dynamic range

      The full-frame 12.1-megapixel configuration enables high sensitivity with low noise throughout the camera's sensitivity range by optimising the output signal from the sensor. The standard ISO range is 80-102400, which is further expandable to 40-409600 (80-409600 for movies). The dynamic range is an impressively wide 15 stops, for beautiful, true-to-life images without blown highlights. Together, the camera's high sensitivity and wide dynamic range expand your creative freedom during shoots.

      Full-frame 4K recording at 120p

      Full-frame 4K recording at 120p

      Full-frame 4K recording at 120fps with autofocus is possible thanks to the high-speed readout capabilities of the new image sensor working in tandem with the newly developed, powerful BIONZ XR processor. This high image-quality 4K, with full-pixel readout without binning, allows for clear post-produced slow motion (up to x5 slower than real time), as well as bokeh effects typical of full-frame cameras, all with smooth, high-precision autofocus. Despite the α7S III's compact size, it provides impressive scope for your creativity.

      Recording movies with 10-bit depth and 4:2:2 colour sampling

      Recording movies with 10-bit depth and 4:2:2 colour sampling

      The camera is capable of performing 4K internal recording with 10-bit depth and 4:2:2 colour sampling when using either Long GOP or All Intra compression. This makes it possible to push your colour grades further, stretching video out for ultimate HDR realism while still retaining natural gradation, for true editing freedom.

      All-Intra internal recording

      All-Intra internal recording

      In addition to Long GOP inter-frame compression, the α7S III supports internal intra-frame (All-Intra) recording for the first time in an α-model body, where each frame is recorded independently at a high bitrate of up to 600Mbps. This can be useful for certain types of shoots as it allows maximum flexibility in post-production editing.  [1] All-Intra (All-I)  [2] Long GoP  [3] Group of Pictures

      HEVC codec with high compression efficiency

      HEVC codec with high compression efficiency

      Available for the first time, XAVC HS format recording using the MPEG-H HEVC/H.265 codec roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS allows for detailed 10-bit video with 4:2:2 colour sampling at comparable or lower data rates, delivering even better image quality as well as manageable file sizes.

      16-bit RAW data output

      16-bit RAW data output

      Facilitating improved image quality and more flexible and efficient editing in post production, the camera supports 16-bit RAW data output to an external recorder via HDMI, for the first time in the α series. The output is full-frame 4264 x 2408 (16:9 aspect ratio) 16-bit data from the image sensor, with a choice of 59.94p/50p/29.97p/25p/23.98p frame rates and colour spaces.

      S-Log2 and S-Log3 with 10bit 4:2:2 support

      S-Log2 and S-Log3 with 10bit 4:2:2 support

      S-Log2 and S-Log3 gamma curves are available, with S-Log3 designed for better reproduction of gradations from shadows to the mid-grey range (18% grey), enabling a dynamic range of up to 15 stops. Three colour gamut settings (S-Gamut, S-Gamut3, and S-Gamut3.Cine) are provided, and the latter two settings make it easier to match the colours of footage shot with Sony's professional cinema cameras. Because the colours match, colour grading is easier in post-production editing, making it more convenient to use the α7S III along with other pro cameras.

      Proxy recording for more efficient editing workflow

      Proxy recording for more efficient editing workflow

      When shooting movies, low bit-rate HD proxy files can be recorded simultaneously with higher bit-rate formats such as XAVC S-I 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files can be captured in either 10-bit XAVC HS (1920 x 1080) or 8-bit XAVC S (1280 x 720) .

      10-bit HLG picture profile

      10-bit HLG picture profile

      An HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 colour space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout and less whiteout, all without the need for colour grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism.  [1] High flexibility to fine-tune images as desired (colour grading required)  [2] Instant high-quality image (colour grading not required) 

      Enhanced movie image quality

      Enhanced movie image quality

      Thanks to the improved capabilities of the α7S III's new image-processing engine, colours and textures of foliage and human skin can be more consistently reproduced without over-dependence on light sources. Gradation rendering has also been refined, for better-looking skin tones and highlight roll-off in portraits. When shooting 4K, the new image sensor and processing engine reduce rolling shutter distortion to as little as one-third that of the α7S II.

      Fast Hybrid AF for dependable focus during movie shooting

      Fast Hybrid AF for dependable focus during movie shooting

      Inheriting technology and performance standards from Sony's large-format FX9 pro camcorder, Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field, taking full advantage of Sony E-mount lenses' smooth linear-motor focusing and power-zoom operations. Newly added AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as requested by professional users. Both allow preset settings to be recalled during recording by using a customisable button.

      AF support in manual-focus mode

      AF support in manual-focus mode

      The camera's autofocus support can be useful even when you're primarily using manual focus. For full AF speed, half-press the shutter button or press the AF-ON button, as you would when shooting stills. Alternatively, slower, more cinematic AF transitions can be achieved by initiating AF via the touch focus feature or Real-time Eye AF via a custom button assignment, resulting in slow, smooth autofocus at the preset AF Transition Speed.

      Game-changing tracking features to revolutionise movie shooting

      Game-changing tracking features to revolutionise movie shooting

      Real-time Tracking and Real-time Eye AF make movie-making much easier. Touch Tracking initiates subject tracking with an intuitive touch to the LCD monitor, processing data on colour, pattern (brightness), distance (depth) and facial information to keep your subject in steady focus. You can then concentrate more fully on composition, which can be especially useful when you're shooting solo or using a gimbal. Touch operations can be used to temporarily engage AF even when you're shooting manually.

      Active Mode optical image stabilisation for handheld shooting

      Active Mode optical image stabilisation for handheld shooting

      Relying on a new high-precision stabilisation unit, gyro sensors, and optimised image stabilisation algorithms, the camera's Optical SteadyShotTM Active Mode provides the precise degree of optical image compensation needed during movie shooting, even for 4K video. With this unprecedented level of stabilisation it's possible to shoot with the camera only, taking advantage of the compact size and mobility of the α system.  [1] Track of camera shake  [2] Standard  [3] Active

      Enhanced audio quality

      Enhanced audio quality

      A digital audio interface is incorporated in the camera's Multi Interface (MI) Shoe, to facilitate cleaner, clearer audio recordings without loss of quality. The XLR-K3M XLR Adaptor Kit additionally provides the camera with 4-channel 24-bit digital audio recording capability. Three recording formats can be selected from a menu: 48 kHz/16-bit 2-ch, 48 kHz/24-bit 2-ch, and 48 kHz/24-bit 4-ch, with the XLR-K3M XLR Adaptor Kit required for the latter two formats.

      New heat-dissipation design for extended recording times

      New heat-dissipation design for extended recording times

      The camera's design has been optimised to prevent overheating even during extended recording sessions. A unique Sony Σ (sigma) shaped graphite-alloy heatsink is built into the image stabilisation unit, allowing the sensor to dissipate heat five times more effectively than in previous models, while allowing it to move freely and avoiding interference with the stabilisation system.

      Designed for smooth movie-making

      Designed for smooth movie-making

      Flexibility in positioning the camera and framing shots is provided by the side-opening, vari-angle monitor, which incorporates a bright 3.0-type, 1.44 million-dot LCD screen. The MOVIE button is within easy reach on the camera's top panel, and a durable HDMI Type-A terminal ensures reliable connections to external monitors. The item arrangement and initial settings on the mode dial have also been adjusted to meet the needs of pro users.

      Dedicated settings menu for movie shooting

      Dedicated settings menu for movie shooting

      A subset of the camera's settings can be changed independently for movie or still shooting, which can be useful if you want to use different ISO, Iris (aperture) and other settings depending on the shooting mode. Another convenient feature is the use of Flexible Exposure Mode instead of normal PASM Mode when Movie or S&Q mode is selected. This allows quick switching between auto and manual control of Iris (aperture) and shutter speed, and the function can be assigned to a custom button to allow one-touch toggling between auto and manual.

      Fast Hybrid AF for still shots

      Fast Hybrid AF for still shots

      The Fast Hybrid AF uses a high-density array of 759 phase-detection AF points (covering around 93% of the imaging area) in conjunction with 425-point contrast-detection AF. Real-time Eye AF (for humans and animals) and Real-time Tracking features are also available for the first time in the S series. Advanced AF algorithms facilitate precise AF down to light levels as low as EV-6, for accurate focus even when the subject would be difficult to see clearly with the naked eye. 

      High-speed continuous shooting performance

      High-speed continuous shooting performance

      Mechanical and electronic shutters are each capable of continuous shooting at up to 10fps with AF/AE. Continuous shooting of over 1000 uncompressed RAW images is possible thanks to increases in the buffer memory of the BIONZ XR processor and memory-card writing speed.

      Enhanced image quality for stills

      Enhanced image quality for stills

      The new image sensor and image-processing engine deliver an extraordinary degree of sensitivity, a defining characteristic of the S series, and significantly better reproduction of colour and textural details. Improved rendering capability provides realistic-looking images with reduced noise, particularly in the mid-to-high sensitivity range. A new Visible Light and IR Sensor improves auto white balance, and HEIF file options and an HLG Still Image Mode (for 8-bit and 10-bit HEIF stills) have been added.

      Creative Look feature to set the mood and atmosphere

      Creative Look feature to set the mood and atmosphere

      The new Creative Look feature is a quick way to establish a particular mood in still shots and movies by altering parameters like brightness, contrast and colour saturation. Ten Creative Look presets are available in-camera, and each of these can be used as is, or further customised using eight individual parameter settings. Custom Creative Look settings can be easily saved and stored for later use.

      Two CFexpress Type A-compatible media slots

      Two CFexpress Type A-compatible media slots

      The camera's two media slots are compatible with new CFexpress Type A cards as well as SDXC/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write/read speeds suitable for both high-speed continuous still shooting and 4K movie recording at high bit rates. They are capable of quickly clearing camera buffers even when high volumes of still image and movie data are being generated.

      High-definition 9.44 million-dot electronic viewfinder

      High-definition 9.44 million-dot electronic viewfinder

      Boasting the highest resolution in its class, the α7S III's viewfinder rivals the resolution of the human eye. It provides category-leading 0.90x viewfinder magnification, a 41º diagonal field of view, and a 25mm high eyepoint for clear, low-distortion viewing. Improvements in sealing greatly reduce the chance that even drastic ambient temperature fluctuations will cause interior condensation.

      New touch-driven menu with workflow-based navigation

      New touch-driven menu with workflow-based navigation

      Responding to requests from pro photographers and videographers, the menu structure has been designed to allow professionals to work more efficiently. Menu tabs are on the left side of the display, while parameter groups and parameters related to the selected tab appear on the right. Up to three levels can be displayed together, making the menu structure more clearly visible. Touch-responsive menu operations enable fast, intuitive control.

      Reliable, durable construction

      Reliable, durable construction

      To maximise dust and moisture resistance, additional sealing has been applied to all body seams and to the battery compartment cover, and the media slot cover has been redesigned to handle harsh outdoor environments. A filter in front of the image sensor oscillates at an ultrasonic frequency of 70,000 cycles per second to remove dust from the sensor surface. The camera chassis is highly durable thanks to full magnesium-alloy construction.

      USB Power Delivery

      USB Power Delivery

      The camera supports USB PD (Power Delivery), to enable continuous shooting for extended periods without draining the internal battery. PD-compatible USB chargers and mobile batteries can be connected to the camera's USB Type C® port, to supply power or to recharge the internal battery at 3 to 4 times the rate of conventional power supplies.

      Data communications to support on-site workflow

      Data communications to support on-site workflow

      Wired and wireless communications features support FTP transfer for still and movie files as well as remote shooting capability, to facilitate professional workflows during shoots. Wireless 5GHz/2.4GHz LAN connections are supported, and wired connectivity to 1000BASE-T Ethernet networks is available via a USB-to-Ethernet adaptor cable connected to the camera's USB Type C® port supporting SuperSpeed USB 5Gbps (USB 3.2). Remote shooting can be controlled from a PC with Sony's Imaging Edge DesktopTM application, or from a mobile device with Imaging Edge MobileTM.

      External flash control from the camera body

      External flash control from the camera body

      It is now possible to configure the settings of a compatible attached flash or Wireless Radio Commander (both sold separately) from the camera. Most settings, including light output, can be accessed and easily changed directly from a camera menu, for high-performance flash control with these genuine Sony accessories. Flash parameters are shown in the selected camera display language.

      Imaging Edge Desktop

      Imaging Edge Desktop

      Elevate your photography with Imaging Edge Desktop applications. Use ‘Remote’ to control and monitor shooting live on your PC screen; ‘Viewer’ to quickly preview, rate, and select photos from large image libraries; and ‘Edit’ to develop RAW data into high-quality photos for delivery. Get the best from Sony RAW files, and manage your productions more efficiently.

      Capture One for Sony

      Capture One for Sony

      Capture One Express (for Sony) is free award-winning editing software that provides RAW development, easy management and powerful editing tools. Capture One Pro (for Sony) is also available for even more editing tools and remote shooting capability.

      S-Cinetone™ from high-end cinema camera colour science

      S-Cinetone™ from high-end cinema camera colour science

      The inclusion of Sony’s acclaimed S-Cinetone look, inherited from the development of the Cinema Line FX9 and CineAlta cameras such as VENICE, allows cinematic colour to be achieved directly in-camera. S-Cinetone is optimised for natural skin tones and mid-range colours, with gentle highlight roll-off, for impressive subject depiction without grading at post production as a workflow.

      Works with iMovie and Final Cut Pro X

      Works with iMovie and Final Cut Pro X

      This product is compatible with Final Cut Pro X and iMovie.

  • highlight
    • Highlight

      Newly developed 12.1-megapixel back-illuminated Exmor RTM CMOS image sensor

      Lens

      E-mount

      Newly developed BIONZ XR image processing engine with up to 8x the processing performance

      Image Sensor

      3:2

      Movie-making with 4K 120p, 10-bit 4:2:2 recording capability

      Recording (still images)

      35mm full frame L: 3776 x 2832 (11M), M: 2464 x 1848 (4.6M), S: 1888 x 1416 (2.7M), APS-C L: 2464 x 1848 (4.6M), M: 1888 x 1416 (2.7M), S: 1232 x 920 (1.1M)

      Fast Hybrid AF with 759 phase-detection AF points and enhanced Real-time Eye AF

      Recording (movie)

      XAVC S, XAVC HS

      Body-integrated 5-axis optical image stabilisation, Active Mode for movies

      Recording System

      Yes

  • specifications
    • Specifications

      Designed for professionals, the α7S III builds on the strengths of the S series such as high sensitivity and wide dynamic range while providing pro features like enhanced AF, optical image stabilisation and 4K 120p recording. Incorporating a powerful new engine in its compact body, the camera delivers a wide range of visual experiences.

      Lens

      Lens Mount

      E-mount

      Image Sensor

      Aspect Ratio

      3:2

      Number Of Pixels (Effective)

      Approx. 12.1 megapixels

      Number of Pixels (total)

      Approx. 12.9 megapixels

      Sensor Type

      35mm full frame (35.6×23.8mm), Exmor R CMOS sensor

      Anti-Dust System

      Yes (Charge protection coating on Optical Filter and ultrasonic vibration mechanism)

      Recording (still images)

      IMAGE SIZE (PIXELS) [4:3] 

      35mm full frame L: 3776 x 2832 (11M), M: 2464 x 1848 (4.6M), S: 1888 x 1416 (2.7M), APS-C L: 2464 x 1848 (4.6M), M: 1888 x 1416 (2.7M), S: 1232 x 920 (1.1M)

      Image Size (pixels) [16:9]

      35mm full frame L: 4240 x 2384 (10M), M: 2768 x 1560 (4.3M), S: 2128 x 1200 (2.6M), APS-C L: 2768 x 1560 (4.3M), M: 2128 x 1200 (2.6M), S: 1376 x 776 (1.1M)

      IMAGE SIZE (PIXELS) [1:1] 

      35mm full frame L: 2832 x 2832 (8M), M: 1840 x 1840 (3.4M), S: 1408 x 1408 (2.0M),APS-C L: 1840 x 1840 (3.4M), M: 1408 x 1408 (2.0M), S: 912 x 912 (0.8M)

      Picture Effect

      -

      Creative Style

      -

      Picture Profile

      Yes (Off / PP1-PP10) Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset

      CREATIVE LOOK

      ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)

      Dynamic Range Functions

      Off, Dynamic Range Optimizer (Auto/Level (1-5))

      Colour Space

      sRGB standard (with sYCC gamut), Adobe RGB standard and Rec. ITU-R BT.2100 standard (BT.2020 gamut). (compatible with TRILUMINOS Color)

      14bit RAW

      Yes

      Recording (movie)

      Recording Format

      XAVC S, XAVC HS

      Colour Space

      Rec. ITU-R BT.2100 standard compatible (BT.2020 gamut). (compatible with TRILUMINOS Color)

      Picture Effect

      -

      Creative Style

      -

      Picture Profile

      Yes (Off / PP1-PP10) Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset

      CREATIVE LOOK

      ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)

      MOVIE RECORDING SYSTEM (XAVC HS 4K)

      3840 x 2160 (4:2:0, 10bit, NTSC) (Approx.): 120p (200Mbps), 60p (150Mbps / 75Mbps / 45Mbps), 24p (100Mbps / 50Mbps / 30Mbps); 3840 x 2160 (4:2:0, 10bit, PAL) (Approx.): 100p (200Mbps), 50p (150Mbps / 75Mbps / 45Mbps); 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 120p (280Mbps), 60p (200Mbps / 100Mbps), 24p (100Mbps / 50Mbps); 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 100p (280Mbps), 50p (200Mbps / 100Mbps)* details of frame rate

      MOVIE RECORDING SYSTEM (XAVC S 4K)

      3840 x 2160 (4:2:0, 8bit, NTSC) (Approx.): 120p (200Mbps), 60p (150Mbps), 30p (100Mbps / 60Mbps), 24p (100Mbps / 60Mbps); 3840 x 2160 (4:2:0, 8bit, PAL) (Approx.): 100p (200Mbps), 50p (150Mbps), 25p (100Mbps / 60Mbps); 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 120p (280Mbps), 60p (200Mbps), 30p (140Mbps), 24p (100Mbps); 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 100p (280Mbps), 50p (200Mbps), 25p (140Mbps)* details of frame rate

      MOVIE RECORDING SYSTEM (XAVC S HD)

      1920 x 1080 (4:2:0, 8bit, NTSC) (Approx.): 120p (100Mbps / 60Mbps), 60p (50Mbps / 25Mbps), 30p (50Mbps / 16Mbps), 24p (50Mbps); 1920 x 1080 (4:2:0, 8bit, PAL) (Approx.): 100p　(100Mbps / 60Mbps), 50p (50Mbps / 25Mbps), 25p (50Mbps / 16Mbps); 1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.): 60p (50Mbps), 30p (50Mbps), 24p (50Mbps); 1920 x 1080 (4:2:2, 10bit, PAL) (Approx.): 50p (50Mbps), 25p (50Mbps)* details of frame rate

      MOVIE RECORDING SYSTEM (XAVC S-I 4K)

      3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 60p (600Mbps), 30p (300Mbps), 24p (240Mbps); 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 50p (500Mbps), 25p (250Mbps)* details of frame rate

      MOVIE RECORDING SYSTEM (XAVC S-I HD)

      1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.): 60p (222Mbps), 30p (111Mbps), 24p (89Mbps); 1920 x 1080 (4:2:2, 10bit, PAL) (Approx.): 50p (185Mbps), 25p (93Mbps)* details of frame rate

      SLOW & QUICK MOTION (SHOOTING FRAME RATE) 

      NTSC mode: 1fps,2fps,4fps,8fps,15fps,30fps,60fps,120fps, 240fps,PAL mode: 1fps,2fps,3fps,6fps,12fps,25fps,50fps,100fps, 200fps* details of frame rate

      Movie Functions

      Audio Level Display, Audio Rec Level, PAL/NTSC Selector, Proxy Recording (1280 x 720 (6Mbps), 1920 x 1080(9Mbps), 1920 x 1080(16Mbps)), TC/UB, Auto Slow Shutter, Gamma Disp. Assist, RAW Output(HDMI)

      Recording System

      Location information Link from smartphone

      Yes

      Media

      SD memory card, SDHC memory card (UHS-I/II compliant), SDXC memory card (UHS-I/II compliant), CFexpress Type A memory card

      Memory Card Slot

      SLOT1: Multi slot for SD (UHS-I/II compliant) memory card/CFexpress Type A card, SLOT2: Multi slot for SD (UHS-I/II compliant) memory card/CFexpress Type A card

      Recording mode on 2 memory cards

      Simult. Rec, Sort, Auto Switch Media, Copy

      Noise Reduction

      Noise Reduction

      Long exposure NR: On/Off, available at shutter speeds longer than 1 sec.,High ISO NR: Normal / Low / Off

      White balance

      White Balance Modes

      Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom

      SHUTTER AWB LOCK 

      Yes (Shut. Halfway Down / Cont. Shooting / Off)

      Focus

      Focus Type

      Fast Hybrid AF (phase-detection AF / contrast-detection AF)

      Focus Sensor

      Exmor R CMOS sensor

      Focus Point

      35mm full frame: 759 points (phase-detection AF), APS-C mode with FF lens: 345 points (phase-detection AF), with APS-C lens: 285 points (phase-detection AF) / 425 points (contrast-detection AF)

      Focus Sensitivity Range

      EV-6 to EV20 (ISO100 equivalent with F2.0 lens attached)

      Focus Mode

      AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus

      Focus Area

      Wide / Zone / Center Fix / Spot / Expand Spot / Tracking

      EYE AF / SUBJECT RECOGNITION AF

      [Still images] Human (Right/Left Eye Select) / Animal, [Movie] Human (Right/Left Eye Select)

      Other Features

      Predictive control, Focus lock, AF Track Sens. (Still), AF Subj. Shift Sensitivity (Movie), AF Transition Speed (Movie), Switch V/H AF Area, AF Area Regist., Circ. of Focus Point

      AF Illuminator

      Yes (with Built-in LED type)

      AF Illuminator range

      Approx. 0.3m - approx. 3.0m (with FE 28-70mm F3.5-5.6 OSS lens attached)

      Focus type with LA-EA3 (Sold separately)

      Phase-detection

      Exposure

      Metering Sensor

      Exmor R CMOS sensor

      Metering Sensitivity

      EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)

      Metering Mode

      Multi-segment, Center-weighted, Spot, Spot Standard/Large, Entire Screen Avg., Highlight

      Exposure Compensation

      +/- 5.0EV (1/3 EV, 1/2 EV steps selectable) (with exposure compensation dial: +/- 3EV (1/3 EV steps))

      Exposure Bracketing

      Bracket: Cont., Bracket: Single, 3/5/9 frames selectable. (Ambient light, Flash light)

      AE Lock

      Locked when shutter button is pressed halfway. Available with AE lock button. (On/Off/Auto)

      Exposure Modes

      AUTO(iAuto), Programmed AE (P), Aperture priority (A), Shutter-speed priority (S), Manual (M), Movie (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode), Slow & Quick Motion (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode)

      ISO Sensitivity

      Still images: ISO 80-102400 (ISO numbers up from ISO 40 to ISO 409600 can be set as expanded ISO range.), Movies: ISO 80-102400 equivalent (ISO numbers up to ISO 409600 can be set as expanded ISO range.)

      Anti-flicker Shoot.

      Yes

      Scene Selection

      -

      Exposure

      Metering Type

      1200-zone evaluative metering

      Viewfinder

      Viewfinder Type

      1.6 cm (0.64 type) electronic viewfinder (color)

      Number of Dots

      9 437 184 dots

      Field Coverage

      100%

      Magnification

      Approx. 0.90 x (with 50mm lens at infinity, -1m-1)

      Dioptre Adjustment

      -4.0 to +3.0m-1

      Eye Point

      Approx. 25mm from the eyepiece lens, 21mm from the eyepiece frame at -1m-1 (CIPA standard)

      DISPLAY FUNCTION

      Histogram, Real-time image-adjustment display, Digital level gauge, Grid line, Focus check, Peaking MF, Zebra, Movie marker, Emph disp dur REC

      Finder Frame Rate Selection

      NTSC mode: STD 60fps / HI 120fps, PAL mode: STD 50fps / HI 100fps

      LCD Screen

      Monitor Type

      7.5cm (3.0-type) type TFT

      Number of Dots

      1,440,000 dots

      Touch Panel

      Yes

      Brightness Control

      Manual (5 steps between -2 and +2), Sunny Weather mode

      Adjustable Angle

      Opening Angle:Approx. 176 deg., Rotation Angle:Approx. 270 deg.

      Focus Magnifier

      Yes, Focus Magnifier (35mm full frame: 2.1x / 4.1x, APS-C: 1.5x / 3.0x)

      Other Features

      PlayMemories Camera Apps™

      -

      Clear Image Zoom

      Still images:Approx. 2x,Movies:Approx. 1.5x (4K), Approx. 2x (HD)

      Digital Zoom

      Smart zoom (Still images):35mm full frame: M:Approx. 1.5x, S:Approx. 2x, APS-C: M:Approx. 1.3x, S:Approx. 2x, Digital zoom (Still images):35mm full frame: L:Approx. 4x, M:Approx.6.1x, S:Approx. 8x, APS-C: L:Approx. 4x, M:Approx. 5.2x, S:Approx. 8x,Digital zoom (Movie):35mm full frame: Approx. 4x, APS-C: Approx. 4x

      Face Detection

      Face Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority

      Self-Portrait Self-timer

      -

      Others

      Interval Recording, ISO AUTO Min. SS, Bright Monitoring, Copyright Info, Set File Name, Save/Import Settings, Help guide, Video Light Mode, Zoom Ring Rotate

      Shutter

      Type

      Electronically-controlled, vertical-traverse, focal-plane type

      Shutter Type

      Mechanical shutter/Electronic shutter

      Shutter Speed

      Still images: 1/8000 to 30 sec, Bulb, Movies: 1/8000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode)

      Flash Sync. Speed

      1/250 sec.

      Electronic Front Curtain Shutter

      Yes (ON/OFF)

      Silent Shooting

      Yes (ON/OFF)

      Image Stabilization

      Type

      Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)

      Compensation Effect

      5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50mm F1.4 ZA lens mounted. Long exposure NR off.)

      Flash Control

      Type

      -

      Guide No.

      -

      Flash coverage

      -

      Control

      Pre-flash TTL

      Flash Compensation

      +/- 3.0 EV (switchable between 1/3 and 1/2 EV steps)

      Flash Modes

      Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction (on/off selectable), Wireless, Hi-speed sync.

      Recycling Time

      -

      External Flash Compatibility

      Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe

      FE Level Lock

      Yes

      Wireless Control

      Yes (Light signal: Available with Fill-flash, Slow Sync., Hi-speed sync. / Radio signal: Available with Fill-flash, Rear Sync., Slow Sync., Hi-speed sync.)

      Drive

      Drive Modes

      Single Shooting, Continuous shooting (Hi+/Hi/Mid/Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket

      Continuous Drive Speed (approx. max.)

      Continuous shooting: Hi+: 10 fps, Hi: 8 fps, Mid: 6 fps, Lo: 3 fps

      No. of recordable frames (approx.)

      JPEG Extra fine L: over 1000 frames, JPEG Fine L: over 1000 frames, JPEG Standard L: over 1000 frames, RAW: over 1000 frames, RAW & JPG: over 1000 frames, RAW (Uncompressed): over 1000 frames, RAW (Uncompressed) & JPG: over 1000 frames

      Self-Timer

      10 sec. delay / 5 sec. delay / 2 sec. delay / Continuous self-time / Bracketing self-timer

      Pixel Shift Multi Shooting

      -

      Playback

      Photo Capture

      Yes

      Modes

      Single (with or without shooting information Y RGB histogram & highlight / shadow warning),Index view,Enlarged display mode (L: 10.6x, M: 6.92x, S: 5.32x),Auto Review,Image orientation,Folder selection (Date / Still / Movie),Protect,Rating,Display as Group

      Print

      Compatible Standards

      Exif Print, Print Image Matching III

      Custom function

      Type

      Custom key settings,Programmable Setting (Body 3 sets /memory card 4 sets),My Dial Settings,My Menu,Reg Cust Shoot Set

      Lens Compensation

      Setting

      Peripheral Shading, Chromatic Aberration, Distortion

      Power

      Supplied Battery

      One rechargeable battery pack NP-FZ100

      Battery Life (Still Images)

      Approx. 510 shots (Viewfinder) / Approx. 600 shots (LCD monitor) (CIPA standard)

      Battery Life (Movie, actual recording)

      Approx. 80 min (Viewfinder) / Approx. 95 min (LCD monitor) (CIPA standard)

      Battery Life (Movie, continuous recording)

      Approx. 130 min (Viewfinder) / Approx. 135 min (LCD monitor) (CIPA standard)

      Internal Battery Charge

      Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)

      Power consumption with Viewfinder

      Still images: Approx. 4.3W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: Approx. 7.6W (with FE 28-70mm F3.5-5.6 OSS lens attached)

      Power consumption with LCD screen

      Still images: Approx. 3.3W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: Approx. 7.3W (with FE 28-70mm F3.5-5.6 OSS lens attached)

      USB Power supply

      Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)

      Interface

      PC Interface

      Mass-storage / MTP

      Multi / Micro USB Terminal

      Yes, Type-C® Terminal (SuperSpeed USB 5Gbps(USB 3.2) compatible)

      Bluetooth

      Yes (Bluetooth Standard Ver. 5.0 (2.4GHz band))

      Multi Interface Shoe

      Yes (with Digital Audio Interface)

      Mic Terminal

      Yes (3.5 mm Stereo minijack)

      Sync Terminal

      -

      Headphone Terminal

      Yes (3.5 mm Stereo minijack)

      Vertical Grip Connector

      Yes

      LAN Terminal

      -

      FUNCTIONS

      FTP Transfer Func.,View on Smartphone,Remote control via Smartphone,NFC One-touch remote,PC Remote,BRAVIA Sync (Control for HDMI),PhotoTV HD

      Size & Weight

      Weight (with battery and memory card included)

      Approx. 699 g, approx. 1 lb 8.7 oz

      Dimensions (W x H x D)

      Approx. 128.9mm x 96.9mm x 80.8mm, Approx. 128.9mm x 96.9mm x 69.7mm (FROM GRIP TO MONITOR), Approx. 5 1/8 x 3 7/8 x 3 1/4 inches, Approx. 5 1/8 x 3 7/8 x 2 3/4 inches (FROM GRIP TO MONITOR)

      Audio

      Microphone

      Built-in, stereo

      Speaker

      Built-in, monaural

      Others

      Operating Temperature

      32 - 104 degrees F / 0 - 40 degrees C

  • Reviews
    • Reviews
  • Delivery Information
    • Delivery Information

      How much does delivery cost?

      Sony offers free deliveries for orders $100 and above. For orders below $100, a standard delivery charge of $2.90 will be applied during checkout.

       

      What is the expected delivery lead time?

      Products excluding those listed under Televisions and Home Cinema:

      For orders below $100, your order will be delivered within 3 working days upon order placement of products.

      For orders $100 and above, placed before 2pm on Monday - Thursday excluding eve of public holidays, delivery will be next day. Orders received on the weekend may take longer as some logistics partners do not support delivery on Sunday. Please refer to the following table for delivery estimates:

      Time Of Order

      Estimated Delivery Date

      Example

      Mon – Thu

      Orders before 2pm

      Receive it the next working day

      Order on Monday 11am, receive on Tuesday

      Mon – Thu

      Orders after 2pm

      Receive it the 3rd working day

      Order on Monday 2pm, receive on Wednesday

      Fri, Eve of PH

      Orders before 2pm

      Receive it the next working day

      Order on Thursday 11am (eve of PH), receive it on Monday

      Fri – Sun, Eve of PH

      Orders after 2pm

      Receive it on the 3rd  working day

      Order on Thursday 2pm (eve of PH), receive it on Tuesday

       

      Large products (products listed under Televisions and Home Cinema):

      Next day delivery may not be applicable. Please expect a phone call after placing your order for arrangement of the date of delivery.

       

      Where do you ship to?

      Shipping is only available within Singapore. Delivery will only be made to address located on the main Singapore island, with the exclusion of restricted zones. Delivery to Sentosa island will be subject to additional charges. Where Sony is unable to deliver, we will endeavour to notify you as soon as we become aware of the restriction.

      For more information, please refer to our Online Shopping FAQ

  • Overview
    • Overview

      Sony α7S III with full-frame movie performance including high sensitivity, 15-stop wide dynamic range, 4K 120p (With 10% image crop.), fast AF, and strong image stabilisation.

      • Newly developed 12.1-megapixel back-illuminated Exmor R(TM) CMOS image sensor
      • Newly developed BIONZ XR(TM) image processing engine with up to 8x the processing performance
      • Movie-making with 4K 120p, 10-bit 4:2:2 recording capability
      • Fast Hybrid AF with 759 phase-detection AF points and enhanced Real-time Eye AF
      • Body-integrated 5-axis optical image stabilisation, Active Mode for movies
      • High sensitivity, wide dynamic range
      • One Mount: A wide variety of E-mount lenses for imaginative movie-making
      • All-Intra internal recording
      • 16-bit RAW data output
      • Enhanced audio quality, 48 kHz/24-bit 4-ch

  • Promotions
    • Promotions

      Next generation creativity on the go

      The α6700 combines the latest AI technology with Sony's outstanding α-series image quality in a compact APS-C camera body. Offering enhanced subject recognition, the latest technology for capturing stills and movies, and E-mount lens compatibility, the lightweight α6700 is designed for creative adventures, anytime, anywhere.

       

       

      Image of link destination

      α6700 Photo Gallery

      Click here explore Sample images

      A window for your world

      Photo of a small bird

      APS-C format Exmor R™ back-illuminated CMOS sensor

      The advanced Exmor R CMOS image sensor with 26.0 effective megapixels is packed with Sony's image sensor technologies. It offers extraordinary sensitivity, resolution and dynamic range, thanks to its back-illuminated format, gapless on-chip lenses, and AR coating (anti-reflection seal glass).

      Image of the Exmor R image sensor

      BIONZ XR™ processing power for exceptional image quality

      With up to eight times more processing power than previous versions, the latest BIONZ XR image processing engine delivers natural gradations and realistic colours with low noise for stills and movies.

      Image of the BIONZ XR

      Wide dynamic range for diverse shooting scenarios

      The α6700's standard sensitivity ranges from a low ISO 100 to ISO 32000, and offers a wide dynamic range so that natural gradations can be captured in high-contrast scenes without blown highlights or blocked shadows.

      Portrait photograph of a woman in evening light

      Consistently accurate exposure and colour

      The α6700 offers impressive exposure control. It's equipped with a new AE algorithm, initially developed for full-frame models, which enables it to accurately detect the skin area of faces and adjust exposure accordingly when shooting stills and movies. It can also maintain realistic colours under a wide range of light sources, from sunlight through to theatre and stadium lighting, and produce more natural skin tones, sky and foliage colours.

      Image of two birds

      Choose your Creative Look

      The Creative Look setting offers greater creative flexibility with added simplicity. It provides 10 presets that can be used just as they are or customised via 8 adjustable parameters to suit the subject or scene, whether you’re shooting stills, movies or live-streaming. You can easily set the mood ahead of shooting so your images are ready to share immediately.

      4 sample photos of Creative look: Ferris wheel, boathouse, portrait of a woman, macro of wildflowers

      5-axis optical image stabilisation

      Shoot hand-held or in low-light with confidence — the 5-axis in-body optical image stabilisation system is supported by precision gyro sensors to deliver up to 5-steps of shake compensation. It detects and compensates for various types of camera shake, including angular (pitch/yaw) shake that is more apparent at longer focal lengths, or when shooting with slower shutter speeds.

      [1] Yaw [2] Roll [3] Pitch

      Illustration of the image stabilization unit

      Precise compensation at the single-pixel level

      Through enhanced design and control of key parameters, the α6700 provides precise detection and control right down to the single-pixel level, taking full advantage of the sensor's 26.0 megapixel resolution to produce images that capture all the finer details.

      Portrait photograph of a woman and an enlargement photograph of her face

      Selectable RAW file types and quality

      In addition to compressed RAW capture, the α6700 supports lossless compressed RAW capture that provides efficient compression, allowing a greater number of high-quality images to be shot in continuous bursts. A new Light image quality selection that generates less data is provided for JPEG and HEIF images.

      Camera LCD display screen: RAW Image selection screen

      HEIF: High compression with excellent image quality

      For the first time in an APS-C camera, the α6700 includes the HEIF (High Efficiency Image File) format with smooth 10-bit gradations for more realistic reproduction of skies and portrait skin tones. The HEIF format also uses advanced compression technology to maintain image quality while significantly reducing file size and saving storage space.

      Landscape photograph of a city and lake

      Evolving with AI

       

      Innovative AI processing

      The α6700 is equipped with an innovative AI processing unit that greatly enhances its performance, including more accurate recognition for a wider range of subjects.

      Image of the AI Processing Unit

      Human pose estimation

      The α6700 uses subject form data to recognise movement, achieving greatly improved human eye recognition. It also employs learned human forms and postures to precisely recognise body and head positions, making it possible to lock onto and track a subject facing away from the camera, or with their face partly obscured by a helmet or sunglasses.

      Image showing AF Frame tracking a woman only in a small part of the frame

      Wider subject recognition

      In addition to humans and animals, the α6700 now recognises birds, insects, cars, trains and airplanes, providing even greater flexibility and reliability when shooting both stills and movies. Heads and bodies are recognised in addition to eyes (Real-time Eye AF) for the Human and Animal settings, and now for the Bird setting too, with animal recognition performance more than 40% higher compared to the α6600.

      Sample photos of recognizable subjects: leopard, bird, airplane, car, train, butterfly.

      Smarter Real-time Tracking

      The upgraded and more reliable AI-based Real-time Tracking makes shooting in a wider range of situations simpler, leaving you free to concentrate on framing and composition. The α6700 can even track people wearing helmets or animals facing away from the camera.

      Photo of a woman walking in the street

       

      Faster, more precise wide-area AF

      The immense processing power and updated algorithms of the new BIONZ XR engine achieve notably improved AF performance, with up to 759 phase detection points, covering approximately 93% of the image area when shooting stills.

      Illustration of focus points.

      Accurate AF in low EV -3.0 light

      The latest AF algorithms achieve high AF precision at light levels as low as EV -3.0 in AF-S mode (ISO 100 equivalent, F2.0 lens). The Focus Priority mode also provides more reliable AF in low light or when using smaller apertures.

      Portrait photo of a woman in a dark moonlit scene

      Shoot more than 1000 images at 11 fps

      The α6700's powerful BIONZ XR processing engine combines with a large buffer memory to boost write speeds to memory cards, so that the camera can shoot more than 1000 JPEG images, up to 59 compressed RAW images, or up to 23 lossless compressed RAW images in continuous high-speed bursts.

      Example of continuous shooting: an owl flying in the sky

      Full-time DMF

      When shooting stills with AF-C or AF-S autofocus, the lens's focus ring can be rotated to instantly switch to manual focus mode at any time. This makes it easy to switch focus to a different subject on the fly.

      Photo of a small owl perched on a branch

      Focus bracketing to capture the best shot

      The α6700 can automatically shoot up to 299 images with sequentially shifted focus points according to intervals and a sequence specified by you. Pick the perfect shot, or post-process multiple shots to achieve creative composites with incredible depth of focus.

      Several photos of plants taken with AF bracketing

      Flicker suppression

      Suppress flicker from artificial lighting whether you're shooting stills or movies. Simply select "Anti-flicker Shoot", or use "Var. Shutter" to fine-tune shutter speeds to match flicker rates when filming.

      Image of the camera's menu screen

       

      Movie performance inherited from the Cinema Line

      4K movie recording for stunning quality

      The α6700 captures 4K (QFHD: 3840 x 2160) at up to 60p (50p) using Sony's proprietary 6K oversampling technology. By compressing this expanded detail into the output, it achieves 4K video quality with outstanding definition, even at higher frame rates. The camera also supports high-quality XAVC S-I (All-Intra) and XAVC HS formats with 10-bit 4:2:2 colour sampling.

       

      High frame rate 4K 120p (100p) recording

      High frame rate recording at up to 120p for 4K QFHD (3840 x 2160) output makes it possible to capture high-resolution movies in-camera. This expands creative possibilities in post-production by allowing subject motion to be emphasised or transformed into smooth slow motion. S&Q mode also enables recording of slow or quick motion sequences in camera from the outset.

      Expressive S-Cinetone™

      Incorporating the same colour science as the highly regarded CineAlta and Cinema Line, the α6700 includes Sony's S-Cinetone picture profile as a preset, delivering images with more faithful colour reproduction and natural skin tones.Portrait of a woman’s face

      S-Log3 gamma curve with 14+ stops of latitude

      The S-Log3 gamma curve emphasises gradation characteristics from shadows to mid-grey (18% grey), achieving up to 14+ stops of latitude for flexible and creative colour editing.Portrait of a woman silhouetted against a cityscape

      Real-time Tracking for movies

      AI-based Real-time Tracking provides a dramatic improvement in Real-time Tracking performance, automatically recognising, tracking, and focusing on the eyes of a specified subject. In addition to using the Touch Tracking function to initiate tracking, a custom button can be used to temporarily track a selected subject regardless of the subject's position in the frame and the focus area setting.Sample photo of AF tracking the subject even at intersections where other people are passing by

      Active Mode for enhanced movie image stabilisation

      Active Mode provides powerful image stabilisation for handheld movie shooting. The α6700 can accurately measure camera shake which is then precisely compensated for optically, providing highly effective stabilisation without sacrificing mobility, even when shooting 4K. Photo of a man shooting hand-held video with telephoto lens attached

      Breathing compensation for consistent angle of view

      When shooting movies with compatible lenses, automatic breathing compensation uses Clear Image Zoom technology to maintain a consistent angle of view, suppressing changes that may occur due to shifts in focus position. Breathing metadata can also be used in post-production.Portrait of a woman with a birdcage in the foreground

      Import user LUT files

      See how your footage will look in post-processing while you're shooting. The α6700 allows you to import a custom LUT (Look Up Table) that can be applied to the camera's monitor image while recording, providing a preview.Image of the "Display LUT" selection screen

      Movie making made simple

      The α6700 is jampacked with features to support movie shooting and production. Its Auto Framing function automatically crops and re-frames the image while using AI to track the subject. Or, for a cinematic touch, the in-camera time-lapse function allows you to create time-lapse videos within the camera itself.Sample photos of auto-framing: Finder display image and actual captured image

       

      Outstanding control and reliability

       

      Made for your hands

      With its compact shape, and lightweight 493 gram body, the α6700 offers remarkable portability and manoeuvrability without compromising image quality. A new grip design provides a solid, even more comfortable hold on the camera, while giving greater control for shooting both stills and movies.

      Photos of people holding cameras or drones with cameras mounted on them

      High-performance electronic viewfinder

      A 2.36 million-dot (approx.) XGA OLED electronic viewfinder with approximately 1.07x magnification delivers an exceptional view of your world. With twice the brightness of the α6600, and a wider 33-degree viewing angle, it offers clear, easy viewing while shooting. The finder frame rate can be set to 120 fps — twice the normal rate — for a smooth viewfinder image, with minimum display motion blur when tracking and shooting moving subjects.Illustration of viewfinder interior

      Enhanced shooting flexibility with vari-angle monitor

      The α6700 features a large 3.0-type 1.03 million-dot (approx.) touch-panel LCD monitor with a 3:2 aspect ratio and side-opening vari-angle flexibility. This allows greater positioning and framing freedom, giving you plenty of creative options for handheld and gimbal-mounted shooting of stills and moviesImage of the camera illustrating LCD panel movement

      Intuitive touch control

      Just touch the screen to activate key functions, such as selecting a focus point or subject to track, or triggering the shutter. Swiping in from the left or right edge of the shooting display reveals touch icons that allow quick changes to the shooting mode and other settings. The function (Fn) menu can also be displayed by a simple swipe-up. During playback, you can easily select and zoom into images through taps and intuitive pinch-out/pinch-in gestures.Image showing touchscreen operation

      Improved menu structure

      Responding to feedback from professional photographers and videographers, the α6700 comes with a new Main Menu structure similar to the latest full-frame α series models. The logical layout provides more efficient access to important shooting parameters, such as frame rate, shutter speed, and more. It can be assigned to a custom key for quick access when needed, and touch operation means that adjusting key settings has never been faster.Image of the camera's menu screen

       

      Visualise your world with E-mount lenses

       

      More than 70 E-mount lenses to choose from

      Take your pick from a comprehensive range of E-mount lenses from Sony. Our acclaimed line-up includes the full-frame G Master™ series that blends breathtaking resolution with exquisite bokeh, and the G Lens™ series that offers excellent image quality and value. Combined with an APS-C body, Sony's ultra-wide lenses can capture sweeping scenery or large subjects in a single frame, while telephoto lenses, assisted by the 1.5 crop factor of APS-C bodies and teleconverter lenses as needed, make it possible to capture distant subjects with stunning clarity and detail.

      Image of all E-mount lenses

      Accessories expand creative horizons

      A variety of high-performance compatible microphones can be connected to the the camera’s Multi Interface Shoe for direct, noise-free digital audio transfer to the camera. Or choose from a variety of high-output flash units such as the HVL-F60RM2 that support high-speed continuous shooting, giving you even more ways to capture creative imagery.Image of Sony flashes Image of microphones attached to cameras

      Connected vision

      Easy and stable smartphone connectivity

      Make the most of the α6700’s greatly enhanced connection stability with Sony’s free Creators’ App that enables simple transfers of photos and movies to your smartphone or tablet. Transfers continue in the background even if the smartphone display sleeps or a different app is launched. You can also use your smartphone to control the camera remotely.

      Photo of a woman looking at a photos transferred from the camera

      Stream high-quality live content

      Connected to a personal computer or smartphone via USB, the α6700 can function as a 4K (2160p) webcam with advanced AF that makes online meetings and live streaming events even smoother.

      Photo of a woman live streaming with the camera

      Fast Wi-Fi for PC tethering

      Built-in Wi-Fi (IEEE 802.11a/b/g/n/ac) allows communication on the 2.4 GHz and 5 GHz bands for fast and stable data transfer.

      Image of the Wi-Fi setup screen

      Creators' Cloud platform

      Creators' Cloud is a platform that supports creative work from shooting to production by combining advanced Sony camera technology with cloud-based AI. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps providing efficient solutions that integrate cameras with shooting and production apps and services.

       

      Illustration of the Creators Cloud concept

       

      Towards a better future

      Accessible technology on α cameras

      Sony's α cameras are equipped with a number of accessibility features so that as many people as possible can utilise and enjoy our technology. For example, the screen reader function reads text on the menu screens aloud, with volume and reading speed adjustable as needed.

      Image of screen reader settings

      Sony's goal: zero environmental footprint

      At Sony, we've launched the Road to Zero plan to map our path to achieving a zero environmental footprint, with our Green Management 2025 plan defining intermediate targets. We've taken measures to reduce the environmental footprint of the α6700 at every stage of its life cycle, from product development through supply chain, production, and packaging.

      Image of Road to Zero logo

      Packing for the future

      Wherever possible, Sony strives to use non-plastic packaging materials that provide ample protection against shock and impact, including plant-based non-woven fabrics for product bags. All of this helps to minimise environmental stress.

      Image of camera packaging materials

       

       

      SPECIFICATIONS & FEATURES

      The α6700 represents a new generation of APS-C camera bodies with a futuristic fusion of AI-based recognition technology, superlative α-series still image quality, plus moviemaking features and performance from Sony’s acclaimed Cinema Line.

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        APS-C format back-illuminated Exmor R CMOS sensor with approximately 26.0 effective megapixels

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        Advanced BIONZ XR engine boosts overall processing speed by up to 8x

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        Innovative AI processing unit for enhanced subject recognition, AF and tracking

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        In-body 5-axis image stabilisation with Active Mode for movie shooting

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        High-level movie performance inherited from the Cinema Line

      Picture of α6700 Premium E-mount APS-C Camera
      Picture of α6700 Premium E-mount APS-C Camera
  • features
    • Features
      New image sensor with double the readout speed

      New image sensor with double the readout speed

      The newly developed back-illuminated full-frame Exmor RTM CMOS sensor, with 12.1 effective megapixels, boasts a readout speed up to twice as fast as that of the α7S II, along with high sensitivity and wide dynamic range. An advanced colour filter array boosts colour reproduction accuracy, while focal plane phase-detection AF enables substantial increases in autofocus stability and precision, all of which contribute to outstanding image quality.

      New image-processing engine with up to 8x the processing performance

      New image-processing engine with up to 8x the processing performance

      The BIONZ XRTM image-processing engine boasts a performance level up to eight times that of the previous processor, minimising latency while markedly improving real-time processing capabilities for both movies and stills. The engine performs real-time processing of AF, image recognition and image-quality adjustments, while also handling data transfer, user interface and other camera operations.

      High sensitivity, wide dynamic range

      High sensitivity, wide dynamic range

      The full-frame 12.1-megapixel configuration enables high sensitivity with low noise throughout the camera's sensitivity range by optimising the output signal from the sensor. The standard ISO range is 80-102400, which is further expandable to 40-409600 (80-409600 for movies). The dynamic range is an impressively wide 15 stops, for beautiful, true-to-life images without blown highlights. Together, the camera's high sensitivity and wide dynamic range expand your creative freedom during shoots.

      Full-frame 4K recording at 120p

      Full-frame 4K recording at 120p

      Full-frame 4K recording at 120fps with autofocus is possible thanks to the high-speed readout capabilities of the new image sensor working in tandem with the newly developed, powerful BIONZ XR processor. This high image-quality 4K, with full-pixel readout without binning, allows for clear post-produced slow motion (up to x5 slower than real time), as well as bokeh effects typical of full-frame cameras, all with smooth, high-precision autofocus. Despite the α7S III's compact size, it provides impressive scope for your creativity.

      Recording movies with 10-bit depth and 4:2:2 colour sampling

      Recording movies with 10-bit depth and 4:2:2 colour sampling

      The camera is capable of performing 4K internal recording with 10-bit depth and 4:2:2 colour sampling when using either Long GOP or All Intra compression. This makes it possible to push your colour grades further, stretching video out for ultimate HDR realism while still retaining natural gradation, for true editing freedom.

      All-Intra internal recording

      All-Intra internal recording

      In addition to Long GOP inter-frame compression, the α7S III supports internal intra-frame (All-Intra) recording for the first time in an α-model body, where each frame is recorded independently at a high bitrate of up to 600Mbps. This can be useful for certain types of shoots as it allows maximum flexibility in post-production editing.  [1] All-Intra (All-I)  [2] Long GoP  [3] Group of Pictures

      HEVC codec with high compression efficiency

      HEVC codec with high compression efficiency

      Available for the first time, XAVC HS format recording using the MPEG-H HEVC/H.265 codec roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS allows for detailed 10-bit video with 4:2:2 colour sampling at comparable or lower data rates, delivering even better image quality as well as manageable file sizes.

      16-bit RAW data output

      16-bit RAW data output

      Facilitating improved image quality and more flexible and efficient editing in post production, the camera supports 16-bit RAW data output to an external recorder via HDMI, for the first time in the α series. The output is full-frame 4264 x 2408 (16:9 aspect ratio) 16-bit data from the image sensor, with a choice of 59.94p/50p/29.97p/25p/23.98p frame rates and colour spaces.

      S-Log2 and S-Log3 with 10bit 4:2:2 support

      S-Log2 and S-Log3 with 10bit 4:2:2 support

      S-Log2 and S-Log3 gamma curves are available, with S-Log3 designed for better reproduction of gradations from shadows to the mid-grey range (18% grey), enabling a dynamic range of up to 15 stops. Three colour gamut settings (S-Gamut, S-Gamut3, and S-Gamut3.Cine) are provided, and the latter two settings make it easier to match the colours of footage shot with Sony's professional cinema cameras. Because the colours match, colour grading is easier in post-production editing, making it more convenient to use the α7S III along with other pro cameras.

      Proxy recording for more efficient editing workflow

      Proxy recording for more efficient editing workflow

      When shooting movies, low bit-rate HD proxy files can be recorded simultaneously with higher bit-rate formats such as XAVC S-I 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files can be captured in either 10-bit XAVC HS (1920 x 1080) or 8-bit XAVC S (1280 x 720) .

      10-bit HLG picture profile

      10-bit HLG picture profile

      An HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 colour space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout and less whiteout, all without the need for colour grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism.  [1] High flexibility to fine-tune images as desired (colour grading required)  [2] Instant high-quality image (colour grading not required) 

      Enhanced movie image quality

      Enhanced movie image quality

      Thanks to the improved capabilities of the α7S III's new image-processing engine, colours and textures of foliage and human skin can be more consistently reproduced without over-dependence on light sources. Gradation rendering has also been refined, for better-looking skin tones and highlight roll-off in portraits. When shooting 4K, the new image sensor and processing engine reduce rolling shutter distortion to as little as one-third that of the α7S II.

      Fast Hybrid AF for dependable focus during movie shooting

      Fast Hybrid AF for dependable focus during movie shooting

      Inheriting technology and performance standards from Sony's large-format FX9 pro camcorder, Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field, taking full advantage of Sony E-mount lenses' smooth linear-motor focusing and power-zoom operations. Newly added AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as requested by professional users. Both allow preset settings to be recalled during recording by using a customisable button.

      AF support in manual-focus mode

      AF support in manual-focus mode

      The camera's autofocus support can be useful even when you're primarily using manual focus. For full AF speed, half-press the shutter button or press the AF-ON button, as you would when shooting stills. Alternatively, slower, more cinematic AF transitions can be achieved by initiating AF via the touch focus feature or Real-time Eye AF via a custom button assignment, resulting in slow, smooth autofocus at the preset AF Transition Speed.

      Game-changing tracking features to revolutionise movie shooting

      Game-changing tracking features to revolutionise movie shooting

      Real-time Tracking and Real-time Eye AF make movie-making much easier. Touch Tracking initiates subject tracking with an intuitive touch to the LCD monitor, processing data on colour, pattern (brightness), distance (depth) and facial information to keep your subject in steady focus. You can then concentrate more fully on composition, which can be especially useful when you're shooting solo or using a gimbal. Touch operations can be used to temporarily engage AF even when you're shooting manually.

      Active Mode optical image stabilisation for handheld shooting

      Active Mode optical image stabilisation for handheld shooting

      Relying on a new high-precision stabilisation unit, gyro sensors, and optimised image stabilisation algorithms, the camera's Optical SteadyShotTM Active Mode provides the precise degree of optical image compensation needed during movie shooting, even for 4K video. With this unprecedented level of stabilisation it's possible to shoot with the camera only, taking advantage of the compact size and mobility of the α system.  [1] Track of camera shake  [2] Standard  [3] Active

      Enhanced audio quality

      Enhanced audio quality

      A digital audio interface is incorporated in the camera's Multi Interface (MI) Shoe, to facilitate cleaner, clearer audio recordings without loss of quality. The XLR-K3M XLR Adaptor Kit additionally provides the camera with 4-channel 24-bit digital audio recording capability. Three recording formats can be selected from a menu: 48 kHz/16-bit 2-ch, 48 kHz/24-bit 2-ch, and 48 kHz/24-bit 4-ch, with the XLR-K3M XLR Adaptor Kit required for the latter two formats.

      New heat-dissipation design for extended recording times

      New heat-dissipation design for extended recording times

      The camera's design has been optimised to prevent overheating even during extended recording sessions. A unique Sony Σ (sigma) shaped graphite-alloy heatsink is built into the image stabilisation unit, allowing the sensor to dissipate heat five times more effectively than in previous models, while allowing it to move freely and avoiding interference with the stabilisation system.

      Designed for smooth movie-making

      Designed for smooth movie-making

      Flexibility in positioning the camera and framing shots is provided by the side-opening, vari-angle monitor, which incorporates a bright 3.0-type, 1.44 million-dot LCD screen. The MOVIE button is within easy reach on the camera's top panel, and a durable HDMI Type-A terminal ensures reliable connections to external monitors. The item arrangement and initial settings on the mode dial have also been adjusted to meet the needs of pro users.

      Dedicated settings menu for movie shooting

      Dedicated settings menu for movie shooting

      A subset of the camera's settings can be changed independently for movie or still shooting, which can be useful if you want to use different ISO, Iris (aperture) and other settings depending on the shooting mode. Another convenient feature is the use of Flexible Exposure Mode instead of normal PASM Mode when Movie or S&Q mode is selected. This allows quick switching between auto and manual control of Iris (aperture) and shutter speed, and the function can be assigned to a custom button to allow one-touch toggling between auto and manual.

      Fast Hybrid AF for still shots

      Fast Hybrid AF for still shots

      The Fast Hybrid AF uses a high-density array of 759 phase-detection AF points (covering around 93% of the imaging area) in conjunction with 425-point contrast-detection AF. Real-time Eye AF (for humans and animals) and Real-time Tracking features are also available for the first time in the S series. Advanced AF algorithms facilitate precise AF down to light levels as low as EV-6, for accurate focus even when the subject would be difficult to see clearly with the naked eye. 

      High-speed continuous shooting performance

      High-speed continuous shooting performance

      Mechanical and electronic shutters are each capable of continuous shooting at up to 10fps with AF/AE. Continuous shooting of over 1000 uncompressed RAW images is possible thanks to increases in the buffer memory of the BIONZ XR processor and memory-card writing speed.

      Enhanced image quality for stills

      Enhanced image quality for stills

      The new image sensor and image-processing engine deliver an extraordinary degree of sensitivity, a defining characteristic of the S series, and significantly better reproduction of colour and textural details. Improved rendering capability provides realistic-looking images with reduced noise, particularly in the mid-to-high sensitivity range. A new Visible Light and IR Sensor improves auto white balance, and HEIF file options and an HLG Still Image Mode (for 8-bit and 10-bit HEIF stills) have been added.

      Creative Look feature to set the mood and atmosphere

      Creative Look feature to set the mood and atmosphere

      The new Creative Look feature is a quick way to establish a particular mood in still shots and movies by altering parameters like brightness, contrast and colour saturation. Ten Creative Look presets are available in-camera, and each of these can be used as is, or further customised using eight individual parameter settings. Custom Creative Look settings can be easily saved and stored for later use.

      Two CFexpress Type A-compatible media slots

      Two CFexpress Type A-compatible media slots

      The camera's two media slots are compatible with new CFexpress Type A cards as well as SDXC/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write/read speeds suitable for both high-speed continuous still shooting and 4K movie recording at high bit rates. They are capable of quickly clearing camera buffers even when high volumes of still image and movie data are being generated.

      High-definition 9.44 million-dot electronic viewfinder

      High-definition 9.44 million-dot electronic viewfinder

      Boasting the highest resolution in its class, the α7S III's viewfinder rivals the resolution of the human eye. It provides category-leading 0.90x viewfinder magnification, a 41º diagonal field of view, and a 25mm high eyepoint for clear, low-distortion viewing. Improvements in sealing greatly reduce the chance that even drastic ambient temperature fluctuations will cause interior condensation.

      New touch-driven menu with workflow-based navigation

      New touch-driven menu with workflow-based navigation

      Responding to requests from pro photographers and videographers, the menu structure has been designed to allow professionals to work more efficiently. Menu tabs are on the left side of the display, while parameter groups and parameters related to the selected tab appear on the right. Up to three levels can be displayed together, making the menu structure more clearly visible. Touch-responsive menu operations enable fast, intuitive control.

      Reliable, durable construction

      Reliable, durable construction

      To maximise dust and moisture resistance, additional sealing has been applied to all body seams and to the battery compartment cover, and the media slot cover has been redesigned to handle harsh outdoor environments. A filter in front of the image sensor oscillates at an ultrasonic frequency of 70,000 cycles per second to remove dust from the sensor surface. The camera chassis is highly durable thanks to full magnesium-alloy construction.

      USB Power Delivery

      USB Power Delivery

      The camera supports USB PD (Power Delivery), to enable continuous shooting for extended periods without draining the internal battery. PD-compatible USB chargers and mobile batteries can be connected to the camera's USB Type C® port, to supply power or to recharge the internal battery at 3 to 4 times the rate of conventional power supplies.

      Data communications to support on-site workflow

      Data communications to support on-site workflow

      Wired and wireless communications features support FTP transfer for still and movie files as well as remote shooting capability, to facilitate professional workflows during shoots. Wireless 5GHz/2.4GHz LAN connections are supported, and wired connectivity to 1000BASE-T Ethernet networks is available via a USB-to-Ethernet adaptor cable connected to the camera's USB Type C® port supporting SuperSpeed USB 5Gbps (USB 3.2). Remote shooting can be controlled from a PC with Sony's Imaging Edge DesktopTM application, or from a mobile device with Imaging Edge MobileTM.

      External flash control from the camera body

      External flash control from the camera body

      It is now possible to configure the settings of a compatible attached flash or Wireless Radio Commander (both sold separately) from the camera. Most settings, including light output, can be accessed and easily changed directly from a camera menu, for high-performance flash control with these genuine Sony accessories. Flash parameters are shown in the selected camera display language.

      Imaging Edge Desktop

      Imaging Edge Desktop

      Elevate your photography with Imaging Edge Desktop applications. Use ‘Remote’ to control and monitor shooting live on your PC screen; ‘Viewer’ to quickly preview, rate, and select photos from large image libraries; and ‘Edit’ to develop RAW data into high-quality photos for delivery. Get the best from Sony RAW files, and manage your productions more efficiently.

      Capture One for Sony

      Capture One for Sony

      Capture One Express (for Sony) is free award-winning editing software that provides RAW development, easy management and powerful editing tools. Capture One Pro (for Sony) is also available for even more editing tools and remote shooting capability.

      S-Cinetone™ from high-end cinema camera colour science

      S-Cinetone™ from high-end cinema camera colour science

      The inclusion of Sony’s acclaimed S-Cinetone look, inherited from the development of the Cinema Line FX9 and CineAlta cameras such as VENICE, allows cinematic colour to be achieved directly in-camera. S-Cinetone is optimised for natural skin tones and mid-range colours, with gentle highlight roll-off, for impressive subject depiction without grading at post production as a workflow.

      Works with iMovie and Final Cut Pro X

      Works with iMovie and Final Cut Pro X

      This product is compatible with Final Cut Pro X and iMovie.

  • highlight
    • Highlight

      Newly developed 12.1-megapixel back-illuminated Exmor RTM CMOS image sensor

      Lens

      E-mount

      Newly developed BIONZ XR image processing engine with up to 8x the processing performance

      Image Sensor

      3:2

      Movie-making with 4K 120p, 10-bit 4:2:2 recording capability

      Recording (still images)

      35mm full frame L: 3776 x 2832 (11M), M: 2464 x 1848 (4.6M), S: 1888 x 1416 (2.7M), APS-C L: 2464 x 1848 (4.6M), M: 1888 x 1416 (2.7M), S: 1232 x 920 (1.1M)

      Fast Hybrid AF with 759 phase-detection AF points and enhanced Real-time Eye AF

      Recording (movie)

      XAVC S, XAVC HS

      Body-integrated 5-axis optical image stabilisation, Active Mode for movies

      Recording System

      Yes

  • specifications
    • Specifications

      Designed for professionals, the α7S III builds on the strengths of the S series such as high sensitivity and wide dynamic range while providing pro features like enhanced AF, optical image stabilisation and 4K 120p recording. Incorporating a powerful new engine in its compact body, the camera delivers a wide range of visual experiences.

      Lens

      Lens Mount

      E-mount

      Image Sensor

      Aspect Ratio

      3:2

      Number Of Pixels (Effective)

      Approx. 12.1 megapixels

      Number of Pixels (total)

      Approx. 12.9 megapixels

      Sensor Type

      35mm full frame (35.6×23.8mm), Exmor R CMOS sensor

      Anti-Dust System

      Yes (Charge protection coating on Optical Filter and ultrasonic vibration mechanism)

      Recording (still images)

      IMAGE SIZE (PIXELS) [4:3] 

      35mm full frame L: 3776 x 2832 (11M), M: 2464 x 1848 (4.6M), S: 1888 x 1416 (2.7M), APS-C L: 2464 x 1848 (4.6M), M: 1888 x 1416 (2.7M), S: 1232 x 920 (1.1M)

      Image Size (pixels) [16:9]

      35mm full frame L: 4240 x 2384 (10M), M: 2768 x 1560 (4.3M), S: 2128 x 1200 (2.6M), APS-C L: 2768 x 1560 (4.3M), M: 2128 x 1200 (2.6M), S: 1376 x 776 (1.1M)

      IMAGE SIZE (PIXELS) [1:1] 

      35mm full frame L: 2832 x 2832 (8M), M: 1840 x 1840 (3.4M), S: 1408 x 1408 (2.0M),APS-C L: 1840 x 1840 (3.4M), M: 1408 x 1408 (2.0M), S: 912 x 912 (0.8M)

      Picture Effect

      -

      Creative Style

      -

      Picture Profile

      Yes (Off / PP1-PP10) Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset

      CREATIVE LOOK

      ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)

      Dynamic Range Functions

      Off, Dynamic Range Optimizer (Auto/Level (1-5))

      Colour Space

      sRGB standard (with sYCC gamut), Adobe RGB standard and Rec. ITU-R BT.2100 standard (BT.2020 gamut). (compatible with TRILUMINOS Color)

      14bit RAW

      Yes

      Recording (movie)

      Recording Format

      XAVC S, XAVC HS

      Colour Space

      Rec. ITU-R BT.2100 standard compatible (BT.2020 gamut). (compatible with TRILUMINOS Color)

      Picture Effect

      -

      Creative Style

      -

      Picture Profile

      Yes (Off / PP1-PP10) Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset

      CREATIVE LOOK

      ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)

      MOVIE RECORDING SYSTEM (XAVC HS 4K)

      3840 x 2160 (4:2:0, 10bit, NTSC) (Approx.): 120p (200Mbps), 60p (150Mbps / 75Mbps / 45Mbps), 24p (100Mbps / 50Mbps / 30Mbps); 3840 x 2160 (4:2:0, 10bit, PAL) (Approx.): 100p (200Mbps), 50p (150Mbps / 75Mbps / 45Mbps); 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 120p (280Mbps), 60p (200Mbps / 100Mbps), 24p (100Mbps / 50Mbps); 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 100p (280Mbps), 50p (200Mbps / 100Mbps)* details of frame rate

      MOVIE RECORDING SYSTEM (XAVC S 4K)

      3840 x 2160 (4:2:0, 8bit, NTSC) (Approx.): 120p (200Mbps), 60p (150Mbps), 30p (100Mbps / 60Mbps), 24p (100Mbps / 60Mbps); 3840 x 2160 (4:2:0, 8bit, PAL) (Approx.): 100p (200Mbps), 50p (150Mbps), 25p (100Mbps / 60Mbps); 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 120p (280Mbps), 60p (200Mbps), 30p (140Mbps), 24p (100Mbps); 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 100p (280Mbps), 50p (200Mbps), 25p (140Mbps)* details of frame rate

      MOVIE RECORDING SYSTEM (XAVC S HD)

      1920 x 1080 (4:2:0, 8bit, NTSC) (Approx.): 120p (100Mbps / 60Mbps), 60p (50Mbps / 25Mbps), 30p (50Mbps / 16Mbps), 24p (50Mbps); 1920 x 1080 (4:2:0, 8bit, PAL) (Approx.): 100p　(100Mbps / 60Mbps), 50p (50Mbps / 25Mbps), 25p (50Mbps / 16Mbps); 1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.): 60p (50Mbps), 30p (50Mbps), 24p (50Mbps); 1920 x 1080 (4:2:2, 10bit, PAL) (Approx.): 50p (50Mbps), 25p (50Mbps)* details of frame rate

      MOVIE RECORDING SYSTEM (XAVC S-I 4K)

      3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 60p (600Mbps), 30p (300Mbps), 24p (240Mbps); 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 50p (500Mbps), 25p (250Mbps)* details of frame rate

      MOVIE RECORDING SYSTEM (XAVC S-I HD)

      1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.): 60p (222Mbps), 30p (111Mbps), 24p (89Mbps); 1920 x 1080 (4:2:2, 10bit, PAL) (Approx.): 50p (185Mbps), 25p (93Mbps)* details of frame rate

      SLOW & QUICK MOTION (SHOOTING FRAME RATE) 

      NTSC mode: 1fps,2fps,4fps,8fps,15fps,30fps,60fps,120fps, 240fps,PAL mode: 1fps,2fps,3fps,6fps,12fps,25fps,50fps,100fps, 200fps* details of frame rate

      Movie Functions

      Audio Level Display, Audio Rec Level, PAL/NTSC Selector, Proxy Recording (1280 x 720 (6Mbps), 1920 x 1080(9Mbps), 1920 x 1080(16Mbps)), TC/UB, Auto Slow Shutter, Gamma Disp. Assist, RAW Output(HDMI)

      Recording System

      Location information Link from smartphone

      Yes

      Media

      SD memory card, SDHC memory card (UHS-I/II compliant), SDXC memory card (UHS-I/II compliant), CFexpress Type A memory card

      Memory Card Slot

      SLOT1: Multi slot for SD (UHS-I/II compliant) memory card/CFexpress Type A card, SLOT2: Multi slot for SD (UHS-I/II compliant) memory card/CFexpress Type A card

      Recording mode on 2 memory cards

      Simult. Rec, Sort, Auto Switch Media, Copy

      Noise Reduction

      Noise Reduction

      Long exposure NR: On/Off, available at shutter speeds longer than 1 sec.,High ISO NR: Normal / Low / Off

      White balance

      White Balance Modes

      Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom

      SHUTTER AWB LOCK 

      Yes (Shut. Halfway Down / Cont. Shooting / Off)

      Focus

      Focus Type

      Fast Hybrid AF (phase-detection AF / contrast-detection AF)

      Focus Sensor

      Exmor R CMOS sensor

      Focus Point

      35mm full frame: 759 points (phase-detection AF), APS-C mode with FF lens: 345 points (phase-detection AF), with APS-C lens: 285 points (phase-detection AF) / 425 points (contrast-detection AF)

      Focus Sensitivity Range

      EV-6 to EV20 (ISO100 equivalent with F2.0 lens attached)

      Focus Mode

      AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus

      Focus Area

      Wide / Zone / Center Fix / Spot / Expand Spot / Tracking

      EYE AF / SUBJECT RECOGNITION AF

      [Still images] Human (Right/Left Eye Select) / Animal, [Movie] Human (Right/Left Eye Select)

      Other Features

      Predictive control, Focus lock, AF Track Sens. (Still), AF Subj. Shift Sensitivity (Movie), AF Transition Speed (Movie), Switch V/H AF Area, AF Area Regist., Circ. of Focus Point

      AF Illuminator

      Yes (with Built-in LED type)

      AF Illuminator range

      Approx. 0.3m - approx. 3.0m (with FE 28-70mm F3.5-5.6 OSS lens attached)

      Focus type with LA-EA3 (Sold separately)

      Phase-detection

      Exposure

      Metering Sensor

      Exmor R CMOS sensor

      Metering Sensitivity

      EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)

      Metering Mode

      Multi-segment, Center-weighted, Spot, Spot Standard/Large, Entire Screen Avg., Highlight

      Exposure Compensation

      +/- 5.0EV (1/3 EV, 1/2 EV steps selectable) (with exposure compensation dial: +/- 3EV (1/3 EV steps))

      Exposure Bracketing

      Bracket: Cont., Bracket: Single, 3/5/9 frames selectable. (Ambient light, Flash light)

      AE Lock

      Locked when shutter button is pressed halfway. Available with AE lock button. (On/Off/Auto)

      Exposure Modes

      AUTO(iAuto), Programmed AE (P), Aperture priority (A), Shutter-speed priority (S), Manual (M), Movie (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode), Slow & Quick Motion (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode)

      ISO Sensitivity

      Still images: ISO 80-102400 (ISO numbers up from ISO 40 to ISO 409600 can be set as expanded ISO range.), Movies: ISO 80-102400 equivalent (ISO numbers up to ISO 409600 can be set as expanded ISO range.)

      Anti-flicker Shoot.

      Yes

      Scene Selection

      -

      Exposure

      Metering Type

      1200-zone evaluative metering

      Viewfinder

      Viewfinder Type

      1.6 cm (0.64 type) electronic viewfinder (color)

      Number of Dots

      9 437 184 dots

      Field Coverage

      100%

      Magnification

      Approx. 0.90 x (with 50mm lens at infinity, -1m-1)

      Dioptre Adjustment

      -4.0 to +3.0m-1

      Eye Point

      Approx. 25mm from the eyepiece lens, 21mm from the eyepiece frame at -1m-1 (CIPA standard)

      DISPLAY FUNCTION

      Histogram, Real-time image-adjustment display, Digital level gauge, Grid line, Focus check, Peaking MF, Zebra, Movie marker, Emph disp dur REC

      Finder Frame Rate Selection

      NTSC mode: STD 60fps / HI 120fps, PAL mode: STD 50fps / HI 100fps

      LCD Screen

      Monitor Type

      7.5cm (3.0-type) type TFT

      Number of Dots

      1,440,000 dots

      Touch Panel

      Yes

      Brightness Control

      Manual (5 steps between -2 and +2), Sunny Weather mode

      Adjustable Angle

      Opening Angle:Approx. 176 deg., Rotation Angle:Approx. 270 deg.

      Focus Magnifier

      Yes, Focus Magnifier (35mm full frame: 2.1x / 4.1x, APS-C: 1.5x / 3.0x)

      Other Features

      PlayMemories Camera Apps™

      -

      Clear Image Zoom

      Still images:Approx. 2x,Movies:Approx. 1.5x (4K), Approx. 2x (HD)

      Digital Zoom

      Smart zoom (Still images):35mm full frame: M:Approx. 1.5x, S:Approx. 2x, APS-C: M:Approx. 1.3x, S:Approx. 2x, Digital zoom (Still images):35mm full frame: L:Approx. 4x, M:Approx.6.1x, S:Approx. 8x, APS-C: L:Approx. 4x, M:Approx. 5.2x, S:Approx. 8x,Digital zoom (Movie):35mm full frame: Approx. 4x, APS-C: Approx. 4x

      Face Detection

      Face Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority

      Self-Portrait Self-timer

      -

      Others

      Interval Recording, ISO AUTO Min. SS, Bright Monitoring, Copyright Info, Set File Name, Save/Import Settings, Help guide, Video Light Mode, Zoom Ring Rotate

      Shutter

      Type

      Electronically-controlled, vertical-traverse, focal-plane type

      Shutter Type

      Mechanical shutter/Electronic shutter

      Shutter Speed

      Still images: 1/8000 to 30 sec, Bulb, Movies: 1/8000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode)

      Flash Sync. Speed

      1/250 sec.

      Electronic Front Curtain Shutter

      Yes (ON/OFF)

      Silent Shooting

      Yes (ON/OFF)

      Image Stabilization

      Type

      Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)

      Compensation Effect

      5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50mm F1.4 ZA lens mounted. Long exposure NR off.)

      Flash Control

      Type

      -

      Guide No.

      -

      Flash coverage

      -

      Control

      Pre-flash TTL

      Flash Compensation

      +/- 3.0 EV (switchable between 1/3 and 1/2 EV steps)

      Flash Modes

      Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction (on/off selectable), Wireless, Hi-speed sync.

      Recycling Time

      -

      External Flash Compatibility

      Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe

      FE Level Lock

      Yes

      Wireless Control

      Yes (Light signal: Available with Fill-flash, Slow Sync., Hi-speed sync. / Radio signal: Available with Fill-flash, Rear Sync., Slow Sync., Hi-speed sync.)

      Drive

      Drive Modes

      Single Shooting, Continuous shooting (Hi+/Hi/Mid/Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket

      Continuous Drive Speed (approx. max.)

      Continuous shooting: Hi+: 10 fps, Hi: 8 fps, Mid: 6 fps, Lo: 3 fps

      No. of recordable frames (approx.)

      JPEG Extra fine L: over 1000 frames, JPEG Fine L: over 1000 frames, JPEG Standard L: over 1000 frames, RAW: over 1000 frames, RAW & JPG: over 1000 frames, RAW (Uncompressed): over 1000 frames, RAW (Uncompressed) & JPG: over 1000 frames

      Self-Timer

      10 sec. delay / 5 sec. delay / 2 sec. delay / Continuous self-time / Bracketing self-timer

      Pixel Shift Multi Shooting

      -

      Playback

      Photo Capture

      Yes

      Modes

      Single (with or without shooting information Y RGB histogram & highlight / shadow warning),Index view,Enlarged display mode (L: 10.6x, M: 6.92x, S: 5.32x),Auto Review,Image orientation,Folder selection (Date / Still / Movie),Protect,Rating,Display as Group

      Print

      Compatible Standards

      Exif Print, Print Image Matching III

      Custom function

      Type

      Custom key settings,Programmable Setting (Body 3 sets /memory card 4 sets),My Dial Settings,My Menu,Reg Cust Shoot Set

      Lens Compensation

      Setting

      Peripheral Shading, Chromatic Aberration, Distortion

      Power

      Supplied Battery

      One rechargeable battery pack NP-FZ100

      Battery Life (Still Images)

      Approx. 510 shots (Viewfinder) / Approx. 600 shots (LCD monitor) (CIPA standard)

      Battery Life (Movie, actual recording)

      Approx. 80 min (Viewfinder) / Approx. 95 min (LCD monitor) (CIPA standard)

      Battery Life (Movie, continuous recording)

      Approx. 130 min (Viewfinder) / Approx. 135 min (LCD monitor) (CIPA standard)

      Internal Battery Charge

      Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)

      Power consumption with Viewfinder

      Still images: Approx. 4.3W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: Approx. 7.6W (with FE 28-70mm F3.5-5.6 OSS lens attached)

      Power consumption with LCD screen

      Still images: Approx. 3.3W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: Approx. 7.3W (with FE 28-70mm F3.5-5.6 OSS lens attached)

      USB Power supply

      Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)

      Interface

      PC Interface

      Mass-storage / MTP

      Multi / Micro USB Terminal

      Yes, Type-C® Terminal (SuperSpeed USB 5Gbps(USB 3.2) compatible)

      Bluetooth

      Yes (Bluetooth Standard Ver. 5.0 (2.4GHz band))

      Multi Interface Shoe

      Yes (with Digital Audio Interface)

      Mic Terminal

      Yes (3.5 mm Stereo minijack)

      Sync Terminal

      -

      Headphone Terminal

      Yes (3.5 mm Stereo minijack)

      Vertical Grip Connector

      Yes

      LAN Terminal

      -

      FUNCTIONS

      FTP Transfer Func.,View on Smartphone,Remote control via Smartphone,NFC One-touch remote,PC Remote,BRAVIA Sync (Control for HDMI),PhotoTV HD

      Size & Weight

      Weight (with battery and memory card included)

      Approx. 699 g, approx. 1 lb 8.7 oz

      Dimensions (W x H x D)

      Approx. 128.9mm x 96.9mm x 80.8mm, Approx. 128.9mm x 96.9mm x 69.7mm (FROM GRIP TO MONITOR), Approx. 5 1/8 x 3 7/8 x 3 1/4 inches, Approx. 5 1/8 x 3 7/8 x 2 3/4 inches (FROM GRIP TO MONITOR)

      Audio

      Microphone

      Built-in, stereo

      Speaker

      Built-in, monaural

      Others

      Operating Temperature

      32 - 104 degrees F / 0 - 40 degrees C

  • Reviews
    • Reviews
  • Delivery Information
    • Delivery Information

      How much does delivery cost?

      Sony offers free deliveries for orders $100 and above. For orders below $100, a standard delivery charge of $2.90 will be applied during checkout.

       

      What is the expected delivery lead time?

      Products excluding those listed under Televisions and Home Cinema:

      For orders below $100, your order will be delivered within 3 working days upon order placement of products.

      For orders $100 and above, placed before 2pm on Monday - Thursday excluding eve of public holidays, delivery will be next day. Orders received on the weekend may take longer as some logistics partners do not support delivery on Sunday. Please refer to the following table for delivery estimates:

      Time Of Order

      Estimated Delivery Date

      Example

      Mon – Thu

      Orders before 2pm

      Receive it the next working day

      Order on Monday 11am, receive on Tuesday

      Mon – Thu

      Orders after 2pm

      Receive it the 3rd working day

      Order on Monday 2pm, receive on Wednesday

      Fri, Eve of PH

      Orders before 2pm

      Receive it the next working day

      Order on Thursday 11am (eve of PH), receive it on Monday

      Fri – Sun, Eve of PH

      Orders after 2pm

      Receive it on the 3rd  working day

      Order on Thursday 2pm (eve of PH), receive it on Tuesday

       

      Large products (products listed under Televisions and Home Cinema):

      Next day delivery may not be applicable. Please expect a phone call after placing your order for arrangement of the date of delivery.

       

      Where do you ship to?

      Shipping is only available within Singapore. Delivery will only be made to address located on the main Singapore island, with the exclusion of restricted zones. Delivery to Sentosa island will be subject to additional charges. Where Sony is unable to deliver, we will endeavour to notify you as soon as we become aware of the restriction.

      For more information, please refer to our Online Shopping FAQ

  • Overview
    • Overview

      Sony α7S III with full-frame movie performance including high sensitivity, 15-stop wide dynamic range, 4K 120p (With 10% image crop.), fast AF, and strong image stabilisation.

      • Newly developed 12.1-megapixel back-illuminated Exmor R(TM) CMOS image sensor
      • Newly developed BIONZ XR(TM) image processing engine with up to 8x the processing performance
      • Movie-making with 4K 120p, 10-bit 4:2:2 recording capability
      • Fast Hybrid AF with 759 phase-detection AF points and enhanced Real-time Eye AF
      • Body-integrated 5-axis optical image stabilisation, Active Mode for movies
      • High sensitivity, wide dynamic range
      • One Mount: A wide variety of E-mount lenses for imaginative movie-making
      • All-Intra internal recording
      • 16-bit RAW data output
      • Enhanced audio quality, 48 kHz/24-bit 4-ch

  • Promotions
    • Promotions

      Next generation creativity on the go

      The α6700 combines the latest AI technology with Sony's outstanding α-series image quality in a compact APS-C camera body. Offering enhanced subject recognition, the latest technology for capturing stills and movies, and E-mount lens compatibility, the lightweight α6700 is designed for creative adventures, anytime, anywhere.

       

       

      Image of link destination

      α6700 Photo Gallery

      Click here explore Sample images

      A window for your world

      Photo of a small bird

      APS-C format Exmor R™ back-illuminated CMOS sensor

      The advanced Exmor R CMOS image sensor with 26.0 effective megapixels is packed with Sony's image sensor technologies. It offers extraordinary sensitivity, resolution and dynamic range, thanks to its back-illuminated format, gapless on-chip lenses, and AR coating (anti-reflection seal glass).

      Image of the Exmor R image sensor

      BIONZ XR™ processing power for exceptional image quality

      With up to eight times more processing power than previous versions, the latest BIONZ XR image processing engine delivers natural gradations and realistic colours with low noise for stills and movies.

      Image of the BIONZ XR

      Wide dynamic range for diverse shooting scenarios

      The α6700's standard sensitivity ranges from a low ISO 100 to ISO 32000, and offers a wide dynamic range so that natural gradations can be captured in high-contrast scenes without blown highlights or blocked shadows.

      Portrait photograph of a woman in evening light

      Consistently accurate exposure and colour

      The α6700 offers impressive exposure control. It's equipped with a new AE algorithm, initially developed for full-frame models, which enables it to accurately detect the skin area of faces and adjust exposure accordingly when shooting stills and movies. It can also maintain realistic colours under a wide range of light sources, from sunlight through to theatre and stadium lighting, and produce more natural skin tones, sky and foliage colours.

      Image of two birds

      Choose your Creative Look

      The Creative Look setting offers greater creative flexibility with added simplicity. It provides 10 presets that can be used just as they are or customised via 8 adjustable parameters to suit the subject or scene, whether you’re shooting stills, movies or live-streaming. You can easily set the mood ahead of shooting so your images are ready to share immediately.

      4 sample photos of Creative look: Ferris wheel, boathouse, portrait of a woman, macro of wildflowers

      5-axis optical image stabilisation

      Shoot hand-held or in low-light with confidence — the 5-axis in-body optical image stabilisation system is supported by precision gyro sensors to deliver up to 5-steps of shake compensation. It detects and compensates for various types of camera shake, including angular (pitch/yaw) shake that is more apparent at longer focal lengths, or when shooting with slower shutter speeds.

      [1] Yaw [2] Roll [3] Pitch

      Illustration of the image stabilization unit

      Precise compensation at the single-pixel level

      Through enhanced design and control of key parameters, the α6700 provides precise detection and control right down to the single-pixel level, taking full advantage of the sensor's 26.0 megapixel resolution to produce images that capture all the finer details.

      Portrait photograph of a woman and an enlargement photograph of her face

      Selectable RAW file types and quality

      In addition to compressed RAW capture, the α6700 supports lossless compressed RAW capture that provides efficient compression, allowing a greater number of high-quality images to be shot in continuous bursts. A new Light image quality selection that generates less data is provided for JPEG and HEIF images.

      Camera LCD display screen: RAW Image selection screen

      HEIF: High compression with excellent image quality

      For the first time in an APS-C camera, the α6700 includes the HEIF (High Efficiency Image File) format with smooth 10-bit gradations for more realistic reproduction of skies and portrait skin tones. The HEIF format also uses advanced compression technology to maintain image quality while significantly reducing file size and saving storage space.

      Landscape photograph of a city and lake

      Evolving with AI

       

      Innovative AI processing

      The α6700 is equipped with an innovative AI processing unit that greatly enhances its performance, including more accurate recognition for a wider range of subjects.

      Image of the AI Processing Unit

      Human pose estimation

      The α6700 uses subject form data to recognise movement, achieving greatly improved human eye recognition. It also employs learned human forms and postures to precisely recognise body and head positions, making it possible to lock onto and track a subject facing away from the camera, or with their face partly obscured by a helmet or sunglasses.

      Image showing AF Frame tracking a woman only in a small part of the frame

      Wider subject recognition

      In addition to humans and animals, the α6700 now recognises birds, insects, cars, trains and airplanes, providing even greater flexibility and reliability when shooting both stills and movies. Heads and bodies are recognised in addition to eyes (Real-time Eye AF) for the Human and Animal settings, and now for the Bird setting too, with animal recognition performance more than 40% higher compared to the α6600.

      Sample photos of recognizable subjects: leopard, bird, airplane, car, train, butterfly.

      Smarter Real-time Tracking

      The upgraded and more reliable AI-based Real-time Tracking makes shooting in a wider range of situations simpler, leaving you free to concentrate on framing and composition. The α6700 can even track people wearing helmets or animals facing away from the camera.

      Photo of a woman walking in the street

       

      Faster, more precise wide-area AF

      The immense processing power and updated algorithms of the new BIONZ XR engine achieve notably improved AF performance, with up to 759 phase detection points, covering approximately 93% of the image area when shooting stills.

      Illustration of focus points.

      Accurate AF in low EV -3.0 light

      The latest AF algorithms achieve high AF precision at light levels as low as EV -3.0 in AF-S mode (ISO 100 equivalent, F2.0 lens). The Focus Priority mode also provides more reliable AF in low light or when using smaller apertures.

      Portrait photo of a woman in a dark moonlit scene

      Shoot more than 1000 images at 11 fps

      The α6700's powerful BIONZ XR processing engine combines with a large buffer memory to boost write speeds to memory cards, so that the camera can shoot more than 1000 JPEG images, up to 59 compressed RAW images, or up to 23 lossless compressed RAW images in continuous high-speed bursts.

      Example of continuous shooting: an owl flying in the sky

      Full-time DMF

      When shooting stills with AF-C or AF-S autofocus, the lens's focus ring can be rotated to instantly switch to manual focus mode at any time. This makes it easy to switch focus to a different subject on the fly.

      Photo of a small owl perched on a branch

      Focus bracketing to capture the best shot

      The α6700 can automatically shoot up to 299 images with sequentially shifted focus points according to intervals and a sequence specified by you. Pick the perfect shot, or post-process multiple shots to achieve creative composites with incredible depth of focus.

      Several photos of plants taken with AF bracketing

      Flicker suppression

      Suppress flicker from artificial lighting whether you're shooting stills or movies. Simply select "Anti-flicker Shoot", or use "Var. Shutter" to fine-tune shutter speeds to match flicker rates when filming.

      Image of the camera's menu screen

       

      Movie performance inherited from the Cinema Line

      4K movie recording for stunning quality

      The α6700 captures 4K (QFHD: 3840 x 2160) at up to 60p (50p) using Sony's proprietary 6K oversampling technology. By compressing this expanded detail into the output, it achieves 4K video quality with outstanding definition, even at higher frame rates. The camera also supports high-quality XAVC S-I (All-Intra) and XAVC HS formats with 10-bit 4:2:2 colour sampling.

       

      High frame rate 4K 120p (100p) recording

      High frame rate recording at up to 120p for 4K QFHD (3840 x 2160) output makes it possible to capture high-resolution movies in-camera. This expands creative possibilities in post-production by allowing subject motion to be emphasised or transformed into smooth slow motion. S&Q mode also enables recording of slow or quick motion sequences in camera from the outset.

      Expressive S-Cinetone™

      Incorporating the same colour science as the highly regarded CineAlta and Cinema Line, the α6700 includes Sony's S-Cinetone picture profile as a preset, delivering images with more faithful colour reproduction and natural skin tones.Portrait of a woman’s face

      S-Log3 gamma curve with 14+ stops of latitude

      The S-Log3 gamma curve emphasises gradation characteristics from shadows to mid-grey (18% grey), achieving up to 14+ stops of latitude for flexible and creative colour editing.Portrait of a woman silhouetted against a cityscape

      Real-time Tracking for movies

      AI-based Real-time Tracking provides a dramatic improvement in Real-time Tracking performance, automatically recognising, tracking, and focusing on the eyes of a specified subject. In addition to using the Touch Tracking function to initiate tracking, a custom button can be used to temporarily track a selected subject regardless of the subject's position in the frame and the focus area setting.Sample photo of AF tracking the subject even at intersections where other people are passing by

      Active Mode for enhanced movie image stabilisation

      Active Mode provides powerful image stabilisation for handheld movie shooting. The α6700 can accurately measure camera shake which is then precisely compensated for optically, providing highly effective stabilisation without sacrificing mobility, even when shooting 4K. Photo of a man shooting hand-held video with telephoto lens attached

      Breathing compensation for consistent angle of view

      When shooting movies with compatible lenses, automatic breathing compensation uses Clear Image Zoom technology to maintain a consistent angle of view, suppressing changes that may occur due to shifts in focus position. Breathing metadata can also be used in post-production.Portrait of a woman with a birdcage in the foreground

      Import user LUT files

      See how your footage will look in post-processing while you're shooting. The α6700 allows you to import a custom LUT (Look Up Table) that can be applied to the camera's monitor image while recording, providing a preview.Image of the "Display LUT" selection screen

      Movie making made simple

      The α6700 is jampacked with features to support movie shooting and production. Its Auto Framing function automatically crops and re-frames the image while using AI to track the subject. Or, for a cinematic touch, the in-camera time-lapse function allows you to create time-lapse videos within the camera itself.Sample photos of auto-framing: Finder display image and actual captured image

       

      Outstanding control and reliability

       

      Made for your hands

      With its compact shape, and lightweight 493 gram body, the α6700 offers remarkable portability and manoeuvrability without compromising image quality. A new grip design provides a solid, even more comfortable hold on the camera, while giving greater control for shooting both stills and movies.

      Photos of people holding cameras or drones with cameras mounted on them

      High-performance electronic viewfinder

      A 2.36 million-dot (approx.) XGA OLED electronic viewfinder with approximately 1.07x magnification delivers an exceptional view of your world. With twice the brightness of the α6600, and a wider 33-degree viewing angle, it offers clear, easy viewing while shooting. The finder frame rate can be set to 120 fps — twice the normal rate — for a smooth viewfinder image, with minimum display motion blur when tracking and shooting moving subjects.Illustration of viewfinder interior

      Enhanced shooting flexibility with vari-angle monitor

      The α6700 features a large 3.0-type 1.03 million-dot (approx.) touch-panel LCD monitor with a 3:2 aspect ratio and side-opening vari-angle flexibility. This allows greater positioning and framing freedom, giving you plenty of creative options for handheld and gimbal-mounted shooting of stills and moviesImage of the camera illustrating LCD panel movement

      Intuitive touch control

      Just touch the screen to activate key functions, such as selecting a focus point or subject to track, or triggering the shutter. Swiping in from the left or right edge of the shooting display reveals touch icons that allow quick changes to the shooting mode and other settings. The function (Fn) menu can also be displayed by a simple swipe-up. During playback, you can easily select and zoom into images through taps and intuitive pinch-out/pinch-in gestures.Image showing touchscreen operation

      Improved menu structure

      Responding to feedback from professional photographers and videographers, the α6700 comes with a new Main Menu structure similar to the latest full-frame α series models. The logical layout provides more efficient access to important shooting parameters, such as frame rate, shutter speed, and more. It can be assigned to a custom key for quick access when needed, and touch operation means that adjusting key settings has never been faster.Image of the camera's menu screen

       

      Visualise your world with E-mount lenses

       

      More than 70 E-mount lenses to choose from

      Take your pick from a comprehensive range of E-mount lenses from Sony. Our acclaimed line-up includes the full-frame G Master™ series that blends breathtaking resolution with exquisite bokeh, and the G Lens™ series that offers excellent image quality and value. Combined with an APS-C body, Sony's ultra-wide lenses can capture sweeping scenery or large subjects in a single frame, while telephoto lenses, assisted by the 1.5 crop factor of APS-C bodies and teleconverter lenses as needed, make it possible to capture distant subjects with stunning clarity and detail.

      Image of all E-mount lenses

      Accessories expand creative horizons

      A variety of high-performance compatible microphones can be connected to the the camera’s Multi Interface Shoe for direct, noise-free digital audio transfer to the camera. Or choose from a variety of high-output flash units such as the HVL-F60RM2 that support high-speed continuous shooting, giving you even more ways to capture creative imagery.Image of Sony flashes Image of microphones attached to cameras

      Connected vision

      Easy and stable smartphone connectivity

      Make the most of the α6700’s greatly enhanced connection stability with Sony’s free Creators’ App that enables simple transfers of photos and movies to your smartphone or tablet. Transfers continue in the background even if the smartphone display sleeps or a different app is launched. You can also use your smartphone to control the camera remotely.

      Photo of a woman looking at a photos transferred from the camera

      Stream high-quality live content

      Connected to a personal computer or smartphone via USB, the α6700 can function as a 4K (2160p) webcam with advanced AF that makes online meetings and live streaming events even smoother.

      Photo of a woman live streaming with the camera

      Fast Wi-Fi for PC tethering

      Built-in Wi-Fi (IEEE 802.11a/b/g/n/ac) allows communication on the 2.4 GHz and 5 GHz bands for fast and stable data transfer.

      Image of the Wi-Fi setup screen

      Creators' Cloud platform

      Creators' Cloud is a platform that supports creative work from shooting to production by combining advanced Sony camera technology with cloud-based AI. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps providing efficient solutions that integrate cameras with shooting and production apps and services.

       

      Illustration of the Creators Cloud concept

       

      Towards a better future

      Accessible technology on α cameras

      Sony's α cameras are equipped with a number of accessibility features so that as many people as possible can utilise and enjoy our technology. For example, the screen reader function reads text on the menu screens aloud, with volume and reading speed adjustable as needed.

      Image of screen reader settings

      Sony's goal: zero environmental footprint

      At Sony, we've launched the Road to Zero plan to map our path to achieving a zero environmental footprint, with our Green Management 2025 plan defining intermediate targets. We've taken measures to reduce the environmental footprint of the α6700 at every stage of its life cycle, from product development through supply chain, production, and packaging.

      Image of Road to Zero logo

      Packing for the future

      Wherever possible, Sony strives to use non-plastic packaging materials that provide ample protection against shock and impact, including plant-based non-woven fabrics for product bags. All of this helps to minimise environmental stress.

      Image of camera packaging materials

       

       

      SPECIFICATIONS & FEATURES

      The α6700 represents a new generation of APS-C camera bodies with a futuristic fusion of AI-based recognition technology, superlative α-series still image quality, plus moviemaking features and performance from Sony’s acclaimed Cinema Line.

      •  

        APS-C format back-illuminated Exmor R CMOS sensor with approximately 26.0 effective megapixels

      •  

        Advanced BIONZ XR engine boosts overall processing speed by up to 8x

      •  

        Innovative AI processing unit for enhanced subject recognition, AF and tracking

      •  

        In-body 5-axis image stabilisation with Active Mode for movie shooting

      •  

        High-level movie performance inherited from the Cinema Line

      Picture of α6700 Premium E-mount APS-C Camera
      Picture of α6700 Premium E-mount APS-C Camera
  • features
    • Features
      New image sensor with double the readout speed

      New image sensor with double the readout speed

      The newly developed back-illuminated full-frame Exmor RTM CMOS sensor, with 12.1 effective megapixels, boasts a readout speed up to twice as fast as that of the α7S II, along with high sensitivity and wide dynamic range. An advanced colour filter array boosts colour reproduction accuracy, while focal plane phase-detection AF enables substantial increases in autofocus stability and precision, all of which contribute to outstanding image quality.

      New image-processing engine with up to 8x the processing performance

      New image-processing engine with up to 8x the processing performance

      The BIONZ XRTM image-processing engine boasts a performance level up to eight times that of the previous processor, minimising latency while markedly improving real-time processing capabilities for both movies and stills. The engine performs real-time processing of AF, image recognition and image-quality adjustments, while also handling data transfer, user interface and other camera operations.

      High sensitivity, wide dynamic range

      High sensitivity, wide dynamic range

      The full-frame 12.1-megapixel configuration enables high sensitivity with low noise throughout the camera's sensitivity range by optimising the output signal from the sensor. The standard ISO range is 80-102400, which is further expandable to 40-409600 (80-409600 for movies). The dynamic range is an impressively wide 15 stops, for beautiful, true-to-life images without blown highlights. Together, the camera's high sensitivity and wide dynamic range expand your creative freedom during shoots.

      Full-frame 4K recording at 120p

      Full-frame 4K recording at 120p

      Full-frame 4K recording at 120fps with autofocus is possible thanks to the high-speed readout capabilities of the new image sensor working in tandem with the newly developed, powerful BIONZ XR processor. This high image-quality 4K, with full-pixel readout without binning, allows for clear post-produced slow motion (up to x5 slower than real time), as well as bokeh effects typical of full-frame cameras, all with smooth, high-precision autofocus. Despite the α7S III's compact size, it provides impressive scope for your creativity.

      Recording movies with 10-bit depth and 4:2:2 colour sampling

      Recording movies with 10-bit depth and 4:2:2 colour sampling

      The camera is capable of performing 4K internal recording with 10-bit depth and 4:2:2 colour sampling when using either Long GOP or All Intra compression. This makes it possible to push your colour grades further, stretching video out for ultimate HDR realism while still retaining natural gradation, for true editing freedom.

      All-Intra internal recording

      All-Intra internal recording

      In addition to Long GOP inter-frame compression, the α7S III supports internal intra-frame (All-Intra) recording for the first time in an α-model body, where each frame is recorded independently at a high bitrate of up to 600Mbps. This can be useful for certain types of shoots as it allows maximum flexibility in post-production editing.  [1] All-Intra (All-I)  [2] Long GoP  [3] Group of Pictures

      HEVC codec with high compression efficiency

      HEVC codec with high compression efficiency

      Available for the first time, XAVC HS format recording using the MPEG-H HEVC/H.265 codec roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS allows for detailed 10-bit video with 4:2:2 colour sampling at comparable or lower data rates, delivering even better image quality as well as manageable file sizes.

      16-bit RAW data output

      16-bit RAW data output

      Facilitating improved image quality and more flexible and efficient editing in post production, the camera supports 16-bit RAW data output to an external recorder via HDMI, for the first time in the α series. The output is full-frame 4264 x 2408 (16:9 aspect ratio) 16-bit data from the image sensor, with a choice of 59.94p/50p/29.97p/25p/23.98p frame rates and colour spaces.

      S-Log2 and S-Log3 with 10bit 4:2:2 support

      S-Log2 and S-Log3 with 10bit 4:2:2 support

      S-Log2 and S-Log3 gamma curves are available, with S-Log3 designed for better reproduction of gradations from shadows to the mid-grey range (18% grey), enabling a dynamic range of up to 15 stops. Three colour gamut settings (S-Gamut, S-Gamut3, and S-Gamut3.Cine) are provided, and the latter two settings make it easier to match the colours of footage shot with Sony's professional cinema cameras. Because the colours match, colour grading is easier in post-production editing, making it more convenient to use the α7S III along with other pro cameras.

      Proxy recording for more efficient editing workflow

      Proxy recording for more efficient editing workflow

      When shooting movies, low bit-rate HD proxy files can be recorded simultaneously with higher bit-rate formats such as XAVC S-I 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files can be captured in either 10-bit XAVC HS (1920 x 1080) or 8-bit XAVC S (1280 x 720) .

      10-bit HLG picture profile

      10-bit HLG picture profile

      An HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 colour space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout and less whiteout, all without the need for colour grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism.  [1] High flexibility to fine-tune images as desired (colour grading required)  [2] Instant high-quality image (colour grading not required) 

      Enhanced movie image quality

      Enhanced movie image quality

      Thanks to the improved capabilities of the α7S III's new image-processing engine, colours and textures of foliage and human skin can be more consistently reproduced without over-dependence on light sources. Gradation rendering has also been refined, for better-looking skin tones and highlight roll-off in portraits. When shooting 4K, the new image sensor and processing engine reduce rolling shutter distortion to as little as one-third that of the α7S II.

      Fast Hybrid AF for dependable focus during movie shooting

      Fast Hybrid AF for dependable focus during movie shooting

      Inheriting technology and performance standards from Sony's large-format FX9 pro camcorder, Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field, taking full advantage of Sony E-mount lenses' smooth linear-motor focusing and power-zoom operations. Newly added AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as requested by professional users. Both allow preset settings to be recalled during recording by using a customisable button.

      AF support in manual-focus mode

      AF support in manual-focus mode

      The camera's autofocus support can be useful even when you're primarily using manual focus. For full AF speed, half-press the shutter button or press the AF-ON button, as you would when shooting stills. Alternatively, slower, more cinematic AF transitions can be achieved by initiating AF via the touch focus feature or Real-time Eye AF via a custom button assignment, resulting in slow, smooth autofocus at the preset AF Transition Speed.

      Game-changing tracking features to revolutionise movie shooting

      Game-changing tracking features to revolutionise movie shooting

      Real-time Tracking and Real-time Eye AF make movie-making much easier. Touch Tracking initiates subject tracking with an intuitive touch to the LCD monitor, processing data on colour, pattern (brightness), distance (depth) and facial information to keep your subject in steady focus. You can then concentrate more fully on composition, which can be especially useful when you're shooting solo or using a gimbal. Touch operations can be used to temporarily engage AF even when you're shooting manually.

      Active Mode optical image stabilisation for handheld shooting

      Active Mode optical image stabilisation for handheld shooting

      Relying on a new high-precision stabilisation unit, gyro sensors, and optimised image stabilisation algorithms, the camera's Optical SteadyShotTM Active Mode provides the precise degree of optical image compensation needed during movie shooting, even for 4K video. With this unprecedented level of stabilisation it's possible to shoot with the camera only, taking advantage of the compact size and mobility of the α system.  [1] Track of camera shake  [2] Standard  [3] Active

      Enhanced audio quality

      Enhanced audio quality

      A digital audio interface is incorporated in the camera's Multi Interface (MI) Shoe, to facilitate cleaner, clearer audio recordings without loss of quality. The XLR-K3M XLR Adaptor Kit additionally provides the camera with 4-channel 24-bit digital audio recording capability. Three recording formats can be selected from a menu: 48 kHz/16-bit 2-ch, 48 kHz/24-bit 2-ch, and 48 kHz/24-bit 4-ch, with the XLR-K3M XLR Adaptor Kit required for the latter two formats.

      New heat-dissipation design for extended recording times

      New heat-dissipation design for extended recording times

      The camera's design has been optimised to prevent overheating even during extended recording sessions. A unique Sony Σ (sigma) shaped graphite-alloy heatsink is built into the image stabilisation unit, allowing the sensor to dissipate heat five times more effectively than in previous models, while allowing it to move freely and avoiding interference with the stabilisation system.

      Designed for smooth movie-making

      Designed for smooth movie-making

      Flexibility in positioning the camera and framing shots is provided by the side-opening, vari-angle monitor, which incorporates a bright 3.0-type, 1.44 million-dot LCD screen. The MOVIE button is within easy reach on the camera's top panel, and a durable HDMI Type-A terminal ensures reliable connections to external monitors. The item arrangement and initial settings on the mode dial have also been adjusted to meet the needs of pro users.

      Dedicated settings menu for movie shooting

      Dedicated settings menu for movie shooting

      A subset of the camera's settings can be changed independently for movie or still shooting, which can be useful if you want to use different ISO, Iris (aperture) and other settings depending on the shooting mode. Another convenient feature is the use of Flexible Exposure Mode instead of normal PASM Mode when Movie or S&Q mode is selected. This allows quick switching between auto and manual control of Iris (aperture) and shutter speed, and the function can be assigned to a custom button to allow one-touch toggling between auto and manual.

      Fast Hybrid AF for still shots

      Fast Hybrid AF for still shots

      The Fast Hybrid AF uses a high-density array of 759 phase-detection AF points (covering around 93% of the imaging area) in conjunction with 425-point contrast-detection AF. Real-time Eye AF (for humans and animals) and Real-time Tracking features are also available for the first time in the S series. Advanced AF algorithms facilitate precise AF down to light levels as low as EV-6, for accurate focus even when the subject would be difficult to see clearly with the naked eye. 

      High-speed continuous shooting performance

      High-speed continuous shooting performance

      Mechanical and electronic shutters are each capable of continuous shooting at up to 10fps with AF/AE. Continuous shooting of over 1000 uncompressed RAW images is possible thanks to increases in the buffer memory of the BIONZ XR processor and memory-card writing speed.

      Enhanced image quality for stills

      Enhanced image quality for stills

      The new image sensor and image-processing engine deliver an extraordinary degree of sensitivity, a defining characteristic of the S series, and significantly better reproduction of colour and textural details. Improved rendering capability provides realistic-looking images with reduced noise, particularly in the mid-to-high sensitivity range. A new Visible Light and IR Sensor improves auto white balance, and HEIF file options and an HLG Still Image Mode (for 8-bit and 10-bit HEIF stills) have been added.

      Creative Look feature to set the mood and atmosphere

      Creative Look feature to set the mood and atmosphere

      The new Creative Look feature is a quick way to establish a particular mood in still shots and movies by altering parameters like brightness, contrast and colour saturation. Ten Creative Look presets are available in-camera, and each of these can be used as is, or further customised using eight individual parameter settings. Custom Creative Look settings can be easily saved and stored for later use.

      Two CFexpress Type A-compatible media slots

      Two CFexpress Type A-compatible media slots

      The camera's two media slots are compatible with new CFexpress Type A cards as well as SDXC/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write/read speeds suitable for both high-speed continuous still shooting and 4K movie recording at high bit rates. They are capable of quickly clearing camera buffers even when high volumes of still image and movie data are being generated.

      High-definition 9.44 million-dot electronic viewfinder

      High-definition 9.44 million-dot electronic viewfinder

      Boasting the highest resolution in its class, the α7S III's viewfinder rivals the resolution of the human eye. It provides category-leading 0.90x viewfinder magnification, a 41º diagonal field of view, and a 25mm high eyepoint for clear, low-distortion viewing. Improvements in sealing greatly reduce the chance that even drastic ambient temperature fluctuations will cause interior condensation.

      New touch-driven menu with workflow-based navigation

      New touch-driven menu with workflow-based navigation

      Responding to requests from pro photographers and videographers, the menu structure has been designed to allow professionals to work more efficiently. Menu tabs are on the left side of the display, while parameter groups and parameters related to the selected tab appear on the right. Up to three levels can be displayed together, making the menu structure more clearly visible. Touch-responsive menu operations enable fast, intuitive control.

      Reliable, durable construction

      Reliable, durable construction

      To maximise dust and moisture resistance, additional sealing has been applied to all body seams and to the battery compartment cover, and the media slot cover has been redesigned to handle harsh outdoor environments. A filter in front of the image sensor oscillates at an ultrasonic frequency of 70,000 cycles per second to remove dust from the sensor surface. The camera chassis is highly durable thanks to full magnesium-alloy construction.

      USB Power Delivery

      USB Power Delivery

      The camera supports USB PD (Power Delivery), to enable continuous shooting for extended periods without draining the internal battery. PD-compatible USB chargers and mobile batteries can be connected to the camera's USB Type C® port, to supply power or to recharge the internal battery at 3 to 4 times the rate of conventional power supplies.

      Data communications to support on-site workflow

      Data communications to support on-site workflow

      Wired and wireless communications features support FTP transfer for still and movie files as well as remote shooting capability, to facilitate professional workflows during shoots. Wireless 5GHz/2.4GHz LAN connections are supported, and wired connectivity to 1000BASE-T Ethernet networks is available via a USB-to-Ethernet adaptor cable connected to the camera's USB Type C® port supporting SuperSpeed USB 5Gbps (USB 3.2). Remote shooting can be controlled from a PC with Sony's Imaging Edge DesktopTM application, or from a mobile device with Imaging Edge MobileTM.

      External flash control from the camera body

      External flash control from the camera body

      It is now possible to configure the settings of a compatible attached flash or Wireless Radio Commander (both sold separately) from the camera. Most settings, including light output, can be accessed and easily changed directly from a camera menu, for high-performance flash control with these genuine Sony accessories. Flash parameters are shown in the selected camera display language.

      Imaging Edge Desktop

      Imaging Edge Desktop

      Elevate your photography with Imaging Edge Desktop applications. Use ‘Remote’ to control and monitor shooting live on your PC screen; ‘Viewer’ to quickly preview, rate, and select photos from large image libraries; and ‘Edit’ to develop RAW data into high-quality photos for delivery. Get the best from Sony RAW files, and manage your productions more efficiently.

      Capture One for Sony

      Capture One for Sony

      Capture One Express (for Sony) is free award-winning editing software that provides RAW development, easy management and powerful editing tools. Capture One Pro (for Sony) is also available for even more editing tools and remote shooting capability.

      S-Cinetone™ from high-end cinema camera colour science

      S-Cinetone™ from high-end cinema camera colour science

      The inclusion of Sony’s acclaimed S-Cinetone look, inherited from the development of the Cinema Line FX9 and CineAlta cameras such as VENICE, allows cinematic colour to be achieved directly in-camera. S-Cinetone is optimised for natural skin tones and mid-range colours, with gentle highlight roll-off, for impressive subject depiction without grading at post production as a workflow.

      Works with iMovie and Final Cut Pro X

      Works with iMovie and Final Cut Pro X

      This product is compatible with Final Cut Pro X and iMovie.

  • highlight
    • Highlight

      Newly developed 12.1-megapixel back-illuminated Exmor RTM CMOS image sensor

      Lens

      E-mount

      Newly developed BIONZ XR image processing engine with up to 8x the processing performance

      Image Sensor

      3:2

      Movie-making with 4K 120p, 10-bit 4:2:2 recording capability

      Recording (still images)

      35mm full frame L: 3776 x 2832 (11M), M: 2464 x 1848 (4.6M), S: 1888 x 1416 (2.7M), APS-C L: 2464 x 1848 (4.6M), M: 1888 x 1416 (2.7M), S: 1232 x 920 (1.1M)

      Fast Hybrid AF with 759 phase-detection AF points and enhanced Real-time Eye AF

      Recording (movie)

      XAVC S, XAVC HS

      Body-integrated 5-axis optical image stabilisation, Active Mode for movies

      Recording System

      Yes

  • specifications
    • Specifications

      Designed for professionals, the α7S III builds on the strengths of the S series such as high sensitivity and wide dynamic range while providing pro features like enhanced AF, optical image stabilisation and 4K 120p recording. Incorporating a powerful new engine in its compact body, the camera delivers a wide range of visual experiences.

      Lens

      Lens Mount

      E-mount

      Image Sensor

      Aspect Ratio

      3:2

      Number Of Pixels (Effective)

      Approx. 12.1 megapixels

      Number of Pixels (total)

      Approx. 12.9 megapixels

      Sensor Type

      35mm full frame (35.6×23.8mm), Exmor R CMOS sensor

      Anti-Dust System

      Yes (Charge protection coating on Optical Filter and ultrasonic vibration mechanism)

      Recording (still images)

      IMAGE SIZE (PIXELS) [4:3] 

      35mm full frame L: 3776 x 2832 (11M), M: 2464 x 1848 (4.6M), S: 1888 x 1416 (2.7M), APS-C L: 2464 x 1848 (4.6M), M: 1888 x 1416 (2.7M), S: 1232 x 920 (1.1M)

      Image Size (pixels) [16:9]

      35mm full frame L: 4240 x 2384 (10M), M: 2768 x 1560 (4.3M), S: 2128 x 1200 (2.6M), APS-C L: 2768 x 1560 (4.3M), M: 2128 x 1200 (2.6M), S: 1376 x 776 (1.1M)

      IMAGE SIZE (PIXELS) [1:1] 

      35mm full frame L: 2832 x 2832 (8M), M: 1840 x 1840 (3.4M), S: 1408 x 1408 (2.0M),APS-C L: 1840 x 1840 (3.4M), M: 1408 x 1408 (2.0M), S: 912 x 912 (0.8M)

      Picture Effect

      -

      Creative Style

      -

      Picture Profile

      Yes (Off / PP1-PP10) Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset

      CREATIVE LOOK

      ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)

      Dynamic Range Functions

      Off, Dynamic Range Optimizer (Auto/Level (1-5))

      Colour Space

      sRGB standard (with sYCC gamut), Adobe RGB standard and Rec. ITU-R BT.2100 standard (BT.2020 gamut). (compatible with TRILUMINOS Color)

      14bit RAW

      Yes

      Recording (movie)

      Recording Format

      XAVC S, XAVC HS

      Colour Space

      Rec. ITU-R BT.2100 standard compatible (BT.2020 gamut). (compatible with TRILUMINOS Color)

      Picture Effect

      -

      Creative Style

      -

      Picture Profile

      Yes (Off / PP1-PP10) Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset

      CREATIVE LOOK

      ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)

      MOVIE RECORDING SYSTEM (XAVC HS 4K)

      3840 x 2160 (4:2:0, 10bit, NTSC) (Approx.): 120p (200Mbps), 60p (150Mbps / 75Mbps / 45Mbps), 24p (100Mbps / 50Mbps / 30Mbps); 3840 x 2160 (4:2:0, 10bit, PAL) (Approx.): 100p (200Mbps), 50p (150Mbps / 75Mbps / 45Mbps); 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 120p (280Mbps), 60p (200Mbps / 100Mbps), 24p (100Mbps / 50Mbps); 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 100p (280Mbps), 50p (200Mbps / 100Mbps)* details of frame rate

      MOVIE RECORDING SYSTEM (XAVC S 4K)

      3840 x 2160 (4:2:0, 8bit, NTSC) (Approx.): 120p (200Mbps), 60p (150Mbps), 30p (100Mbps / 60Mbps), 24p (100Mbps / 60Mbps); 3840 x 2160 (4:2:0, 8bit, PAL) (Approx.): 100p (200Mbps), 50p (150Mbps), 25p (100Mbps / 60Mbps); 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 120p (280Mbps), 60p (200Mbps), 30p (140Mbps), 24p (100Mbps); 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 100p (280Mbps), 50p (200Mbps), 25p (140Mbps)* details of frame rate

      MOVIE RECORDING SYSTEM (XAVC S HD)

      1920 x 1080 (4:2:0, 8bit, NTSC) (Approx.): 120p (100Mbps / 60Mbps), 60p (50Mbps / 25Mbps), 30p (50Mbps / 16Mbps), 24p (50Mbps); 1920 x 1080 (4:2:0, 8bit, PAL) (Approx.): 100p　(100Mbps / 60Mbps), 50p (50Mbps / 25Mbps), 25p (50Mbps / 16Mbps); 1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.): 60p (50Mbps), 30p (50Mbps), 24p (50Mbps); 1920 x 1080 (4:2:2, 10bit, PAL) (Approx.): 50p (50Mbps), 25p (50Mbps)* details of frame rate

      MOVIE RECORDING SYSTEM (XAVC S-I 4K)

      3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 60p (600Mbps), 30p (300Mbps), 24p (240Mbps); 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 50p (500Mbps), 25p (250Mbps)* details of frame rate

      MOVIE RECORDING SYSTEM (XAVC S-I HD)

      1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.): 60p (222Mbps), 30p (111Mbps), 24p (89Mbps); 1920 x 1080 (4:2:2, 10bit, PAL) (Approx.): 50p (185Mbps), 25p (93Mbps)* details of frame rate

      SLOW & QUICK MOTION (SHOOTING FRAME RATE) 

      NTSC mode: 1fps,2fps,4fps,8fps,15fps,30fps,60fps,120fps, 240fps,PAL mode: 1fps,2fps,3fps,6fps,12fps,25fps,50fps,100fps, 200fps* details of frame rate

      Movie Functions

      Audio Level Display, Audio Rec Level, PAL/NTSC Selector, Proxy Recording (1280 x 720 (6Mbps), 1920 x 1080(9Mbps), 1920 x 1080(16Mbps)), TC/UB, Auto Slow Shutter, Gamma Disp. Assist, RAW Output(HDMI)

      Recording System

      Location information Link from smartphone

      Yes

      Media

      SD memory card, SDHC memory card (UHS-I/II compliant), SDXC memory card (UHS-I/II compliant), CFexpress Type A memory card

      Memory Card Slot

      SLOT1: Multi slot for SD (UHS-I/II compliant) memory card/CFexpress Type A card, SLOT2: Multi slot for SD (UHS-I/II compliant) memory card/CFexpress Type A card

      Recording mode on 2 memory cards

      Simult. Rec, Sort, Auto Switch Media, Copy

      Noise Reduction

      Noise Reduction

      Long exposure NR: On/Off, available at shutter speeds longer than 1 sec.,High ISO NR: Normal / Low / Off

      White balance

      White Balance Modes

      Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom

      SHUTTER AWB LOCK 

      Yes (Shut. Halfway Down / Cont. Shooting / Off)

      Focus

      Focus Type

      Fast Hybrid AF (phase-detection AF / contrast-detection AF)

      Focus Sensor

      Exmor R CMOS sensor

      Focus Point

      35mm full frame: 759 points (phase-detection AF), APS-C mode with FF lens: 345 points (phase-detection AF), with APS-C lens: 285 points (phase-detection AF) / 425 points (contrast-detection AF)

      Focus Sensitivity Range

      EV-6 to EV20 (ISO100 equivalent with F2.0 lens attached)

      Focus Mode

      AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus

      Focus Area

      Wide / Zone / Center Fix / Spot / Expand Spot / Tracking

      EYE AF / SUBJECT RECOGNITION AF

      [Still images] Human (Right/Left Eye Select) / Animal, [Movie] Human (Right/Left Eye Select)

      Other Features

      Predictive control, Focus lock, AF Track Sens. (Still), AF Subj. Shift Sensitivity (Movie), AF Transition Speed (Movie), Switch V/H AF Area, AF Area Regist., Circ. of Focus Point

      AF Illuminator

      Yes (with Built-in LED type)

      AF Illuminator range

      Approx. 0.3m - approx. 3.0m (with FE 28-70mm F3.5-5.6 OSS lens attached)

      Focus type with LA-EA3 (Sold separately)

      Phase-detection

      Exposure

      Metering Sensor

      Exmor R CMOS sensor

      Metering Sensitivity

      EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)

      Metering Mode

      Multi-segment, Center-weighted, Spot, Spot Standard/Large, Entire Screen Avg., Highlight

      Exposure Compensation

      +/- 5.0EV (1/3 EV, 1/2 EV steps selectable) (with exposure compensation dial: +/- 3EV (1/3 EV steps))

      Exposure Bracketing

      Bracket: Cont., Bracket: Single, 3/5/9 frames selectable. (Ambient light, Flash light)

      AE Lock

      Locked when shutter button is pressed halfway. Available with AE lock button. (On/Off/Auto)

      Exposure Modes

      AUTO(iAuto), Programmed AE (P), Aperture priority (A), Shutter-speed priority (S), Manual (M), Movie (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode), Slow & Quick Motion (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode)

      ISO Sensitivity

      Still images: ISO 80-102400 (ISO numbers up from ISO 40 to ISO 409600 can be set as expanded ISO range.), Movies: ISO 80-102400 equivalent (ISO numbers up to ISO 409600 can be set as expanded ISO range.)

      Anti-flicker Shoot.

      Yes

      Scene Selection

      -

      Exposure

      Metering Type

      1200-zone evaluative metering

      Viewfinder

      Viewfinder Type

      1.6 cm (0.64 type) electronic viewfinder (color)

      Number of Dots

      9 437 184 dots

      Field Coverage

      100%

      Magnification

      Approx. 0.90 x (with 50mm lens at infinity, -1m-1)

      Dioptre Adjustment

      -4.0 to +3.0m-1

      Eye Point

      Approx. 25mm from the eyepiece lens, 21mm from the eyepiece frame at -1m-1 (CIPA standard)

      DISPLAY FUNCTION

      Histogram, Real-time image-adjustment display, Digital level gauge, Grid line, Focus check, Peaking MF, Zebra, Movie marker, Emph disp dur REC

      Finder Frame Rate Selection

      NTSC mode: STD 60fps / HI 120fps, PAL mode: STD 50fps / HI 100fps

      LCD Screen

      Monitor Type

      7.5cm (3.0-type) type TFT

      Number of Dots

      1,440,000 dots

      Touch Panel

      Yes

      Brightness Control

      Manual (5 steps between -2 and +2), Sunny Weather mode

      Adjustable Angle

      Opening Angle:Approx. 176 deg., Rotation Angle:Approx. 270 deg.

      Focus Magnifier

      Yes, Focus Magnifier (35mm full frame: 2.1x / 4.1x, APS-C: 1.5x / 3.0x)

      Other Features

      PlayMemories Camera Apps™

      -

      Clear Image Zoom

      Still images:Approx. 2x,Movies:Approx. 1.5x (4K), Approx. 2x (HD)

      Digital Zoom

      Smart zoom (Still images):35mm full frame: M:Approx. 1.5x, S:Approx. 2x, APS-C: M:Approx. 1.3x, S:Approx. 2x, Digital zoom (Still images):35mm full frame: L:Approx. 4x, M:Approx.6.1x, S:Approx. 8x, APS-C: L:Approx. 4x, M:Approx. 5.2x, S:Approx. 8x,Digital zoom (Movie):35mm full frame: Approx. 4x, APS-C: Approx. 4x

      Face Detection

      Face Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority

      Self-Portrait Self-timer

      -

      Others

      Interval Recording, ISO AUTO Min. SS, Bright Monitoring, Copyright Info, Set File Name, Save/Import Settings, Help guide, Video Light Mode, Zoom Ring Rotate

      Shutter

      Type

      Electronically-controlled, vertical-traverse, focal-plane type

      Shutter Type

      Mechanical shutter/Electronic shutter

      Shutter Speed

      Still images: 1/8000 to 30 sec, Bulb, Movies: 1/8000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode)

      Flash Sync. Speed

      1/250 sec.

      Electronic Front Curtain Shutter

      Yes (ON/OFF)

      Silent Shooting

      Yes (ON/OFF)

      Image Stabilization

      Type

      Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)

      Compensation Effect

      5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50mm F1.4 ZA lens mounted. Long exposure NR off.)

      Flash Control

      Type

      -

      Guide No.

      -

      Flash coverage

      -

      Control

      Pre-flash TTL

      Flash Compensation

      +/- 3.0 EV (switchable between 1/3 and 1/2 EV steps)

      Flash Modes

      Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction (on/off selectable), Wireless, Hi-speed sync.

      Recycling Time

      -

      External Flash Compatibility

      Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe

      FE Level Lock

      Yes

      Wireless Control

      Yes (Light signal: Available with Fill-flash, Slow Sync., Hi-speed sync. / Radio signal: Available with Fill-flash, Rear Sync., Slow Sync., Hi-speed sync.)

      Drive

      Drive Modes

      Single Shooting, Continuous shooting (Hi+/Hi/Mid/Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket

      Continuous Drive Speed (approx. max.)

      Continuous shooting: Hi+: 10 fps, Hi: 8 fps, Mid: 6 fps, Lo: 3 fps

      No. of recordable frames (approx.)

      JPEG Extra fine L: over 1000 frames, JPEG Fine L: over 1000 frames, JPEG Standard L: over 1000 frames, RAW: over 1000 frames, RAW & JPG: over 1000 frames, RAW (Uncompressed): over 1000 frames, RAW (Uncompressed) & JPG: over 1000 frames

      Self-Timer

      10 sec. delay / 5 sec. delay / 2 sec. delay / Continuous self-time / Bracketing self-timer

      Pixel Shift Multi Shooting

      -

      Playback

      Photo Capture

      Yes

      Modes

      Single (with or without shooting information Y RGB histogram & highlight / shadow warning),Index view,Enlarged display mode (L: 10.6x, M: 6.92x, S: 5.32x),Auto Review,Image orientation,Folder selection (Date / Still / Movie),Protect,Rating,Display as Group

      Print

      Compatible Standards

      Exif Print, Print Image Matching III

      Custom function

      Type

      Custom key settings,Programmable Setting (Body 3 sets /memory card 4 sets),My Dial Settings,My Menu,Reg Cust Shoot Set

      Lens Compensation

      Setting

      Peripheral Shading, Chromatic Aberration, Distortion

      Power

      Supplied Battery

      One rechargeable battery pack NP-FZ100

      Battery Life (Still Images)

      Approx. 510 shots (Viewfinder) / Approx. 600 shots (LCD monitor) (CIPA standard)

      Battery Life (Movie, actual recording)

      Approx. 80 min (Viewfinder) / Approx. 95 min (LCD monitor) (CIPA standard)

      Battery Life (Movie, continuous recording)

      Approx. 130 min (Viewfinder) / Approx. 135 min (LCD monitor) (CIPA standard)

      Internal Battery Charge

      Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)

      Power consumption with Viewfinder

      Still images: Approx. 4.3W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: Approx. 7.6W (with FE 28-70mm F3.5-5.6 OSS lens attached)

      Power consumption with LCD screen

      Still images: Approx. 3.3W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: Approx. 7.3W (with FE 28-70mm F3.5-5.6 OSS lens attached)

      USB Power supply

      Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)

      Interface

      PC Interface

      Mass-storage / MTP

      Multi / Micro USB Terminal

      Yes, Type-C® Terminal (SuperSpeed USB 5Gbps(USB 3.2) compatible)

      Bluetooth

      Yes (Bluetooth Standard Ver. 5.0 (2.4GHz band))

      Multi Interface Shoe

      Yes (with Digital Audio Interface)

      Mic Terminal

      Yes (3.5 mm Stereo minijack)

      Sync Terminal

      -

      Headphone Terminal

      Yes (3.5 mm Stereo minijack)

      Vertical Grip Connector

      Yes

      LAN Terminal

      -

      FUNCTIONS

      FTP Transfer Func.,View on Smartphone,Remote control via Smartphone,NFC One-touch remote,PC Remote,BRAVIA Sync (Control for HDMI),PhotoTV HD

      Size & Weight

      Weight (with battery and memory card included)

      Approx. 699 g, approx. 1 lb 8.7 oz

      Dimensions (W x H x D)

      Approx. 128.9mm x 96.9mm x 80.8mm, Approx. 128.9mm x 96.9mm x 69.7mm (FROM GRIP TO MONITOR), Approx. 5 1/8 x 3 7/8 x 3 1/4 inches, Approx. 5 1/8 x 3 7/8 x 2 3/4 inches (FROM GRIP TO MONITOR)

      Audio

      Microphone

      Built-in, stereo

      Speaker

      Built-in, monaural

      Others

      Operating Temperature

      32 - 104 degrees F / 0 - 40 degrees C

  • Reviews
    • Reviews
  • Delivery Information
    • Delivery Information

      How much does delivery cost?

      Sony offers free deliveries for orders $100 and above. For orders below $100, a standard delivery charge of $2.90 will be applied during checkout.

       

      What is the expected delivery lead time?

      Products excluding those listed under Televisions and Home Cinema:

      For orders below $100, your order will be delivered within 3 working days upon order placement of products.

      For orders $100 and above, placed before 2pm on Monday - Thursday excluding eve of public holidays, delivery will be next day. Orders received on the weekend may take longer as some logistics partners do not support delivery on Sunday. Please refer to the following table for delivery estimates:

      Time Of Order

      Estimated Delivery Date

      Example

      Mon – Thu

      Orders before 2pm

      Receive it the next working day

      Order on Monday 11am, receive on Tuesday

      Mon – Thu

      Orders after 2pm

      Receive it the 3rd working day

      Order on Monday 2pm, receive on Wednesday

      Fri, Eve of PH

      Orders before 2pm

      Receive it the next working day

      Order on Thursday 11am (eve of PH), receive it on Monday

      Fri – Sun, Eve of PH

      Orders after 2pm

      Receive it on the 3rd  working day

      Order on Thursday 2pm (eve of PH), receive it on Tuesday

       

      Large products (products listed under Televisions and Home Cinema):

      Next day delivery may not be applicable. Please expect a phone call after placing your order for arrangement of the date of delivery.

       

      Where do you ship to?

      Shipping is only available within Singapore. Delivery will only be made to address located on the main Singapore island, with the exclusion of restricted zones. Delivery to Sentosa island will be subject to additional charges. Where Sony is unable to deliver, we will endeavour to notify you as soon as we become aware of the restriction.

      For more information, please refer to our Online Shopping FAQ

  • Overview
    • Overview

      Sony α7S III with full-frame movie performance including high sensitivity, 15-stop wide dynamic range, 4K 120p (With 10% image crop.), fast AF, and strong image stabilisation.

      • Newly developed 12.1-megapixel back-illuminated Exmor R(TM) CMOS image sensor
      • Newly developed BIONZ XR(TM) image processing engine with up to 8x the processing performance
      • Movie-making with 4K 120p, 10-bit 4:2:2 recording capability
      • Fast Hybrid AF with 759 phase-detection AF points and enhanced Real-time Eye AF
      • Body-integrated 5-axis optical image stabilisation, Active Mode for movies
      • High sensitivity, wide dynamic range
      • One Mount: A wide variety of E-mount lenses for imaginative movie-making
      • All-Intra internal recording
      • 16-bit RAW data output
      • Enhanced audio quality, 48 kHz/24-bit 4-ch

  • Promotions
    • Promotions

      Next generation creativity on the go

      The α6700 combines the latest AI technology with Sony's outstanding α-series image quality in a compact APS-C camera body. Offering enhanced subject recognition, the latest technology for capturing stills and movies, and E-mount lens compatibility, the lightweight α6700 is designed for creative adventures, anytime, anywhere.

       

       

      Image of link destination

      α6700 Photo Gallery

      Click here explore Sample images

      A window for your world

      Photo of a small bird

      APS-C format Exmor R™ back-illuminated CMOS sensor

      The advanced Exmor R CMOS image sensor with 26.0 effective megapixels is packed with Sony's image sensor technologies. It offers extraordinary sensitivity, resolution and dynamic range, thanks to its back-illuminated format, gapless on-chip lenses, and AR coating (anti-reflection seal glass).

      Image of the Exmor R image sensor

      BIONZ XR™ processing power for exceptional image quality

      With up to eight times more processing power than previous versions, the latest BIONZ XR image processing engine delivers natural gradations and realistic colours with low noise for stills and movies.

      Image of the BIONZ XR

      Wide dynamic range for diverse shooting scenarios

      The α6700's standard sensitivity ranges from a low ISO 100 to ISO 32000, and offers a wide dynamic range so that natural gradations can be captured in high-contrast scenes without blown highlights or blocked shadows.

      Portrait photograph of a woman in evening light

      Consistently accurate exposure and colour

      The α6700 offers impressive exposure control. It's equipped with a new AE algorithm, initially developed for full-frame models, which enables it to accurately detect the skin area of faces and adjust exposure accordingly when shooting stills and movies. It can also maintain realistic colours under a wide range of light sources, from sunlight through to theatre and stadium lighting, and produce more natural skin tones, sky and foliage colours.

      Image of two birds

      Choose your Creative Look

      The Creative Look setting offers greater creative flexibility with added simplicity. It provides 10 presets that can be used just as they are or customised via 8 adjustable parameters to suit the subject or scene, whether you’re shooting stills, movies or live-streaming. You can easily set the mood ahead of shooting so your images are ready to share immediately.

      4 sample photos of Creative look: Ferris wheel, boathouse, portrait of a woman, macro of wildflowers

      5-axis optical image stabilisation

      Shoot hand-held or in low-light with confidence — the 5-axis in-body optical image stabilisation system is supported by precision gyro sensors to deliver up to 5-steps of shake compensation. It detects and compensates for various types of camera shake, including angular (pitch/yaw) shake that is more apparent at longer focal lengths, or when shooting with slower shutter speeds.

      [1] Yaw [2] Roll [3] Pitch

      Illustration of the image stabilization unit

      Precise compensation at the single-pixel level

      Through enhanced design and control of key parameters, the α6700 provides precise detection and control right down to the single-pixel level, taking full advantage of the sensor's 26.0 megapixel resolution to produce images that capture all the finer details.

      Portrait photograph of a woman and an enlargement photograph of her face

      Selectable RAW file types and quality

      In addition to compressed RAW capture, the α6700 supports lossless compressed RAW capture that provides efficient compression, allowing a greater number of high-quality images to be shot in continuous bursts. A new Light image quality selection that generates less data is provided for JPEG and HEIF images.

      Camera LCD display screen: RAW Image selection screen

      HEIF: High compression with excellent image quality

      For the first time in an APS-C camera, the α6700 includes the HEIF (High Efficiency Image File) format with smooth 10-bit gradations for more realistic reproduction of skies and portrait skin tones. The HEIF format also uses advanced compression technology to maintain image quality while significantly reducing file size and saving storage space.

      Landscape photograph of a city and lake

      Evolving with AI

       

      Innovative AI processing

      The α6700 is equipped with an innovative AI processing unit that greatly enhances its performance, including more accurate recognition for a wider range of subjects.

      Image of the AI Processing Unit

      Human pose estimation

      The α6700 uses subject form data to recognise movement, achieving greatly improved human eye recognition. It also employs learned human forms and postures to precisely recognise body and head positions, making it possible to lock onto and track a subject facing away from the camera, or with their face partly obscured by a helmet or sunglasses.

      Image showing AF Frame tracking a woman only in a small part of the frame

      Wider subject recognition

      In addition to humans and animals, the α6700 now recognises birds, insects, cars, trains and airplanes, providing even greater flexibility and reliability when shooting both stills and movies. Heads and bodies are recognised in addition to eyes (Real-time Eye AF) for the Human and Animal settings, and now for the Bird setting too, with animal recognition performance more than 40% higher compared to the α6600.

      Sample photos of recognizable subjects: leopard, bird, airplane, car, train, butterfly.

      Smarter Real-time Tracking

      The upgraded and more reliable AI-based Real-time Tracking makes shooting in a wider range of situations simpler, leaving you free to concentrate on framing and composition. The α6700 can even track people wearing helmets or animals facing away from the camera.

      Photo of a woman walking in the street

       

      Faster, more precise wide-area AF

      The immense processing power and updated algorithms of the new BIONZ XR engine achieve notably improved AF performance, with up to 759 phase detection points, covering approximately 93% of the image area when shooting stills.

      Illustration of focus points.

      Accurate AF in low EV -3.0 light

      The latest AF algorithms achieve high AF precision at light levels as low as EV -3.0 in AF-S mode (ISO 100 equivalent, F2.0 lens). The Focus Priority mode also provides more reliable AF in low light or when using smaller apertures.

      Portrait photo of a woman in a dark moonlit scene

      Shoot more than 1000 images at 11 fps

      The α6700's powerful BIONZ XR processing engine combines with a large buffer memory to boost write speeds to memory cards, so that the camera can shoot more than 1000 JPEG images, up to 59 compressed RAW images, or up to 23 lossless compressed RAW images in continuous high-speed bursts.

      Example of continuous shooting: an owl flying in the sky

      Full-time DMF

      When shooting stills with AF-C or AF-S autofocus, the lens's focus ring can be rotated to instantly switch to manual focus mode at any time. This makes it easy to switch focus to a different subject on the fly.

      Photo of a small owl perched on a branch

      Focus bracketing to capture the best shot

      The α6700 can automatically shoot up to 299 images with sequentially shifted focus points according to intervals and a sequence specified by you. Pick the perfect shot, or post-process multiple shots to achieve creative composites with incredible depth of focus.

      Several photos of plants taken with AF bracketing

      Flicker suppression

      Suppress flicker from artificial lighting whether you're shooting stills or movies. Simply select "Anti-flicker Shoot", or use "Var. Shutter" to fine-tune shutter speeds to match flicker rates when filming.

      Image of the camera's menu screen

       

      Movie performance inherited from the Cinema Line

      4K movie recording for stunning quality

      The α6700 captures 4K (QFHD: 3840 x 2160) at up to 60p (50p) using Sony's proprietary 6K oversampling technology. By compressing this expanded detail into the output, it achieves 4K video quality with outstanding definition, even at higher frame rates. The camera also supports high-quality XAVC S-I (All-Intra) and XAVC HS formats with 10-bit 4:2:2 colour sampling.

       

      High frame rate 4K 120p (100p) recording

      High frame rate recording at up to 120p for 4K QFHD (3840 x 2160) output makes it possible to capture high-resolution movies in-camera. This expands creative possibilities in post-production by allowing subject motion to be emphasised or transformed into smooth slow motion. S&Q mode also enables recording of slow or quick motion sequences in camera from the outset.

      Expressive S-Cinetone™

      Incorporating the same colour science as the highly regarded CineAlta and Cinema Line, the α6700 includes Sony's S-Cinetone picture profile as a preset, delivering images with more faithful colour reproduction and natural skin tones.Portrait of a woman’s face

      S-Log3 gamma curve with 14+ stops of latitude

      The S-Log3 gamma curve emphasises gradation characteristics from shadows to mid-grey (18% grey), achieving up to 14+ stops of latitude for flexible and creative colour editing.Portrait of a woman silhouetted against a cityscape

      Real-time Tracking for movies

      AI-based Real-time Tracking provides a dramatic improvement in Real-time Tracking performance, automatically recognising, tracking, and focusing on the eyes of a specified subject. In addition to using the Touch Tracking function to initiate tracking, a custom button can be used to temporarily track a selected subject regardless of the subject's position in the frame and the focus area setting.Sample photo of AF tracking the subject even at intersections where other people are passing by

      Active Mode for enhanced movie image stabilisation

      Active Mode provides powerful image stabilisation for handheld movie shooting. The α6700 can accurately measure camera shake which is then precisely compensated for optically, providing highly effective stabilisation without sacrificing mobility, even when shooting 4K. Photo of a man shooting hand-held video with telephoto lens attached

      Breathing compensation for consistent angle of view

      When shooting movies with compatible lenses, automatic breathing compensation uses Clear Image Zoom technology to maintain a consistent angle of view, suppressing changes that may occur due to shifts in focus position. Breathing metadata can also be used in post-production.Portrait of a woman with a birdcage in the foreground

      Import user LUT files

      See how your footage will look in post-processing while you're shooting. The α6700 allows you to import a custom LUT (Look Up Table) that can be applied to the camera's monitor image while recording, providing a preview.Image of the "Display LUT" selection screen

      Movie making made simple

      The α6700 is jampacked with features to support movie shooting and production. Its Auto Framing function automatically crops and re-frames the image while using AI to track the subject. Or, for a cinematic touch, the in-camera time-lapse function allows you to create time-lapse videos within the camera itself.Sample photos of auto-framing: Finder display image and actual captured image

       

      Outstanding control and reliability

       

      Made for your hands

      With its compact shape, and lightweight 493 gram body, the α6700 offers remarkable portability and manoeuvrability without compromising image quality. A new grip design provides a solid, even more comfortable hold on the camera, while giving greater control for shooting both stills and movies.

      Photos of people holding cameras or drones with cameras mounted on them

      High-performance electronic viewfinder

      A 2.36 million-dot (approx.) XGA OLED electronic viewfinder with approximately 1.07x magnification delivers an exceptional view of your world. With twice the brightness of the α6600, and a wider 33-degree viewing angle, it offers clear, easy viewing while shooting. The finder frame rate can be set to 120 fps — twice the normal rate — for a smooth viewfinder image, with minimum display motion blur when tracking and shooting moving subjects.Illustration of viewfinder interior

      Enhanced shooting flexibility with vari-angle monitor

      The α6700 features a large 3.0-type 1.03 million-dot (approx.) touch-panel LCD monitor with a 3:2 aspect ratio and side-opening vari-angle flexibility. This allows greater positioning and framing freedom, giving you plenty of creative options for handheld and gimbal-mounted shooting of stills and moviesImage of the camera illustrating LCD panel movement

      Intuitive touch control

      Just touch the screen to activate key functions, such as selecting a focus point or subject to track, or triggering the shutter. Swiping in from the left or right edge of the shooting display reveals touch icons that allow quick changes to the shooting mode and other settings. The function (Fn) menu can also be displayed by a simple swipe-up. During playback, you can easily select and zoom into images through taps and intuitive pinch-out/pinch-in gestures.Image showing touchscreen operation

      Improved menu structure

      Responding to feedback from professional photographers and videographers, the α6700 comes with a new Main Menu structure similar to the latest full-frame α series models. The logical layout provides more efficient access to important shooting parameters, such as frame rate, shutter speed, and more. It can be assigned to a custom key for quick access when needed, and touch operation means that adjusting key settings has never been faster.Image of the camera's menu screen

       

      Visualise your world with E-mount lenses

       

      More than 70 E-mount lenses to choose from

      Take your pick from a comprehensive range of E-mount lenses from Sony. Our acclaimed line-up includes the full-frame G Master™ series that blends breathtaking resolution with exquisite bokeh, and the G Lens™ series that offers excellent image quality and value. Combined with an APS-C body, Sony's ultra-wide lenses can capture sweeping scenery or large subjects in a single frame, while telephoto lenses, assisted by the 1.5 crop factor of APS-C bodies and teleconverter lenses as needed, make it possible to capture distant subjects with stunning clarity and detail.

      Image of all E-mount lenses

      Accessories expand creative horizons

      A variety of high-performance compatible microphones can be connected to the the camera’s Multi Interface Shoe for direct, noise-free digital audio transfer to the camera. Or choose from a variety of high-output flash units such as the HVL-F60RM2 that support high-speed continuous shooting, giving you even more ways to capture creative imagery.Image of Sony flashes Image of microphones attached to cameras

      Connected vision

      Easy and stable smartphone connectivity

      Make the most of the α6700’s greatly enhanced connection stability with Sony’s free Creators’ App that enables simple transfers of photos and movies to your smartphone or tablet. Transfers continue in the background even if the smartphone display sleeps or a different app is launched. You can also use your smartphone to control the camera remotely.

      Photo of a woman looking at a photos transferred from the camera

      Stream high-quality live content

      Connected to a personal computer or smartphone via USB, the α6700 can function as a 4K (2160p) webcam with advanced AF that makes online meetings and live streaming events even smoother.

      Photo of a woman live streaming with the camera

      Fast Wi-Fi for PC tethering

      Built-in Wi-Fi (IEEE 802.11a/b/g/n/ac) allows communication on the 2.4 GHz and 5 GHz bands for fast and stable data transfer.

      Image of the Wi-Fi setup screen

      Creators' Cloud platform

      Creators' Cloud is a platform that supports creative work from shooting to production by combining advanced Sony camera technology with cloud-based AI. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps providing efficient solutions that integrate cameras with shooting and production apps and services.

       

      Illustration of the Creators Cloud concept

       

      Towards a better future

      Accessible technology on α cameras

      Sony's α cameras are equipped with a number of accessibility features so that as many people as possible can utilise and enjoy our technology. For example, the screen reader function reads text on the menu screens aloud, with volume and reading speed adjustable as needed.

      Image of screen reader settings

      Sony's goal: zero environmental footprint

      At Sony, we've launched the Road to Zero plan to map our path to achieving a zero environmental footprint, with our Green Management 2025 plan defining intermediate targets. We've taken measures to reduce the environmental footprint of the α6700 at every stage of its life cycle, from product development through supply chain, production, and packaging.

      Image of Road to Zero logo

      Packing for the future

      Wherever possible, Sony strives to use non-plastic packaging materials that provide ample protection against shock and impact, including plant-based non-woven fabrics for product bags. All of this helps to minimise environmental stress.

      Image of camera packaging materials

       

       

      SPECIFICATIONS & FEATURES

      The α6700 represents a new generation of APS-C camera bodies with a futuristic fusion of AI-based recognition technology, superlative α-series still image quality, plus moviemaking features and performance from Sony’s acclaimed Cinema Line.

      •  

        APS-C format back-illuminated Exmor R CMOS sensor with approximately 26.0 effective megapixels

      •  

        Advanced BIONZ XR engine boosts overall processing speed by up to 8x

      •  

        Innovative AI processing unit for enhanced subject recognition, AF and tracking

      •  

        In-body 5-axis image stabilisation with Active Mode for movie shooting

      •  

        High-level movie performance inherited from the Cinema Line

      Picture of α6700 Premium E-mount APS-C Camera
      Picture of α6700 Premium E-mount APS-C Camera
  • features
    • Features
      New image sensor with double the readout speed

      New image sensor with double the readout speed

      The newly developed back-illuminated full-frame Exmor RTM CMOS sensor, with 12.1 effective megapixels, boasts a readout speed up to twice as fast as that of the α7S II, along with high sensitivity and wide dynamic range. An advanced colour filter array boosts colour reproduction accuracy, while focal plane phase-detection AF enables substantial increases in autofocus stability and precision, all of which contribute to outstanding image quality.

      New image-processing engine with up to 8x the processing performance

      New image-processing engine with up to 8x the processing performance

      The BIONZ XRTM image-processing engine boasts a performance level up to eight times that of the previous processor, minimising latency while markedly improving real-time processing capabilities for both movies and stills. The engine performs real-time processing of AF, image recognition and image-quality adjustments, while also handling data transfer, user interface and other camera operations.

      High sensitivity, wide dynamic range

      High sensitivity, wide dynamic range

      The full-frame 12.1-megapixel configuration enables high sensitivity with low noise throughout the camera's sensitivity range by optimising the output signal from the sensor. The standard ISO range is 80-102400, which is further expandable to 40-409600 (80-409600 for movies). The dynamic range is an impressively wide 15 stops, for beautiful, true-to-life images without blown highlights. Together, the camera's high sensitivity and wide dynamic range expand your creative freedom during shoots.

      Full-frame 4K recording at 120p

      Full-frame 4K recording at 120p

      Full-frame 4K recording at 120fps with autofocus is possible thanks to the high-speed readout capabilities of the new image sensor working in tandem with the newly developed, powerful BIONZ XR processor. This high image-quality 4K, with full-pixel readout without binning, allows for clear post-produced slow motion (up to x5 slower than real time), as well as bokeh effects typical of full-frame cameras, all with smooth, high-precision autofocus. Despite the α7S III's compact size, it provides impressive scope for your creativity.

      Recording movies with 10-bit depth and 4:2:2 colour sampling

      Recording movies with 10-bit depth and 4:2:2 colour sampling

      The camera is capable of performing 4K internal recording with 10-bit depth and 4:2:2 colour sampling when using either Long GOP or All Intra compression. This makes it possible to push your colour grades further, stretching video out for ultimate HDR realism while still retaining natural gradation, for true editing freedom.

      All-Intra internal recording

      All-Intra internal recording

      In addition to Long GOP inter-frame compression, the α7S III supports internal intra-frame (All-Intra) recording for the first time in an α-model body, where each frame is recorded independently at a high bitrate of up to 600Mbps. This can be useful for certain types of shoots as it allows maximum flexibility in post-production editing.  [1] All-Intra (All-I)  [2] Long GoP  [3] Group of Pictures

      HEVC codec with high compression efficiency

      HEVC codec with high compression efficiency

      Available for the first time, XAVC HS format recording using the MPEG-H HEVC/H.265 codec roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS allows for detailed 10-bit video with 4:2:2 colour sampling at comparable or lower data rates, delivering even better image quality as well as manageable file sizes.

      16-bit RAW data output

      16-bit RAW data output

      Facilitating improved image quality and more flexible and efficient editing in post production, the camera supports 16-bit RAW data output to an external recorder via HDMI, for the first time in the α series. The output is full-frame 4264 x 2408 (16:9 aspect ratio) 16-bit data from the image sensor, with a choice of 59.94p/50p/29.97p/25p/23.98p frame rates and colour spaces.

      S-Log2 and S-Log3 with 10bit 4:2:2 support

      S-Log2 and S-Log3 with 10bit 4:2:2 support

      S-Log2 and S-Log3 gamma curves are available, with S-Log3 designed for better reproduction of gradations from shadows to the mid-grey range (18% grey), enabling a dynamic range of up to 15 stops. Three colour gamut settings (S-Gamut, S-Gamut3, and S-Gamut3.Cine) are provided, and the latter two settings make it easier to match the colours of footage shot with Sony's professional cinema cameras. Because the colours match, colour grading is easier in post-production editing, making it more convenient to use the α7S III along with other pro cameras.

      Proxy recording for more efficient editing workflow

      Proxy recording for more efficient editing workflow

      When shooting movies, low bit-rate HD proxy files can be recorded simultaneously with higher bit-rate formats such as XAVC S-I 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files can be captured in either 10-bit XAVC HS (1920 x 1080) or 8-bit XAVC S (1280 x 720) .

      10-bit HLG picture profile

      10-bit HLG picture profile

      An HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 colour space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout and less whiteout, all without the need for colour grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism.  [1] High flexibility to fine-tune images as desired (colour grading required)  [2] Instant high-quality image (colour grading not required) 

      Enhanced movie image quality

      Enhanced movie image quality

      Thanks to the improved capabilities of the α7S III's new image-processing engine, colours and textures of foliage and human skin can be more consistently reproduced without over-dependence on light sources. Gradation rendering has also been refined, for better-looking skin tones and highlight roll-off in portraits. When shooting 4K, the new image sensor and processing engine reduce rolling shutter distortion to as little as one-third that of the α7S II.

      Fast Hybrid AF for dependable focus during movie shooting

      Fast Hybrid AF for dependable focus during movie shooting

      Inheriting technology and performance standards from Sony's large-format FX9 pro camcorder, Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field, taking full advantage of Sony E-mount lenses' smooth linear-motor focusing and power-zoom operations. Newly added AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as requested by professional users. Both allow preset settings to be recalled during recording by using a customisable button.

      AF support in manual-focus mode

      AF support in manual-focus mode

      The camera's autofocus support can be useful even when you're primarily using manual focus. For full AF speed, half-press the shutter button or press the AF-ON button, as you would when shooting stills. Alternatively, slower, more cinematic AF transitions can be achieved by initiating AF via the touch focus feature or Real-time Eye AF via a custom button assignment, resulting in slow, smooth autofocus at the preset AF Transition Speed.

      Game-changing tracking features to revolutionise movie shooting

      Game-changing tracking features to revolutionise movie shooting

      Real-time Tracking and Real-time Eye AF make movie-making much easier. Touch Tracking initiates subject tracking with an intuitive touch to the LCD monitor, processing data on colour, pattern (brightness), distance (depth) and facial information to keep your subject in steady focus. You can then concentrate more fully on composition, which can be especially useful when you're shooting solo or using a gimbal. Touch operations can be used to temporarily engage AF even when you're shooting manually.

      Active Mode optical image stabilisation for handheld shooting

      Active Mode optical image stabilisation for handheld shooting

      Relying on a new high-precision stabilisation unit, gyro sensors, and optimised image stabilisation algorithms, the camera's Optical SteadyShotTM Active Mode provides the precise degree of optical image compensation needed during movie shooting, even for 4K video. With this unprecedented level of stabilisation it's possible to shoot with the camera only, taking advantage of the compact size and mobility of the α system.  [1] Track of camera shake  [2] Standard  [3] Active

      Enhanced audio quality

      Enhanced audio quality

      A digital audio interface is incorporated in the camera's Multi Interface (MI) Shoe, to facilitate cleaner, clearer audio recordings without loss of quality. The XLR-K3M XLR Adaptor Kit additionally provides the camera with 4-channel 24-bit digital audio recording capability. Three recording formats can be selected from a menu: 48 kHz/16-bit 2-ch, 48 kHz/24-bit 2-ch, and 48 kHz/24-bit 4-ch, with the XLR-K3M XLR Adaptor Kit required for the latter two formats.

      New heat-dissipation design for extended recording times

      New heat-dissipation design for extended recording times

      The camera's design has been optimised to prevent overheating even during extended recording sessions. A unique Sony Σ (sigma) shaped graphite-alloy heatsink is built into the image stabilisation unit, allowing the sensor to dissipate heat five times more effectively than in previous models, while allowing it to move freely and avoiding interference with the stabilisation system.

      Designed for smooth movie-making

      Designed for smooth movie-making

      Flexibility in positioning the camera and framing shots is provided by the side-opening, vari-angle monitor, which incorporates a bright 3.0-type, 1.44 million-dot LCD screen. The MOVIE button is within easy reach on the camera's top panel, and a durable HDMI Type-A terminal ensures reliable connections to external monitors. The item arrangement and initial settings on the mode dial have also been adjusted to meet the needs of pro users.

      Dedicated settings menu for movie shooting

      Dedicated settings menu for movie shooting

      A subset of the camera's settings can be changed independently for movie or still shooting, which can be useful if you want to use different ISO, Iris (aperture) and other settings depending on the shooting mode. Another convenient feature is the use of Flexible Exposure Mode instead of normal PASM Mode when Movie or S&Q mode is selected. This allows quick switching between auto and manual control of Iris (aperture) and shutter speed, and the function can be assigned to a custom button to allow one-touch toggling between auto and manual.

      Fast Hybrid AF for still shots

      Fast Hybrid AF for still shots

      The Fast Hybrid AF uses a high-density array of 759 phase-detection AF points (covering around 93% of the imaging area) in conjunction with 425-point contrast-detection AF. Real-time Eye AF (for humans and animals) and Real-time Tracking features are also available for the first time in the S series. Advanced AF algorithms facilitate precise AF down to light levels as low as EV-6, for accurate focus even when the subject would be difficult to see clearly with the naked eye. 

      High-speed continuous shooting performance

      High-speed continuous shooting performance

      Mechanical and electronic shutters are each capable of continuous shooting at up to 10fps with AF/AE. Continuous shooting of over 1000 uncompressed RAW images is possible thanks to increases in the buffer memory of the BIONZ XR processor and memory-card writing speed.

      Enhanced image quality for stills

      Enhanced image quality for stills

      The new image sensor and image-processing engine deliver an extraordinary degree of sensitivity, a defining characteristic of the S series, and significantly better reproduction of colour and textural details. Improved rendering capability provides realistic-looking images with reduced noise, particularly in the mid-to-high sensitivity range. A new Visible Light and IR Sensor improves auto white balance, and HEIF file options and an HLG Still Image Mode (for 8-bit and 10-bit HEIF stills) have been added.

      Creative Look feature to set the mood and atmosphere

      Creative Look feature to set the mood and atmosphere

      The new Creative Look feature is a quick way to establish a particular mood in still shots and movies by altering parameters like brightness, contrast and colour saturation. Ten Creative Look presets are available in-camera, and each of these can be used as is, or further customised using eight individual parameter settings. Custom Creative Look settings can be easily saved and stored for later use.

      Two CFexpress Type A-compatible media slots

      Two CFexpress Type A-compatible media slots

      The camera's two media slots are compatible with new CFexpress Type A cards as well as SDXC/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write/read speeds suitable for both high-speed continuous still shooting and 4K movie recording at high bit rates. They are capable of quickly clearing camera buffers even when high volumes of still image and movie data are being generated.

      High-definition 9.44 million-dot electronic viewfinder

      High-definition 9.44 million-dot electronic viewfinder

      Boasting the highest resolution in its class, the α7S III's viewfinder rivals the resolution of the human eye. It provides category-leading 0.90x viewfinder magnification, a 41º diagonal field of view, and a 25mm high eyepoint for clear, low-distortion viewing. Improvements in sealing greatly reduce the chance that even drastic ambient temperature fluctuations will cause interior condensation.

      New touch-driven menu with workflow-based navigation

      New touch-driven menu with workflow-based navigation

      Responding to requests from pro photographers and videographers, the menu structure has been designed to allow professionals to work more efficiently. Menu tabs are on the left side of the display, while parameter groups and parameters related to the selected tab appear on the right. Up to three levels can be displayed together, making the menu structure more clearly visible. Touch-responsive menu operations enable fast, intuitive control.

      Reliable, durable construction

      Reliable, durable construction

      To maximise dust and moisture resistance, additional sealing has been applied to all body seams and to the battery compartment cover, and the media slot cover has been redesigned to handle harsh outdoor environments. A filter in front of the image sensor oscillates at an ultrasonic frequency of 70,000 cycles per second to remove dust from the sensor surface. The camera chassis is highly durable thanks to full magnesium-alloy construction.

      USB Power Delivery

      USB Power Delivery

      The camera supports USB PD (Power Delivery), to enable continuous shooting for extended periods without draining the internal battery. PD-compatible USB chargers and mobile batteries can be connected to the camera's USB Type C® port, to supply power or to recharge the internal battery at 3 to 4 times the rate of conventional power supplies.

      Data communications to support on-site workflow

      Data communications to support on-site workflow

      Wired and wireless communications features support FTP transfer for still and movie files as well as remote shooting capability, to facilitate professional workflows during shoots. Wireless 5GHz/2.4GHz LAN connections are supported, and wired connectivity to 1000BASE-T Ethernet networks is available via a USB-to-Ethernet adaptor cable connected to the camera's USB Type C® port supporting SuperSpeed USB 5Gbps (USB 3.2). Remote shooting can be controlled from a PC with Sony's Imaging Edge DesktopTM application, or from a mobile device with Imaging Edge MobileTM.

      External flash control from the camera body

      External flash control from the camera body

      It is now possible to configure the settings of a compatible attached flash or Wireless Radio Commander (both sold separately) from the camera. Most settings, including light output, can be accessed and easily changed directly from a camera menu, for high-performance flash control with these genuine Sony accessories. Flash parameters are shown in the selected camera display language.

      Imaging Edge Desktop

      Imaging Edge Desktop

      Elevate your photography with Imaging Edge Desktop applications. Use ‘Remote’ to control and monitor shooting live on your PC screen; ‘Viewer’ to quickly preview, rate, and select photos from large image libraries; and ‘Edit’ to develop RAW data into high-quality photos for delivery. Get the best from Sony RAW files, and manage your productions more efficiently.

      Capture One for Sony

      Capture One for Sony

      Capture One Express (for Sony) is free award-winning editing software that provides RAW development, easy management and powerful editing tools. Capture One Pro (for Sony) is also available for even more editing tools and remote shooting capability.

      S-Cinetone™ from high-end cinema camera colour science

      S-Cinetone™ from high-end cinema camera colour science

      The inclusion of Sony’s acclaimed S-Cinetone look, inherited from the development of the Cinema Line FX9 and CineAlta cameras such as VENICE, allows cinematic colour to be achieved directly in-camera. S-Cinetone is optimised for natural skin tones and mid-range colours, with gentle highlight roll-off, for impressive subject depiction without grading at post production as a workflow.

      Works with iMovie and Final Cut Pro X

      Works with iMovie and Final Cut Pro X

      This product is compatible with Final Cut Pro X and iMovie.

  • highlight
    • Highlight

      Newly developed 12.1-megapixel back-illuminated Exmor RTM CMOS image sensor

      Lens

      E-mount

      Newly developed BIONZ XR image processing engine with up to 8x the processing performance

      Image Sensor

      3:2

      Movie-making with 4K 120p, 10-bit 4:2:2 recording capability

      Recording (still images)

      35mm full frame L: 3776 x 2832 (11M), M: 2464 x 1848 (4.6M), S: 1888 x 1416 (2.7M), APS-C L: 2464 x 1848 (4.6M), M: 1888 x 1416 (2.7M), S: 1232 x 920 (1.1M)

      Fast Hybrid AF with 759 phase-detection AF points and enhanced Real-time Eye AF

      Recording (movie)

      XAVC S, XAVC HS

      Body-integrated 5-axis optical image stabilisation, Active Mode for movies

      Recording System

      Yes

  • specifications
    • Specifications

      Designed for professionals, the α7S III builds on the strengths of the S series such as high sensitivity and wide dynamic range while providing pro features like enhanced AF, optical image stabilisation and 4K 120p recording. Incorporating a powerful new engine in its compact body, the camera delivers a wide range of visual experiences.

      Lens

      Lens Mount

      E-mount

      Image Sensor

      Aspect Ratio

      3:2

      Number Of Pixels (Effective)

      Approx. 12.1 megapixels

      Number of Pixels (total)

      Approx. 12.9 megapixels

      Sensor Type

      35mm full frame (35.6×23.8mm), Exmor R CMOS sensor

      Anti-Dust System

      Yes (Charge protection coating on Optical Filter and ultrasonic vibration mechanism)

      Recording (still images)

      IMAGE SIZE (PIXELS) [4:3] 

      35mm full frame L: 3776 x 2832 (11M), M: 2464 x 1848 (4.6M), S: 1888 x 1416 (2.7M), APS-C L: 2464 x 1848 (4.6M), M: 1888 x 1416 (2.7M), S: 1232 x 920 (1.1M)

      Image Size (pixels) [16:9]

      35mm full frame L: 4240 x 2384 (10M), M: 2768 x 1560 (4.3M), S: 2128 x 1200 (2.6M), APS-C L: 2768 x 1560 (4.3M), M: 2128 x 1200 (2.6M), S: 1376 x 776 (1.1M)

      IMAGE SIZE (PIXELS) [1:1] 

      35mm full frame L: 2832 x 2832 (8M), M: 1840 x 1840 (3.4M), S: 1408 x 1408 (2.0M),APS-C L: 1840 x 1840 (3.4M), M: 1408 x 1408 (2.0M), S: 912 x 912 (0.8M)

      Picture Effect

      -

      Creative Style

      -

      Picture Profile

      Yes (Off / PP1-PP10) Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset

      CREATIVE LOOK

      ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)

      Dynamic Range Functions

      Off, Dynamic Range Optimizer (Auto/Level (1-5))

      Colour Space

      sRGB standard (with sYCC gamut), Adobe RGB standard and Rec. ITU-R BT.2100 standard (BT.2020 gamut). (compatible with TRILUMINOS Color)

      14bit RAW

      Yes

      Recording (movie)

      Recording Format

      XAVC S, XAVC HS

      Colour Space

      Rec. ITU-R BT.2100 standard compatible (BT.2020 gamut). (compatible with TRILUMINOS Color)

      Picture Effect

      -

      Creative Style

      -

      Picture Profile

      Yes (Off / PP1-PP10) Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset

      CREATIVE LOOK

      ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)

      MOVIE RECORDING SYSTEM (XAVC HS 4K)

      3840 x 2160 (4:2:0, 10bit, NTSC) (Approx.): 120p (200Mbps), 60p (150Mbps / 75Mbps / 45Mbps), 24p (100Mbps / 50Mbps / 30Mbps); 3840 x 2160 (4:2:0, 10bit, PAL) (Approx.): 100p (200Mbps), 50p (150Mbps / 75Mbps / 45Mbps); 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 120p (280Mbps), 60p (200Mbps / 100Mbps), 24p (100Mbps / 50Mbps); 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 100p (280Mbps), 50p (200Mbps / 100Mbps)* details of frame rate

      MOVIE RECORDING SYSTEM (XAVC S 4K)

      3840 x 2160 (4:2:0, 8bit, NTSC) (Approx.): 120p (200Mbps), 60p (150Mbps), 30p (100Mbps / 60Mbps), 24p (100Mbps / 60Mbps); 3840 x 2160 (4:2:0, 8bit, PAL) (Approx.): 100p (200Mbps), 50p (150Mbps), 25p (100Mbps / 60Mbps); 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 120p (280Mbps), 60p (200Mbps), 30p (140Mbps), 24p (100Mbps); 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 100p (280Mbps), 50p (200Mbps), 25p (140Mbps)* details of frame rate

      MOVIE RECORDING SYSTEM (XAVC S HD)

      1920 x 1080 (4:2:0, 8bit, NTSC) (Approx.): 120p (100Mbps / 60Mbps), 60p (50Mbps / 25Mbps), 30p (50Mbps / 16Mbps), 24p (50Mbps); 1920 x 1080 (4:2:0, 8bit, PAL) (Approx.): 100p　(100Mbps / 60Mbps), 50p (50Mbps / 25Mbps), 25p (50Mbps / 16Mbps); 1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.): 60p (50Mbps), 30p (50Mbps), 24p (50Mbps); 1920 x 1080 (4:2:2, 10bit, PAL) (Approx.): 50p (50Mbps), 25p (50Mbps)* details of frame rate

      MOVIE RECORDING SYSTEM (XAVC S-I 4K)

      3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 60p (600Mbps), 30p (300Mbps), 24p (240Mbps); 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 50p (500Mbps), 25p (250Mbps)* details of frame rate

      MOVIE RECORDING SYSTEM (XAVC S-I HD)

      1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.): 60p (222Mbps), 30p (111Mbps), 24p (89Mbps); 1920 x 1080 (4:2:2, 10bit, PAL) (Approx.): 50p (185Mbps), 25p (93Mbps)* details of frame rate

      SLOW & QUICK MOTION (SHOOTING FRAME RATE) 

      NTSC mode: 1fps,2fps,4fps,8fps,15fps,30fps,60fps,120fps, 240fps,PAL mode: 1fps,2fps,3fps,6fps,12fps,25fps,50fps,100fps, 200fps* details of frame rate

      Movie Functions

      Audio Level Display, Audio Rec Level, PAL/NTSC Selector, Proxy Recording (1280 x 720 (6Mbps), 1920 x 1080(9Mbps), 1920 x 1080(16Mbps)), TC/UB, Auto Slow Shutter, Gamma Disp. Assist, RAW Output(HDMI)

      Recording System

      Location information Link from smartphone

      Yes

      Media

      SD memory card, SDHC memory card (UHS-I/II compliant), SDXC memory card (UHS-I/II compliant), CFexpress Type A memory card

      Memory Card Slot

      SLOT1: Multi slot for SD (UHS-I/II compliant) memory card/CFexpress Type A card, SLOT2: Multi slot for SD (UHS-I/II compliant) memory card/CFexpress Type A card

      Recording mode on 2 memory cards

      Simult. Rec, Sort, Auto Switch Media, Copy

      Noise Reduction

      Noise Reduction

      Long exposure NR: On/Off, available at shutter speeds longer than 1 sec.,High ISO NR: Normal / Low / Off

      White balance

      White Balance Modes

      Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom

      SHUTTER AWB LOCK 

      Yes (Shut. Halfway Down / Cont. Shooting / Off)

      Focus

      Focus Type

      Fast Hybrid AF (phase-detection AF / contrast-detection AF)

      Focus Sensor

      Exmor R CMOS sensor

      Focus Point

      35mm full frame: 759 points (phase-detection AF), APS-C mode with FF lens: 345 points (phase-detection AF), with APS-C lens: 285 points (phase-detection AF) / 425 points (contrast-detection AF)

      Focus Sensitivity Range

      EV-6 to EV20 (ISO100 equivalent with F2.0 lens attached)

      Focus Mode

      AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus

      Focus Area

      Wide / Zone / Center Fix / Spot / Expand Spot / Tracking

      EYE AF / SUBJECT RECOGNITION AF

      [Still images] Human (Right/Left Eye Select) / Animal, [Movie] Human (Right/Left Eye Select)

      Other Features

      Predictive control, Focus lock, AF Track Sens. (Still), AF Subj. Shift Sensitivity (Movie), AF Transition Speed (Movie), Switch V/H AF Area, AF Area Regist., Circ. of Focus Point

      AF Illuminator

      Yes (with Built-in LED type)

      AF Illuminator range

      Approx. 0.3m - approx. 3.0m (with FE 28-70mm F3.5-5.6 OSS lens attached)

      Focus type with LA-EA3 (Sold separately)

      Phase-detection

      Exposure

      Metering Sensor

      Exmor R CMOS sensor

      Metering Sensitivity

      EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)

      Metering Mode

      Multi-segment, Center-weighted, Spot, Spot Standard/Large, Entire Screen Avg., Highlight

      Exposure Compensation

      +/- 5.0EV (1/3 EV, 1/2 EV steps selectable) (with exposure compensation dial: +/- 3EV (1/3 EV steps))

      Exposure Bracketing

      Bracket: Cont., Bracket: Single, 3/5/9 frames selectable. (Ambient light, Flash light)

      AE Lock

      Locked when shutter button is pressed halfway. Available with AE lock button. (On/Off/Auto)

      Exposure Modes

      AUTO(iAuto), Programmed AE (P), Aperture priority (A), Shutter-speed priority (S), Manual (M), Movie (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode), Slow & Quick Motion (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode)

      ISO Sensitivity

      Still images: ISO 80-102400 (ISO numbers up from ISO 40 to ISO 409600 can be set as expanded ISO range.), Movies: ISO 80-102400 equivalent (ISO numbers up to ISO 409600 can be set as expanded ISO range.)

      Anti-flicker Shoot.

      Yes

      Scene Selection

      -

      Exposure

      Metering Type

      1200-zone evaluative metering

      Viewfinder

      Viewfinder Type

      1.6 cm (0.64 type) electronic viewfinder (color)

      Number of Dots

      9 437 184 dots

      Field Coverage

      100%

      Magnification

      Approx. 0.90 x (with 50mm lens at infinity, -1m-1)

      Dioptre Adjustment

      -4.0 to +3.0m-1

      Eye Point

      Approx. 25mm from the eyepiece lens, 21mm from the eyepiece frame at -1m-1 (CIPA standard)

      DISPLAY FUNCTION

      Histogram, Real-time image-adjustment display, Digital level gauge, Grid line, Focus check, Peaking MF, Zebra, Movie marker, Emph disp dur REC

      Finder Frame Rate Selection

      NTSC mode: STD 60fps / HI 120fps, PAL mode: STD 50fps / HI 100fps

      LCD Screen

      Monitor Type

      7.5cm (3.0-type) type TFT

      Number of Dots

      1,440,000 dots

      Touch Panel

      Yes

      Brightness Control

      Manual (5 steps between -2 and +2), Sunny Weather mode

      Adjustable Angle

      Opening Angle:Approx. 176 deg., Rotation Angle:Approx. 270 deg.

      Focus Magnifier

      Yes, Focus Magnifier (35mm full frame: 2.1x / 4.1x, APS-C: 1.5x / 3.0x)

      Other Features

      PlayMemories Camera Apps™

      -

      Clear Image Zoom

      Still images:Approx. 2x,Movies:Approx. 1.5x (4K), Approx. 2x (HD)

      Digital Zoom

      Smart zoom (Still images):35mm full frame: M:Approx. 1.5x, S:Approx. 2x, APS-C: M:Approx. 1.3x, S:Approx. 2x, Digital zoom (Still images):35mm full frame: L:Approx. 4x, M:Approx.6.1x, S:Approx. 8x, APS-C: L:Approx. 4x, M:Approx. 5.2x, S:Approx. 8x,Digital zoom (Movie):35mm full frame: Approx. 4x, APS-C: Approx. 4x

      Face Detection

      Face Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority

      Self-Portrait Self-timer

      -

      Others

      Interval Recording, ISO AUTO Min. SS, Bright Monitoring, Copyright Info, Set File Name, Save/Import Settings, Help guide, Video Light Mode, Zoom Ring Rotate

      Shutter

      Type

      Electronically-controlled, vertical-traverse, focal-plane type

      Shutter Type

      Mechanical shutter/Electronic shutter

      Shutter Speed

      Still images: 1/8000 to 30 sec, Bulb, Movies: 1/8000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode)

      Flash Sync. Speed

      1/250 sec.

      Electronic Front Curtain Shutter

      Yes (ON/OFF)

      Silent Shooting

      Yes (ON/OFF)

      Image Stabilization

      Type

      Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)

      Compensation Effect

      5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50mm F1.4 ZA lens mounted. Long exposure NR off.)

      Flash Control

      Type

      -

      Guide No.

      -

      Flash coverage

      -

      Control

      Pre-flash TTL

      Flash Compensation

      +/- 3.0 EV (switchable between 1/3 and 1/2 EV steps)

      Flash Modes

      Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction (on/off selectable), Wireless, Hi-speed sync.

      Recycling Time

      -

      External Flash Compatibility

      Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe

      FE Level Lock

      Yes

      Wireless Control

      Yes (Light signal: Available with Fill-flash, Slow Sync., Hi-speed sync. / Radio signal: Available with Fill-flash, Rear Sync., Slow Sync., Hi-speed sync.)

      Drive

      Drive Modes

      Single Shooting, Continuous shooting (Hi+/Hi/Mid/Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket

      Continuous Drive Speed (approx. max.)

      Continuous shooting: Hi+: 10 fps, Hi: 8 fps, Mid: 6 fps, Lo: 3 fps

      No. of recordable frames (approx.)

      JPEG Extra fine L: over 1000 frames, JPEG Fine L: over 1000 frames, JPEG Standard L: over 1000 frames, RAW: over 1000 frames, RAW & JPG: over 1000 frames, RAW (Uncompressed): over 1000 frames, RAW (Uncompressed) & JPG: over 1000 frames

      Self-Timer

      10 sec. delay / 5 sec. delay / 2 sec. delay / Continuous self-time / Bracketing self-timer

      Pixel Shift Multi Shooting

      -

      Playback

      Photo Capture

      Yes

      Modes

      Single (with or without shooting information Y RGB histogram & highlight / shadow warning),Index view,Enlarged display mode (L: 10.6x, M: 6.92x, S: 5.32x),Auto Review,Image orientation,Folder selection (Date / Still / Movie),Protect,Rating,Display as Group

      Print

      Compatible Standards

      Exif Print, Print Image Matching III

      Custom function

      Type

      Custom key settings,Programmable Setting (Body 3 sets /memory card 4 sets),My Dial Settings,My Menu,Reg Cust Shoot Set

      Lens Compensation

      Setting

      Peripheral Shading, Chromatic Aberration, Distortion

      Power

      Supplied Battery

      One rechargeable battery pack NP-FZ100

      Battery Life (Still Images)

      Approx. 510 shots (Viewfinder) / Approx. 600 shots (LCD monitor) (CIPA standard)

      Battery Life (Movie, actual recording)

      Approx. 80 min (Viewfinder) / Approx. 95 min (LCD monitor) (CIPA standard)

      Battery Life (Movie, continuous recording)

      Approx. 130 min (Viewfinder) / Approx. 135 min (LCD monitor) (CIPA standard)

      Internal Battery Charge

      Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)

      Power consumption with Viewfinder

      Still images: Approx. 4.3W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: Approx. 7.6W (with FE 28-70mm F3.5-5.6 OSS lens attached)

      Power consumption with LCD screen

      Still images: Approx. 3.3W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: Approx. 7.3W (with FE 28-70mm F3.5-5.6 OSS lens attached)

      USB Power supply

      Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)

      Interface

      PC Interface

      Mass-storage / MTP

      Multi / Micro USB Terminal

      Yes, Type-C® Terminal (SuperSpeed USB 5Gbps(USB 3.2) compatible)

      Bluetooth

      Yes (Bluetooth Standard Ver. 5.0 (2.4GHz band))

      Multi Interface Shoe

      Yes (with Digital Audio Interface)

      Mic Terminal

      Yes (3.5 mm Stereo minijack)

      Sync Terminal

      -

      Headphone Terminal

      Yes (3.5 mm Stereo minijack)

      Vertical Grip Connector

      Yes

      LAN Terminal

      -

      FUNCTIONS

      FTP Transfer Func.,View on Smartphone,Remote control via Smartphone,NFC One-touch remote,PC Remote,BRAVIA Sync (Control for HDMI),PhotoTV HD

      Size & Weight

      Weight (with battery and memory card included)

      Approx. 699 g, approx. 1 lb 8.7 oz

      Dimensions (W x H x D)

      Approx. 128.9mm x 96.9mm x 80.8mm, Approx. 128.9mm x 96.9mm x 69.7mm (FROM GRIP TO MONITOR), Approx. 5 1/8 x 3 7/8 x 3 1/4 inches, Approx. 5 1/8 x 3 7/8 x 2 3/4 inches (FROM GRIP TO MONITOR)

      Audio

      Microphone

      Built-in, stereo

      Speaker

      Built-in, monaural

      Others

      Operating Temperature

      32 - 104 degrees F / 0 - 40 degrees C

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  • Delivery Information
    • Delivery Information

      How much does delivery cost?

      Sony offers free deliveries for orders $100 and above. For orders below $100, a standard delivery charge of $2.90 will be applied during checkout.

       

      What is the expected delivery lead time?

      Products excluding those listed under Televisions and Home Cinema:

      For orders below $100, your order will be delivered within 3 working days upon order placement of products.

      For orders $100 and above, placed before 2pm on Monday - Thursday excluding eve of public holidays, delivery will be next day. Orders received on the weekend may take longer as some logistics partners do not support delivery on Sunday. Please refer to the following table for delivery estimates:

      Time Of Order

      Estimated Delivery Date

      Example

      Mon – Thu

      Orders before 2pm

      Receive it the next working day

      Order on Monday 11am, receive on Tuesday

      Mon – Thu

      Orders after 2pm

      Receive it the 3rd working day

      Order on Monday 2pm, receive on Wednesday

      Fri, Eve of PH

      Orders before 2pm

      Receive it the next working day

      Order on Thursday 11am (eve of PH), receive it on Monday

      Fri – Sun, Eve of PH

      Orders after 2pm

      Receive it on the 3rd  working day

      Order on Thursday 2pm (eve of PH), receive it on Tuesday

       

      Large products (products listed under Televisions and Home Cinema):

      Next day delivery may not be applicable. Please expect a phone call after placing your order for arrangement of the date of delivery.

       

      Where do you ship to?

      Shipping is only available within Singapore. Delivery will only be made to address located on the main Singapore island, with the exclusion of restricted zones. Delivery to Sentosa island will be subject to additional charges. Where Sony is unable to deliver, we will endeavour to notify you as soon as we become aware of the restriction.

      For more information, please refer to our Online Shopping FAQ

Sony Alpha 7S III | A7S III | ILCE-7SM3 Camera Image, Front View Angle, Newly developed 12.1-megapixel back-illuminated Exmor R CMOS image sensor.

A7S III 35mm High Sensitivity E-mount Camera with Full-Frame Sensor (Body Only)

$4,899.00 $5,299.00